XPUB Reader: Difference between revisions

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* Berners-Lee, Tim, Weaving the Web
* Berners-Lee, Tim, Weaving the Web
* Boon, Marcus, In Praise of Copying
* Boon, Marcus, In Praise of Copying
* Corpus Ong, Jonathan and Cabanes, Vincent. Architects of Networked Disinformation. 2018.
* Hayles, Katherine, Writing Machines
* Hayles, Katherine, Writing Machines
* Halpern, Orit, Beautiful Data
* Halpern, Orit, Beautiful Data
Line 16: Line 17:
* Drucker, Johanna, Graphesis: Visual Forms of Knowledge Production
* Drucker, Johanna, Graphesis: Visual Forms of Knowledge Production
* Emerson Lori, Reading Writing Interfaces
* Emerson Lori, Reading Writing Interfaces
* Flusser, Vilem (1988), Interview The Revolution will be Technological https:// www.youtube.com/watch?v=lyfOcAAcoH8
* Kant, Immanuel (1792) “What Is a Book?” In ‘Metaphysics of Morals”, (31/II) https://www.marxists.org/reference/subject/ethics/kant/morals/ch04.htm
* Kant, Immanuel (1792) “What Is a Book?” In ‘Metaphysics of Morals”, (31/II) https://www.marxists.org/reference/subject/ethics/kant/morals/ch04.htm
* Knuth, Donald, Literate Programming
* Knuth, Donald, Literate Programming
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* Montfort, Nick, GOTO 10
* Montfort, Nick, GOTO 10
* Montfort, Nick and Noah Wardrip-Fruin (eds.), The New Media Reader
* Montfort, Nick and Noah Wardrip-Fruin (eds.), The New Media Reader
* Flusser, Vilem (1988), Interview The Revolution will be Technological https:// www.youtube.com/watch?v=lyfOcAAcoH8
* Oliveros, Pauline. Deep Listening: A Composer's Sound Practice. 2005.
* Serres, Michel. Parasite. 1982.
* Schwartz, Hillel. The Culture of the Copy. 1998.
* Wright, Alex, Cataloguing the World
* Wright, Alex, Cataloguing the World
* Worthington, Simon, Book to the Future
* Worthington, Simon, Book to the Future

Revision as of 15:53, 26 March 2019

TODO: Need to have some lightweight cat/classification system to help isolate topics more easily.

TODO: Need to follow one bib style

XPUB Specific

  • Aldred, Danny and Waeckerle, Emmanuelle (Eds) (2015) ‘Code - X, Paper Pixel and Beyond’. Farnham: BookRoom Press / University for the Creative Arts
  • Allen, Gwen (2011) ‘Artists’ Magazines: An Alternative Space for Art’. Cambridge, MA: The MIT Press
  • Bardini, Thierry, Bootstrapping
  • Berners-Lee, Tim, Weaving the Web
  • Boon, Marcus, In Praise of Copying
  • Corpus Ong, Jonathan and Cabanes, Vincent. Architects of Networked Disinformation. 2018.
  • Hayles, Katherine, Writing Machines
  • Halpern, Orit, Beautiful Data
  • Hu, Tung-Hui, A Prehistory of the Cloud
  • Drucker, Johanna (2004) ’The Century of Artists' Books’. NewYork: Granary Books
  • Drucker, Johanna, Graphesis: Visual Forms of Knowledge Production
  • Emerson Lori, Reading Writing Interfaces
  • Flusser, Vilem (1988), Interview The Revolution will be Technological https:// www.youtube.com/watch?v=lyfOcAAcoH8
  • Kant, Immanuel (1792) “What Is a Book?” In ‘Metaphysics of Morals”, (31/II) https://www.marxists.org/reference/subject/ethics/kant/morals/ch04.htm
  • Knuth, Donald, Literate Programming
  • Krajewski, Markus, Paper Machines. About cards & Catalogues
  • Lorusso, Silvio, Post-Digital Publishing blog
  • McLuhan, Marshall, The Gutenberg Galaxy
  • Montfort, Nick, GOTO 10
  • Montfort, Nick and Noah Wardrip-Fruin (eds.), The New Media Reader
  • Oliveros, Pauline. Deep Listening: A Composer's Sound Practice. 2005.
  • Serres, Michel. Parasite. 1982.
  • Schwartz, Hillel. The Culture of the Copy. 1998.
  • Wright, Alex, Cataloguing the World
  • Worthington, Simon, Book to the Future

Programming Resources