User:Quinten swagerman/Research/Nekes: Difference between revisions

From XPUB & Lens-Based wiki
No edit summary
No edit summary
Line 1: Line 1:
'''A selection of optical toys as shown in Werner Nekes' 1985 documentary 'Was geschah wirklich schwischen der Bildern', in order of appearance '''
'''A selection of optical toys as shown in Werner Nekes' 1985 documentary 'Was geschah wirklich schwischen der Bildern', in order of appearance '''


[[Image:00:00:17]]
[[Image:nekes_00:17]]
 
A selection of (optical) toys as seen in Werner Nekes' 'Was geschah wirklich schwischen den Bildern?', in order of appearance.


== Mirrors ==
== Mirrors ==

Revision as of 14:19, 13 December 2011

A selection of optical toys as shown in Werner Nekes' 1985 documentary 'Was geschah wirklich schwischen der Bildern', in order of appearance

File:Nekes 00:17

Mirrors

Nekes 07.49.jpg nekes_07.58.jpg

00:07:49 'Anamorphosis - cone and cilinder mirrors - have been painted since the 17th century'

Shadow play

nekes_09.39.jpg

00:09:39 'The oldest form of the artistic use of light is the shadowplay

nekes_10.23.jpg

00:10:23 'These scissorcuts derived from the Chinese shadowplay

nekes_11.25.jpg

00:11:25 'Hand shadows are still a popular game'

nekes_11.38.jpg

00:11:38 'In 1678, van Hoogstraten ran his own shadow theatre'

nekes_12.22.jpg

00:12:22 'Miniature mechanical shadow theatre scenes were also very popular'

Ombro cinema

nekes_13.39.jpg nekes_14.08.jpg nekes_14.13.jpg

00:13:39 'The ombro cinema, a shadow theatre of 1915, animates the shadows by conceiling and reveiling the different phases of movement behind black bars'

Mechanical projection discs

nekes_20.04.jpg nekes_20.10.jpg

00:19:59 'This scientific disc simulates the complicated movements of the planetary movements in the solar system'

Peepshows

nekes_29.11.jpg nekes_29.28.jpg nekes_29.50.jpg nekes_30.08.jpg

00:29:05 'The peepshow was being developed from perspective boxes and miracle cabinets. In the 17th century, showman began to travel in Europe, presenting their spectacles.'

Scrolling panorama

00:35:43 'Panorama of a trip from Hamburg to Luttener. The double-length panorama by Zoër (?) was seven centimeters high and high meters long'

Theatre of perspective

nekes_38.17.jpg nekes_38.22.jpg

00:38:17 'Around 1700, Martin Engelbrecht from Alsburg constructs his theatre of perspective. He explores the sense of depth within the spacial dimensions of an image'

Stereoscopy

nekes_43.41.jpg

00:43:41 'In 1838, Winston invented the mirror stereoscope'

nekes_43.49.jpg

00:43:49 'In 1849, Brewster the lens stereoscope'

nekes_46.50.jpg

00:46:50 '3D glasses for anaglyphs and for polarized images'

The afterimage effect

nekes_48.15.jpg nekes_48.24.jpg

00:48:15 'A demonstration of the afterimage effect - the family has been looking at the red devil for a long while, then they look at the ceiling where they can see the devil's afterimage in its complementary color: green

The thaumatrope

nekes_51.46.jpg nekes_51.47.jpg

00:51:45 The thaumatrope, or miracle disc, was invented in England by doctor John Erten Paris (?), in 1826

nekes_52.45.jpg

00:52:45 Two sets of half-letters, which, added together, say "Hab Mich Lieb"

Lens-prism animation

nekes_56.24.jpg nekes_56.25.jpg

The designoscope

nekes_1.00.08.jpg nekes_1.02.12.jpg

The designoscope - two mirrors meet at an angle of 60 degrees, as in the kaleidoscope, and produce an infinite variaty of patterns

The phenakistoscope

nekes_1.02.41.jpg

01:02:41 Inspired by Faradays wheel, Joseph Plateau in Brussels and Simon Stampfer (?) in Vienna, invent the phenakistoscope independently of one another in 1832. Stamphe called it the stroboscope. In England it was known as the phantascope. This disc demonstrates continuous movement for the first time.

A selection of discs: nekes_1.02.49.jpg nekes_1.02.57.jpg

The zoetrope

nekes_1.03.08.jpg nekes_1.03.31.jpg

01:03:08 In 1833, Horner invented the gelileo (?), later called the zoetrope, or wheel of life. Here, the phases of movement are also seen as an infinite loop through the slits'

A selection of strips:

nekes_1.03.21.jpg nekes_1.03.25.jpg nekes_1.03.46.jpg

The praxinoscope

nekes_1.03.55.jpg nekes_1.05.03.jpg nekes_1.05.14.jpg

01:03:55 In 1877, Emile Renaud (?) built his praxinoscope, where you see the images in the mirrors. The function of the dark space in between the slits is taken over by the angle of the mirror at which it is set up.

Two years later he succeeded in showing the moving image within a scene, which is in fact a mirror reflection.

In 1880, he managed to project his moving images.

A selection of strips: nekes_1.05.18.jpg nekes_1.05.46.jpg nekes_1.05.52.jpg

Myriorama

nekes_1.07.04.jpg nekes_1.07.13.jpg

01:07:04 The myriorama, the show of the ten thousands. A panaroma in stripes which brings a new image in vertical montage.

Movement-producing grids

nekes_1.12.13.jpg nekes_1.12.56.jpg

The flip book

nekes_1.13.34.jpg nekes_1.13.51.jpg

00:13:34 The painter Lautenberg is reputed to have created the first flip book, or thumb cinema, in 1760. Leaving through the book creates the illusion of movement

The Kinora

nekes_1.14.07.jpg nekes_1.14.09.jpg nekes_1.14.29.jpg

00:14:07 In 1898, the brothers Lumiere built the Kinora, three years after their first film shows