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| == Short Circuiting the Archive ==
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| [[Foucault and Derrida for dummies]]
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| [[Anthony McCall]]
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| == Prototyping ==
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| [[16.09.2014]]
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| == Reading, Writing & Research==
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| === <big>Best wishes</big> ===
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| ''what''
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| Best wishes is a series of postcards.
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| ''how''
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| On the postcards are screen shots that colleagues and friends have taken of themselves while visiting their favourite websites.
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| ''why''
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| Heterotopia is a term coined by Michel Foucault that refers to spaces of otherness, which are neither here nor there. Examples of such spaces are the moment when you see yourself in the mirror or the duration of a phone call. Interacting with technology creates a similar space, a different reality that we switch to. The postcards function as souvenirs from virtual locations. The entire study is based on trying to find a physical form for a virtual environment, a bridge between realities, or proof for heterotopia. Hence, the outcomes are printed. Another reason for proceeding thus is that it is more common to find oddly designed websites or applications than it is to find printed matter, seeing as there are more restrictions are costs to the latter. Graphic design is used here as a vehicle for provoking critical thought by taking familiar objects out of context.
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| Best wishes is a series of postcards made up of screen shots that colleagues and friends have taken of themselves while visiting their favourite websites. The concept behind them is strongly interlinked with the philosophical term Heterotopia, which was coined by Michel Foucault. It refers to spaces of otherness, which are neither here nor there. Examples of such spaces are the moment when you see yourself in the mirror or the duration of a phone call. Interacting with technology creates a similar space, a different reality that we switch to. The postcards function as souvenirs from virtual locations. The entire study is based on trying to find a physical form for a virtual environment, a bridge between realities, or proof for heterotopia. Hence, the outcomes are printed. Another reason for proceeding thus is that it is more common to find oddly designed websites or applications than it is to find printed matter, seeing as there are more restrictions are costs to the latter. Graphic design is used here as a vehicle for provoking critical thought by taking familiar objects out of context.
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| <div style="color:#0000FF">
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| .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
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| Notes : <br>
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| What : could you describe them a bit more? Perhaps a set people can buy or postcards in a prototypal stage of being distributed? Made for an exhibition or a wider scale project? <br>
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| How : How did you collect those images? Who got the instructions? Was it a document with precise directions or an informal approach?<br>
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| why : I like it but I think it could be shorterned as a good part of it consists in the context paragraph we have to do this afternoon. Maybe you should split it and try to make it more succint on both sides.</div>
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| === <big>Conversations with Cleverbot</big> ===
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| ''what''
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| Conversations with Cleverbot is the second of a three book project on the theme of information overload. A recurring motif in the books is the progression into the unknown. Their format was specifically chosen to illustrate the same concept: the first book is A3, the second A4 and the third A5.
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| ''how''
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| In order to communicate the finds that were made through research, I made a book consisting of a dialogue I had with Cleverbot, in which various theories were explained.
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| ''why''
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| Cleverbot is a web application that uses an artificial intelligence algorithm to converse with humans. The difference between Cleverbot and other chat bots is that the former learns from the responses it receives, thus it could be described as the collective consciousness of the Internet.
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| Conversations with Cleverbot is part of a three book project on the theme of information overload. A recurring motif in the books is the progression into the unknown. Their format was specifically chosen to illustrate the same concept: the first book is A3, the second A4 and the third A5. Cleverbot is a web application that uses an artificial intelligence algorithm to converse with humans. The difference between Cleverbot and other chat bots is that the former learns from the responses it receives, thus it could be described as the collective consciousness of the Internet. In order to communicate the finds that were made through research, I made a book consisting of a dialogue I had with Cleverbot, in which various theories were explained.
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| <div style="color:#0000FF">
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| .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
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| Notes : <br>
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| What : Could have just a hint what the other books are? Maybe their title would suffice, associate the formats here would make sense. Then reduce to what's essential : the book itself.
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| Progression to the unknown is perhaps well abstract to me, more relevant for the why I imagine. What is cleverbot? What were you both talking about? <br>
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| How : Format of the conversation? How did you extract the conversation? How did you recontextualize it? Basically describe the process of the making of the book. <br>
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| why : That looks more like a what to me as it introduces Cleverbot. Here should develop about information overload and the specific points which sparked your interest. Second sentence is good though! </div>
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| === <big>The Library of Babel</big> ===
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| ''what''
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| The third book of the Information Overload project is based on The Library of Babel, Jorge Luis Borges’ short story, in which the universe consists of one immense library. The book contains 410 pages, which is a direct reference to the same restriction that all the books in the Library of Babel possess.
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| ''how''
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| For the third book, I asked a friend to create a program that would randomly reorder the words of any given text, after which I passed The Library of Babel through the program 410 times. Each version was then placed on one A2 document, projected onto the wall and photographed. As time passed, one could clearly notice how light settled into the room, and the 410 photographs went from clear text on a dark background to blurred text on a light background, suggesting progression into the unknown. The resulting images were then printed in an A5 format and left as loose sheets. Randomly hidden amongst them was one title card that read ‘The Library of Babel’.
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| ''why''
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| The Library of Babel is a perfect metaphor for the anxiety caused by being subjected to an endless stream of information.
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| The books in the short story appear to contain combinations of 25 letters in no specific order, however, the inhabitants of this world believe that they contain all possible variations, leading to the realisation that somewhere in the labyrinth of text there must be a prediction of the future or their own biography.
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| The third book of the Information Overload project is based on The Library of Babel, Jorge Luis Borges’ short story, in which the universe consists of one immense library. The book contains 410 pages, which is a direct reference to the same restriction that all the books in the Library of Babel possess. For the third book, I asked a friend to create a program that would randomly reorder the words of any given text, after which I passed The Library of Babel through the program 410 times. Each version was then placed on one A2 document, projected onto the wall and photographed. As time passed, one could clearly notice how light settled into the room, and the 410 photographs went from clear text on a dark background to blurred text on a light background, suggesting progression into the unknown. The resulting images were then printed in an A5 format and left as loose sheets. Randomly hidden amongst them was one title card that read ‘The Library of Babel’. The Library of Babel is a perfect metaphor for the anxiety caused by being subjected to an endless stream of information.
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| The books in the short story appear to contain combinations of 25 letters in no specific order, however, the inhabitants of this world believe that they contain all possible variations, leading to the realisation that somewhere in the labyrinth of text there must be a prediction of the future or their own biography.
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| <div style="color:#0000FF">
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| .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
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| Notes : <br>
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| http://colettecarrsblog.com/wp-content/uploads/thumbs-up.jpeg </div>
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