User:Quinten swagerman/thesis outline: Difference between revisions
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*early research into motion perception and how it relates to those optical devices, explore this history. joseph plateau / william horner / purkinje, and what they wrote. | *early research into motion perception and how it relates to those optical devices, explore this history. joseph plateau / william horner / purkinje, and what they wrote. | ||
*the concept of persistence of vision / a dated concept / how it is updated now | *the concept of persistence of vision / a dated concept / how it is updated now / but, shall i go so particular? | ||
but, shall i go so particular? | |||
*its popular usage / what loops where shown / how it faded (stephen herbert - a history of pre-cinema) | *its popular usage / what loops where shown / how it faded (stephen herbert - a history of pre-cinema) | ||
*the concept of cinema of attractions (a concept formulated by tom gunning that says that film before 1906 had a different relationship to its viewer then after, it being about the fascination with the image and movement itself, not the narrative) in relation to early optical devices | *the concept of cinema of attractions (a concept formulated by tom gunning that says that film before 1906 had a different relationship to its viewer then after, it being about the fascination with the image and movement itself, not the narrative) in relation to early optical devices | ||
Revision as of 16:59, 7 March 2012
optical toys / visual perception / attractions
- identify optical toys. phenakistoscope / zoetrope / praxinoscope / etc.
- early research into motion perception and how it relates to those optical devices, explore this history. joseph plateau / william horner / purkinje, and what they wrote.
- the concept of persistence of vision / a dated concept / how it is updated now / but, shall i go so particular?
- its popular usage / what loops where shown / how it faded (stephen herbert - a history of pre-cinema)
- the concept of cinema of attractions (a concept formulated by tom gunning that says that film before 1906 had a different relationship to its viewer then after, it being about the fascination with the image and movement itself, not the narrative) in relation to early optical devices