User:Silviolorusso/thematic2/notes-17-01-12
Archive and Memory - 17/01/12
Archival material
Prezi: archive and artists
Artists who have dealt with archives:
Aby Warburg (1866 - 1929) Atlas Project background as librarian and archivist, he rearrenges his book all the time on the basis of different criteria arrangement -> meaning idea of visual knowledge contextualizing images
Jeffrey Shaw, T-visionary (2009) tons of materials about cities connections and new narratives
Stan Vanderbeek, Movie Drome (1963) creating an experience through filming different movies in a drome environments with screens
John Latham, Encyclopaedia Britannica (1971) stack of books burning attacking the panopticon vision of encyclopaedia video (think of all the woks on books nowadays)
Gustav Cramer, Epaminonda, The Infinite Library (2007 - ) http://www.theinfinitelibrary.com/ working with found books and rearranging randomly
Lisa Hoppeneimer, Killed Negatives after Walker Evans (2007 - 2009) she recollected negatives from ??? and tries to refill he holes
Antoni Muntadas, The File Room (1994 - ) expandable artistic database about censorship http://thefileroom.org/ (Yoogle: similar)
Deep Blue, You Are Here (2008) a specific classification of everything in the performance a grid on the ground that gives data on the performance theater and archive
taking the archive as metaphor
collecting things
reworking found materials
History a Priori
defining the a priori: a priori as a set of rules, as methodology
archive: statements as thing or event
structure of the archive defines meaning (sections)
duration of the archive
limitation of the archive
the rules and the structure of an archive is apparent?
paradox external/internal
new notion of the archive: a pragmatic one, an archive with a a visible structure, in divenir
Wikipedia Art
Internet as just another archive: not archives’ archive
serendipity
1. Bodysong, Simon Plummell
film: linear mythic history of life
website: every single clip indexed with big amount of info
film: treetrunk, website: branches
how choose material?
1. visual impact 2. something has to happen in the shot
book, website, dvd
2. Decasia: The State of Decay, Bill Morrison
3. Alone. Life Wastes Andy Hardy, Martin Arnold (deconstructive approach)
4. Motion Picture, Peter Tscherkassky (one frame reworked)
Gibson: “we’re inventing mirrors to remember”