LB2 2024 and V2 + WORM: Difference between revisions

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'''Artist Bio'''<br>  
'''Artist Bio'''<br>  
Clara Franke (she/her, 1998, Germany) is a multidisciplinary artist/designer, thematically evolving around the topics of community, the body, (spiritual) eco-feminism, the mystical, contemplation of consumerism, and more generally the collaboration with musicians.  
Clara Franke (1998, Hamburg), multidisciplinary artist/designer shaped a practice moving swiftly between photography, filmmaking, ceramics and costume design.


Her practice moves swiftly between photography, filmmaking, ceramics and costume design.<br>
The intimate, calming world she builds evolves around topics of community/collaboration, the body, (spiritual) eco-feminism, mysticality, and contemplation of consumerism.
 
 
'''Images'''
[[File:Ceramics in moss.jpg|right|frameless|439x439px]]
[[File:Aiste with flute.jpg|left|frameless|411x411px]]
[[File:Ceramics vase.jpg|center|frameless|390x390px]]
[[File:Super 8.jpg|right|frameless|465x465px]]
[[File:Super 8.2.jpg|frameless|467x467px]]


'''Images'''<br>
[[File:000029.jpg|none|thumb]]


<br>
<br>
<br>
----'''Student Name'''
* Muyang Teng
'''Contact info'''
* tengmuyangphoto@163.com
* +31 0647681716
* [https://alternativelogic.me/#/ https://alternativelogic.me/]<br>
'''Project title'''
* Octopus in Drag<br>
'''Logline'''
<br>''Octopus in Drag'' includes animation & poetry, set in a white porcelain toilet symbolizing Western views on Chinese purity. It features a creature from the animality of Yellow Peril & Fu Manchu, using drag to exhibit racial & queer toxicity. It explores (im)penetrability, transfiguration & unreliable surfacing of (queered) yellow-skinned people, advocating a (porous) transfeminist perspective inspired by ''I Ching.''
'''Images'''
[[File:Cut31 2(21) DeMain 0425.png|thumb|center]]
[[File:Cut31 2(24) DeMain 1081.png|thumb|center]]
'''Artist Bio'''
Muyang Teng, born in 1998 in Changzhou, Jiangsu, is an educator, translator, and photographer. Their work explores colonial histories, race, gender, and sexuality through material histories and narrative storytelling. Recently, they focused on racial discrimination experienced in the art school, examining how Asians challenge institutional dynamics through cultural expression and inscrutability.
----
----




'''Student Name'''<br>Muyang Teng
'''Student Name'''<br>Claudio Tola


'''Contact info'''
'''Contact info'''


tengmuyangphoto@163.com<br>+31 0647681716<br>
cldtl.com
 
cldtlstudio@gmail.com


'''Project title'''<br>Octopus in Drag<br>
'''Project title'''<br>''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES''


'''Logline'''<br>''Octopus in Drag'' is a 3D animation rooted in the artist's encounters with sex racism in the Netherlands. The hybrid creature symbolizes animality and monstrosity, subverting stereotypes within Yellow Peril and Fu Manchu. Through different dance movements and constantly changing rhyme, the work explores transness, resistance, and Asian (queer) sociality and inscrutability, navigating the interplay of toxicity, identity, and expectations.
'''Logline'''<br>''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES'' articulates in an installation form a multifaceted reflection on the blurred spaces between vision and blindness, visibility and invisibility, technologies of image-making and experiencing, subtly merging personal, political and formal concerns.


'''Images'''
'''Images'''


[[File:Cut31 2(21) DeMain 0425.png|thumb|center]]
[[File:Screenshot 2024-05-15 at 12.25.02.png|frameless|912x912px]]
 
 
[[File:Screenshot 2024-05-15 at 12.24.15.png|frameless|907x907px]]
 
 
 
 
'''Artist Bio'''
 
Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments, endlessly edits. His recent practice questions material and immaterial stakes of images, vision and visibility, lingering on thresholds, edges and moments of failures.  Born in Torino, Italy,  lives and works in Rotterdam. He is a member of the artist-run film lab Filmwerkplaats.
 
 
----
 
 
 
'''Student Name'''<br>Sam Koopman
 
'''Contact info'''
 
(+31) 640070740
 
[https://skoopman.com skoopman.com]
 
bioskoopman@gmail.com
 
'''Project title'''<br>''Work(ing Together) in Progress''
 
'''Logline'''


[[File:Cut31 2(24) DeMain 1081.png|thumb|center]]
Two strangers met in a sex shop. With differing motivations, they began a multi-year film project. ''Work(ing Together) in Process'' is a desktop film essay performing an autopsy upon their comedically tragic collaboration.  


