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| = floater = | | = floater = |
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| the form of dwarsliggers | | <s>the form of dwarsliggers</s> |
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| [[Jujube/relational-database| memories in relational database]] | | [[Jujube/relational-database| memories in relational database]] |
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| Hasan's prom [https://one.npr.org/i/675534603:675534605] | | Hasan's prom [https://one.npr.org/i/675534603:675534605] |
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| | Bye-Bye New York [https://one.npr.org/?sharedMediaId=684429292:684429294] |
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| = watch list = | | = watch list = |
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| '''watched'''
| | [[Jujube/watch-log| watch log (2018-present)]] |
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| {|class="wikitable"
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| |-
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| ! name (year) !! director !! one thing noted !! month of viewing !! place of viewing
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| |- | |
| | Crazy Rich Asians (2018) || Jon M. Chu || cried through this comedy (oh the shots of New York skyline) || 08.18 || kino
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| |-
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| | Kanazawa Shutter Girl (2018) || Terauchi Kotaro || "typology" || 09.18 || lv (subscribed to cineville for the Camera Japan Festival)
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| |-
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| | Mori, the Artist’s Habitat (2018) || Okita Shuichi || the audience chuckled, why... || 09.18 || lv
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| | Bodysong (2004) || Simon Pummell || witnessed(?) a dozen births at 10 o'clock in the morning || 10.18 || class
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| | The Propaganda Game (2015) || Álvaro Longoria || the shooting conditions were transparent || 10.18 || netflix
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| |-
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| | Side by Side (2012) || Christopher Kenneally || history of technology || 10.18 || class
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| | Leaning into the Wind (2018) || Thomas Riedelsheimer || the audience laughed whenever there was a contemplative silence (esp. when Goldsworthy climbed through the branches). was silence unbearable for them? || 10.18 || lv
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| | Fantastic Beasts: The Crimes of Grindelwald (2018) || David Yates || lost in the plot, highly stylized, tears over two scenes (Dumbledore & Leta, the fight between Grindelwald and the good people) || 11.18 || cinerama
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| | The Children Act (2018) || Richard Eyre || tears over the scene when Our Lady cried about the boy, the only instance of her vulnerability and the re-uniting moment of her marriage || 11.18 || lv
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| | The Wife (2017) || Björn Lunge || classic dramaturgy, interwoven conflict(s), compact dialogue || 11.18 || cinerama
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| | Widows (2018) || Steve McQueen || audio as a layer on top of the situation (conversation in the car + shots of car from the outside + transition of one place to another in one shot, radio telling one secondary story over another secondary story), dramatic cuts || 11.18 || kino
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| | Touch Me Not (2018) || Adina Pintilie || the aesthetics does not match the content, too stylized and too removed, the silence, hesitation and alternative practices make you think, but not feel; not feeling very well during + after || 12.18 || lv
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| | Shoplifters MANBIKI KAZOKU (2018) || Hirokazu Kore-eda || subtlety || 12.18 || kino
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| | Woman at War (2018) || Benedikt Erlingsson || (NL subtitles) surrealist musicians || 1.18 || kino
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| | The Favourite (2018) || Yorgos Lanthimos || the grotesque Victorians (someone fell asleep in the theater and snored) || 1.18 || kino
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| | Cold War (2018) || Pawel Pawlikowski || beautiful imageries and moving music, hollow with story || 1.18 || kino
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| | Roma (2018) || Alfonso Cuarón || (NL subtitles) I wish I saw it with EN subtitles... fine repetition depicting the domestic, the noise of DF is perfectly captured and contrasted || 1.18 || kino
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| | Fantastic Beasts and Where to Find them (2016) || David Yates || ... || 1.18 || netflix
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| | Julie and Julia (2009) || Nora Ephron || when blog was still the new thing... The image of LIC and a young couple in NY... 9/11. Whose favorite movie was this? || 1.18 || netflix
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| |}
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| '''To watch'''
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| Paris, Texas (1984) | | Paris, Texas (1984) |
