XPUB2 Research Board / Martin Foucaut: Difference between revisions

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=<p style="font-family:helvetica">Readings related to personal research for XPUB2 (mostly french)</p>=
===<p style="font-family:helvetica">Books</p>===
<br>
→&nbsp;1.&nbsp; [[L'art comme expérience — John Dewey]] (french) ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Gallimard (1934)<br>
→&nbsp;2.&nbsp; [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] (french<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Alia (1939)<br>
→&nbsp;3.&nbsp; [[La Galaxie Gutemberg — Marshall McLuhan]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: University of Toronto Press (1962)<br> 
→&nbsp;3.&nbsp; [[Pour comprendre les médias — Marshall McLuhan]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: McGraw-Hill Education (1964)<br> 
→&nbsp;4.&nbsp; [[Dispositif — Jean-Louis Baudry]] (french) <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)<br> 
→&nbsp;5.&nbsp; [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]] (french) ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Macula (1993)<br>
→&nbsp;6.&nbsp; [[L'art de l'observateur: vision et modernité au XIXe siècle — Jonathan Crary]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Jacqueline Chambon (Editions) (1994)<br>
→&nbsp;7.&nbsp; [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]] (english) ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Les presses du réel (2008)<br>
→&nbsp;8.&nbsp; [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] (french) ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Point (2000)<br>
→&nbsp;9.&nbsp; [[Langage des nouveaux médias — Lev Manovitch]] (french) ⚠️(yet to be filled)⚠️<br> 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Presses du Réel (2001)<br>
→&nbsp;10.&nbsp;[[L'empire cybernétique — Cécile Lafontaine]] (french)<br> 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Seuil (2004)<br>
→&nbsp;11.&nbsp; [[La relation comme forme — Jean Louis Boissier]] (french)<br> 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Genève, MAMCO(2004)<br>
→&nbsp;12.&nbsp; [[Le Net Art au musée — Anne  Laforêt]] (french)<br> 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Questions Théoriques(2011)<br>
→&nbsp;13.&nbsp; [[Narrative comprehension and Film communication — Edward Branigan]] (english)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Routledge (2013) <br>
→&nbsp;14.&nbsp;[[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] (english)<br> 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Roma (2015)<br>
→&nbsp;15.&nbsp;[[Post Digital Print — Alessandro Ludovico]] (french) ≈<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: B42 (2016)<br>
→&nbsp;16.&nbsp;[[L'écran comme mobile — Jean Louis Boissier]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Presses du réel (2016)<br>
→&nbsp;17.&nbsp;[[Design tactile — Josh Clark]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Eyrolles (2016)<br>
→&nbsp;18.&nbsp;[[Espaces de l'œuvre, espaces de l'exposition — Pamela Bianchi]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Eyrolles (2016)<br>
→&nbsp;19.&nbsp;[[Imprimer le monde]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Éditions HYX et les Éditions du Centre Pompidou (2017)<br>
→&nbsp;20.&nbsp;[[Version 0 - Notes sur le livre numérique]] (french)<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: ECRIDIL (2018)<br>
===<p style="font-family:helvetica">Articles</p>===
→&nbsp;1.&nbsp;[[Frederick Kiesler — artiste- architecte]] ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;(communiqué de presse)
Centre pompidou; source : centrepompidou.fr (1996)<br>
→&nbsp;2.&nbsp;[[Oublier l'exposition]] ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Artpress special numéro 21 (2000)<br>
→&nbsp;3.&nbsp;[[Composer avec l’imprévisible: Le questionnaire sur les médias variables]] ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Jon Ippolito; source : variablemedia.net/pdf/Permanence (2003)<br>
→&nbsp;4.&nbsp;[[Esthétique du numérique : rupture et continuité]] <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Fred Forest; source : archives.icom.museum (2010)<br>
→&nbsp;5.&nbsp;[[La narration interactive]] ⚠️(yet to be filled)⚠️<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dragana Trgovčević source : ensci.com/file_intranet/mastere_ctc/etude_Dragana_Trgovcevic.pdf (2011)<br>
→&nbsp;6.&nbsp;[[Des dispositifs aux appareils - L'Espacement d'un calcul]]<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Anthony Masure source :  anthonymasure.com (2013)<br>
→&nbsp;7.&nbsp;[https://www.cairn.info/revue-cahiers-philosophiques1-2011-1-page-9.html?contenu=article Le musée n'est pas un dispositif - Jean-Louis Déotte] p.9 - 22 (2011)
===<p style="font-family:helvetica">To read</p>===
→&nbsp;1.&nbsp;Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590><br>
→&nbsp;2.&nbsp;Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.<br>
→&nbsp;3.&nbsp;[http://nt2.uqam.ca/fr/biblio/wall-and-canvas-lissitzkys-spatial-experiments-and-white-cube The wall and the canvas: Lissitzky’s spatial experiments and the White Cube]<br>
→&nbsp;4.&nbsp;[http://nt2.uqam.ca/fr/biblio/after-white-cube After the White Cube.] 2015<br>
→&nbsp;5.&nbsp;[http://nt2.uqam.ca/fr/biblio/spaces-experience-art-gallery-interiors-1800-2000 Spaces of Experience: Art Gallery Interiors from 1800 – 2000]<br>
→&nbsp;6.&nbsp;[http://nt2.uqam.ca/fr/entree-carnet-recherche/apogee-et-perigee-du-white-cube Apogée et périgée du White Cube] Loosli, Alban<br>
→&nbsp;7.&nbsp;[https://eastofborneo.org/articles/decorative-arts-billy-al-bengston-and-frank-gehry-discuss-their-1968-collaboration-at-lacma/ Decorative Arts: Billy Al Bengston and Frank Gehry discuss their 1968 collaboration at LACMA by Aram Moshayedi]<br>
=<p style="font-family:helvetica">References</p>=
=<p style="font-family:helvetica">References</p>=