'''Images'''
[[File:Work(ing Together) in Process (STILL FRAME 01) SKoopman 1.png|left|frameless]]


[[File:Work(ing Together) in Process (STILL FRAME 02) SKoopman.png|frameless]] [[File:Work(ing Together) in Process (STILL FRAME 03) SKoopman.png|frameless]]


'''Artist Bio'''
'''Artist Bio'''


Muyang Teng (b.Jiangsu, 1998), educator, translator, and photographer, founded 'ElectricLizard' in 2022, drawing over 16,000 followers. Their research explores matter and mattering in colonial commodities, examining intersections of race, gender, culture, species, and animacy, highlighting messy and uncategorizable aspects.<br>
Sam Koopman (b. 1992) is a Dutch-Canadian filmmaker and artist based in Rotterdam. His practice inquires upon the border of documentary and fiction, exploring his encounters with peoples and places – their mundanities, vulnerabilities and absurdities. Central to this is a focus on participatory processes and meaning making, often questioning the role of his lens. 
 
----
 
 
'''Student name:'''
 
Arabella Turner<br>
 
'''Contact info'''
 
https://arabellaturner.net/
 
(+31) 6 81276510<br>arabellaturner@hotmail.co.uk<br>
 
'''Project title'''<br>As Cliffs Roar, Caves Whisper<br>
 
'''Logline'''<br>In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the surrounding geological forms for useful minerals. All the while the cliffs and caves watch on, occasionally whispering and sometimes roaring.
 
'''Artist Bio'''<br>Arabella Turner (UK/NL) is an artist and filmmaker working primarily with video, sound, digital 3D modelling and text. Her films frequently layer timelines, and merge the ancient with the contemporary revealing the present within the past. Her scripts and text-based work concern the shapes and structures we use for storytelling, often developing a unique narrative structure for each project.
 
'''Images'''
 
<br>
[[File:ACRCW 3.png|center|594x594px|ACRCW 3|frameless]]
 
 
[[File:ACRCW 2.png|center|601x601px|ACRCW 2|frameless]]


==Helpful resources==
==Helpful resources==

Revision as of 20:45, 15 May 2024

LB2 Graduates 2024 and V2_ + WORM

Collaboration between LB2 graduates of 2024, V2_ and WORM.

Florian Weigl and Wilco Tuinman

Apparatuurlijst V2

V2_ plattegrond GF

UBIK floorplan

Timeline

---> week 20

FRI 17 May - PRESS ---> WORM - save the date -short text - image - title -links (websites - instagram) (closer to the show you can change and expand)

WORM SPECS: Nia Konstantinova PR & Communications "It is best to have a square image (1:1 ratio) max 2 mb. We don't have a word count but shorter texts are always better. Because we can only upload the main image to the website and a lot of text looks heavy."

---> week 22

Thu 30 May - Deadline 00:59 LB2 assessment documents to archive

---> week 23

MON- TUE 3-4 June - Final assessments

THU- FRI 6-7 - Gallery Installation with Stefanos

---> week 24

MON 10 - (????time-schedule????) Short presentation of all graduates, Florian, Wilco, and Simon will join the seminar for the day

TUE- THU 11 - 13 - Gallery Installation with Stefanos

---> week 25 -

(if not earlier) PRESS FINAL VERSIONS TO V2_ and WORM / scheduling opening speeches- performances- tours. (make sure to have XPUB involved that there are no conflicts with their schedule) [think about music/noise playing in CS]

MON 17--> FRI 21 Visit Meely and pick up furniture -all in one go (????what day is best, arrange with Leslie and Wilco????)

---> week 26 -

MON 24 (????time????) transport LB/XPUB

TUE- WED 25- 26 - V2_ and UBIK ----> build

WED 26 19:00 - 23:00 - Alumni Illuminata, CS WORM

THU 27 (????time????) - Opening LB and XPUB - V2_-UBIK-S/ash Gallery WORM


---> Exhibtion continuing

LB + XPUB stewards gallery schedule + ???? how to turn off and on tech support if needed A4 ????

?????LB1/2 photographing schedule for Archiving?????

---> week 27

MON 01 July - de-install and transport (????time????)

MON 01 July 16:00 - 18:00 LB graduation ceremony, in WORM CS

All declarations need to be declared via HINT before you leave at the latest MON 01 JULY

Declarations & moving out

Please declare your 200 euros in one go. 200 euros per grad, (uploaded invoices can be higher than that, you claim 200 euros) - reference GRAD SHOW STUDENT COSTS 24. -->Budget number: 510350

When leaving PZI< please save your work to a hard drive and strip your data from your computer - DEADLINE- WEEK 34 ---> THU 18, July

Student assistants

Add here the names and contact details of two students who will be the liaison between LB2 and V2_/WORM.

liaisons: Yalou and Lau, (please add your contact details here)


Graduates proposals

  • Please add your name, email address and phone number plus a logline, short bio (third person - 30-40 words), project descriptions (50-60 words), and images. If you have sketch ideas for installation upload the drawing(s). Remember this is a fluid wikipage. But a good place to incubate and harvest your press releases, tech riders, etc. (see the previous year's page for examples ).

