/JacBruneel

performance n archive

Ch. Burden- shoot

Jay z Abramovic in vine (instant user documentation)

arkhe-physicality ,authority

new meanings

archive n repertoire (embodied memory) (taylor)

ephemeral and their capacity to transfer knowledge (nonreproductive knowledge)

epistemology

==REenactments

documentation not only as evidence, afterlife

worried about writting as documentation, too much information.

dissapearance

investigating the works of the past by bringing them in life to the present

how can the archive contain performance +access check new performative qualities within the archive

AUSLANDER PERFORMATIVITY IN DOC

Photo piece Vito Acconci, evidence and allows to recontruct the performance) (only doc. available and accesible to the audience, not clear that this was a performance in the road)

possibility of lifenes in tangible remains of performnce

Auslander dismisses the presense of the public which is crucial, it creates the here and now of performance

a lot of artsits chose not to document their performance (only audience could document here)

+Tino Segal

Shalson, enduring perf. documentation REMAINING AND REAPPEARANCE Remainign as an ongoing process of relationship between performance and documents

Beys dead hare photo more famous than the performacne piece +Abramovic reenactment (gaps in photos , incompletance, extending image, its in ubu)

Tradition Tangible preservation

performance to understand more about the performacne

transmission of perf. essence --aura

never remain the same

an archive that accepts, allows, performacne history as changable history

careful documentation (problem of the artists with the way that institutional archiving and doc)

artist driven change

documentation archive double archive hierarchy-------

Tino Segal power, commodify everything + exludes

make a standard of documentation to be able to commodify

rare

CHANGEABILITY - limits and boundaries

VERSIONING (NOT EDITIONING)

CHANGEALIBITY AND VERSIONING

DYNAMIC

STORYTELLING AUDIENCE

TRAUMA IN CULTURAL MEMORY

script based

nature of narrative

choreographers that go 3d visualisation fo the dance works

capture the experience

Ford

return to small networks