User:Mihail Bakalov/Trimester 1/THEMATIC SEMINAR/Notes28.10.2013
performance continues into the future, afterlife
the pics documenting the performance are better known than the actual performance
abramovich reanactment is 7h long endurance achiving an embodied relation
on google smthng? ubu.com/film/abramovic_seven.html
transmi between the reanactment and the documentation.
inevitable to disappera a part of it, alterred
with the objects meaning might change
text gives you more room to imagen. if you alter the image its much more critical,
story telling story teller repods to the crowd
travma, robstvo prerazkazvaneto na istoriite na dyrjavite i naciite kak edna i sushta istoriq buva promenena
notion of changeability not exactness artist-friven change careful documentation
possibility of preservation, but not exact
Lara Shalson (2013) enduring documents
the iisue with the institutional way of documenttation.
most facilities use two way of arhive collection archive - documentation works -documentation about the work
what are we buying and how do we preserve it.
written text as a documentation excluding visual presentation freedom with imagination
how far can you move from the origin with the afterlife? how far can you detach from cultural field in which the performance acts.
the afterlife what does it concern? the economical side or the authors
-- the art work - comodified
the document a performance you need a performance
the need of documentation or the economics
emphasizing on the artists opinion, and his interest a 3way look in to his work
the lack is to capture the experience the .... of the work
no need for experience no need for driving no nned for a performance
examp: building an automatic car
centralaized information ( before ) and restricted information
and now it is desectralized but people start to go back to small groups.