Student Name

Contact info
Your contact info here

Project title
Your project's title here

Logline
Your project's logline here

Artist Bio
Your short biography here

Images




Student Name
Clara Franke

Contact info
frankeclara@aol.com, +4915204912709, ww.clarafranke.com

Project title
Bodies of Water

Logline
Bodies of Water contemplates humans disconnect to, and exploitation of the environment, through an ecocentric, ritualistic film and ceramics installation.

Staged in a clay lake; a remnant of clay extraction, an imaginary ritual is filmed, which uses ceramic objects and instruments made by the artist.

Referencing altars, the objects are presented alongside a guided meditation, allowing the visitor to be immersed in a ritual themselves.


Artist Bio
Clara Franke (1998, Hamburg), multidisciplinary artist/designer shaped a practice moving swiftly between photography, filmmaking, ceramics and costume design.

The intimate, calming world she builds evolves around topics of community/collaboration, the body, (spiritual) eco-feminism, mysticality, and contemplation of consumerism.


Images

Ceramics in moss.jpg
Aiste with flute.jpg
Ceramics vase.jpg
Super 8.jpg

Super 8.2.jpg





Student Name

  • Muyang Teng

Contact info

Project title

  • Octopus in Drag

Logline


Octopus in Drag includes animation & poetry, set in a white porcelain toilet symbolizing Western views on Chinese purity. It features a creature from the animality of Yellow Peril & Fu Manchu, using drag to exhibit racial & queer toxicity. It explores (im)penetrability, transfiguration & unreliable surfacing of (queered) yellow-skinned people, advocating a (porous) transfeminist perspective inspired by I Ching.

Images

Cut31 2(21) DeMain 0425.png
Cut31 2(24) DeMain 1081.png


Artist Bio

Muyang Teng, born in 1998 in Changzhou, Jiangsu, is an educator, translator, and photographer. Their work explores colonial histories, race, gender, and sexuality through material histories and narrative storytelling. Recently, they focused on racial discrimination experienced in the art school, examining how Asians challenge institutional dynamics through cultural expression and inscrutability.



Student Name
Claudio Tola

Contact info

cldtl.com

cldtlstudio@gmail.com

Project title
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES

Logline
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES articulates in an installation form a multifaceted reflection on the blurred spaces between vision and blindness, visibility and invisibility, technologies of image-making and experiencing, subtly merging personal, political and formal concerns.

Images

Screenshot 2024-05-15 at 12.25.02.png


Screenshot 2024-05-15 at 12.24.15.png



Artist Bio

Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments, endlessly edits. His recent practice questions material and immaterial stakes of images, vision and visibility, lingering on thresholds, edges and moments of failures. Born in Torino, Italy, lives and works in Rotterdam. He is a member of the artist-run film lab Filmwerkplaats.




Student Name
Sam Koopman

Contact info

(+31) 640070740

skoopman.com

bioskoopman@gmail.com

Project title
Work(ing Together) in Progress

Logline

Two strangers met in a sex shop. With differing motivations, they began a multi-year film project. Work(ing Together) in Process is a desktop film essay performing an autopsy upon their comedically tragic collaboration.

Images

Work(ing Together) in Process (STILL FRAME 01) SKoopman 1.png

Work(ing Together) in Process (STILL FRAME 02) SKoopman.png Work(ing Together) in Process (STILL FRAME 03) SKoopman.png

Artist Bio

Sam Koopman (b. 1992) is a Dutch-Canadian filmmaker and artist based in Rotterdam. His practice inquires upon the border of documentary and fiction, exploring his encounters with peoples and places – their mundanities, vulnerabilities and absurdities. Central to this is a focus on participatory processes and meaning making, often questioning the role of his lens.



Student name:

Arabella Turner

Contact info

https://arabellaturner.net/

(+31) 6 81276510
arabellaturner@hotmail.co.uk

Project title
As Cliffs Roar, Caves Whisper

Logline
In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the surrounding geological forms for useful minerals. All the while the cliffs and caves watch on, occasionally whispering and sometimes roaring.

Artist Bio
Arabella Turner (UK/NL) is an artist and filmmaker working primarily with video, sound, digital 3D modelling and text. Her films frequently layer timelines, and merge the ancient with the contemporary revealing the present within the past. Her scripts and text-based work concern the shapes and structures we use for storytelling, often developing a unique narrative structure for each project.

Images


ACRCW 3


ACRCW 2

Helpful resources

Use the following as a reference when planning your proposal.

V2_ Floorplan
V2_ Floorplan
WORM UBIK Floorplan
WORM UBIK Floorplan
Technical Rider Template UBIK
Technical Rider Template UBIK