User:Ssstephen/Reading/THE ONTOLOGY OF PERFORMANCE
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the forgetting (or stealing) of the object is a fundamental energy of its descriptive recovering. The description itself does not not reproduce the object, it rather helps us to restage and restate the effort to remember what is lost. The descriptions remind us how loss acquires meaning and generates recovery - not only of and for the object, but for the one who remembers. The disappearance of the object is fundamental to performance; it rehearses and repeats the disappearance of the subject who longs always to be remembered.