How To Be More Or Less Human: Difference between revisions

Latest revision as of 16:23, 13 February 2017

How To Be More Or Less Human
Creator	Max Dovey
Year	2015
Bio	Max Dovey [UK] is 28.3% man, 14.1% artist and 8.4% successful. His performances confront how computers, software, and data affect the human condition. Specifically he is interested in how the meritocracy of neo-liberal ideology is embedded in technology and digital culture. His research is in “liveness” and real-time computation in performance and theatre.
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Website	http://howtobemoreorless.com

How To Be More Or Less Human investigates how human activity is classified by image recognition software. Computer vision and the gaze of the webcam become the basis for a performance that explores how online databases form an identity of the human subject. Performances will take place every hour during the opening on 3 July and by appointment during the exhibition.

How To Be More Or Less Human investigates how human activity is classified by image recognition software. Computer vision and the gaze of the webcam become the basis for a performance that explores how online databases form an identity of the human subject. A clinic is divided by two computers that continually project words from an image recognition program. A man enters at appointed times and performs a series of actions that are analysed by the image recognition software. The confidence levels of the image recognition program become the basis for a performance between a man and an algorithm. How To Be More Or Less Human examines how computer vision classifies gender, race and class through commercial stock imagery. Visual stereotypes and typologies are highlighted and performed by human and non-human actors to demonstrate how humans are encoded into computer vision.

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-How To Be More Or Less Human is a performance investigating how humans are identified by computer vision software. Looking specifically at how the human subject is identified and classified by image recognition software, a representation of the human body is formed. The living presence of a human being cannot be sensed by computer vision, so the human subject becomes a quantifiable data object with a set of attributes and characteristics.  Seeing ourselves in this digital mirror allows us to reflect on other models of perception and develop an understanding of how the human subject is ‘seen’ by the machinic ‘other’. Looking at ourselves through the automated perception of image recognition can highlight how gender, race and ethnicity have been processed into a mathematical model. The algorithm is trained to ‘see’ certain things forcing the human subject to identify themselves within the frame of computer vision.
+How To Be More Or Less Human investigates how human activity is classified by image recognition software. Computer vision and the gaze of the webcam become the basis for a performance that explores how online databases form an identity of the human subject. A clinic is divided by two computers that continually project words from an image recognition program. A man enters at appointed times and performs a series of actions that are analysed by the image recognition software. The confidence levels of the image recognition program become the basis for a performance between a man and an algorithm.
+How To Be More Or Less Human examines how computer vision classifies gender, race and class through commercial stock imagery. Visual stereotypes and typologies are highlighted and performed by human and non-human actors to demonstrate how humans are encoded into computer vision.