View source for User:Mihail Bakalov/Trimester 1/THEMATIC SEMINAR/Notes28.10.2013


Lara Shalson 

performance continues into the future,
afterlife

the pics documenting the performance are better known than the actual performance


abramovich reanactment is 7h long
endurance
achiving an embodied relation 

on google smthng?
ubu.com/film/abramovic_seven.html


transmi
between the reanactment and the documentation.

inevitable to disappera  a part of it, alterred

with the objects meaning might change


text gives you more room to imagen.
if you alter the image its much more critical,

story telling
story teller
repods to the crowd


travma, robstvo
prerazkazvaneto na istoriite na dyrjavite i naciite
kak edna i sushta istoriq buva promenena 



notion of changeability not exactness
artist-friven change
careful documentation

possibility of preservation, but not exact


Lara Shalson (2013) enduring documents 




Mikkas Poper


the iisue with the institutional way of documenttation.


most facilities use two way of arhive
collection archive   -
documentation works  -documentation about the work

what are we buying and how do we preserve it.



written text as a documentation
excluding visual presentation
freedom with imagination



how far can you move from the origin with the afterlife?
how far can you detach from cultural field in which the performance acts.


the afterlife what does it concern?
the economical side or the authors 

--
the art work -  comodified


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the document a performance you need a performance

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the need of documentation or the economics


emphasizing on the artists opinion, and his interest
a 3way look in to his work


the lack is to capture the experience
the .... of the work

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no need for experience
no need for driving
no nned for a performance

examp: building an automatic car

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centralaized information ( before )
and restricted information


and now it is desectralized
but people start to go back to small groups.


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