Revision as of 13:12, 7 August 2021

References

Exhibition space

→  Prouns Spaces — El lissitzky (1920)
→  City in Space — Frederick Kiesler (1920)
→  The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→  Sans titre — Michael Asher (1973)
→  Serra Corner prop n°7 (for Nathalie) Richard Serra (1983)

Nothingness with Media

→  4’’33’ — John Cage (1952)
→  Untitled - A Curse — Tom Friedman (1965)
→  The air conditionning Show — Terry Atkinson & Michael Baldwin(1966-67)
→  Sans titre — Michael Asher (1973)

Mediatization of Media

→  4’’33’ — John Cage (1952)
→  TV Garden — Nam June Paik (1974)
→  Presents — Michael Snow (soon to be translated)
→  Lost Formats Preservation Society — Experimental Jetset (2000)
→  Lost Formats Winterthur — Experimental Jetset (2000)
→  L’atlas critique d’Internet Louise Drulhe (2014-2015)

Flags

→  Netflag — Mark Napier (2002)
→  019 - Flag show (2015)

User perspective

→  What you see is what you get — Jonas Lund (2012)

Media Time perception

→  Present Continuous Past — Dan Graham's (1974)

Experimental cinema

→  Presents — Michael Snow (soon to be translated)
→  Displacements — Michael Naimark (1980)
→  BE NOW HERE — Michael Naimark (1995)

CSS composition

→  Sebastianly Serena
→  Scrollbar Composition
→  into time .com - Rafael Rozendaal
→  Ridge 11 - Nicolas Sassoon
→  Rectangulaire - Claude Closky
→  Jacksonpollock.org - Miltos Manetas
→  Moving Paintings - Annie Abrahams

Media deterioration

→  Img214270417
→  William Basinski - The Disintegration Loops

Undefined

→  Untitled Sans

User friendliness and anti-user friendliness

→  Web-Safe - Juha van Ingen

Media Art conservation

→  The Variable Media Initiative 1999
→  EAI Online Resource Guide forExhibiting, Collecting & Preserving Media Art
→  Matters in Media Art
→  The International Network for the Preservation of Contemporary Art (INCCA)
→  Archiving complex digital artworks - Dušan Barok

Emulation

→  Seeing Double: Emulation in Theory and Practice

Technological Timeline

→  Technological Timeline

Media Art Online Archive

→  ACM SIGGRAPH Art Show Archives
→  Archive of Digital Art (ADA)
→  Ars Electronica Archive
→  Digital Art Web Archive (collected by Cornell)
→  Monoskop
→  The Rhizome ArtBase

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