User:Niek/selfdirectedtext

Describe recent work / Identify key themes

The Tip Top Orchestra is an amateur avant-garde orchestra dedicated to playing historic avant-garde pieces from the second half of the twentieth century for a broad audience. By doing so, they reissue past media and ideologies in a contemporary oversaturated musical discourse where the original meaning and implications of the pieces have been overthrown by their historic and canonized function thrust forth by a musical elite. By using amateur musicians and defining the very concept of amateurism, the orchestra is able to prevent the canonized workings of the piece and makes the playing of it a non-academic, non-discursive practice that works as an act of defiance against the elite music practice and makes the music accessible to a broader audience. This reinstallation of pieces that were composed on the basis of now redundant ideologies is not only a means of defiance, but also an allegory of the decay and helplessness of the human mind and how humans try to overcome themselves by means of ideology. Beauty is after all the result of a battle of beings with their being, juxtaposed with the banality of it all. The orchestra reflects this battle in the members struggle of playing the right notes and reproducing a play that incorporates an ideology that cannot necessarily be reinstalled and believed in, in a contemporary digital society. The same goes for the instruments, made of obsolete media and material like PS-2 keyboards and old audio-speakers who have lost their original value, be it on the market or as a fetish. Their tweaking by the members makes them autographic objects and gives them a different value. By playing ‘In C’ not as performers, but as individuals we have done the same.

The debut of the orchestra consisted of a performance of Terry Riley’s ‘In C’ which is in itself already a piece that stands on the border between academic musical practice and a free reign of mind because of its aleotoric tendencies. An ensemble of twelve musicians and one conductor played the piece at the Klooster Oude Noorden in Rotterdam, Holland. The performance was recorded by means of VHS cameras and edited into a 30 minute film called ‘The Tip Top Orchestra Plays Riley’s ‘In C’’. The film is in itself an artistic product that can be looked at and enjoyed without too much contextualization, focusing on the instruments and the performers from two different vantage points. The instruments themselves are also objects with merit in themselves. As such, the orchestra aims on creating a creative environment with a specific set of rules and a goals. Focusing on one piece at the time and producing instruments, recordings and performances from that.

To truly reinstall past ideology as a means of defiance there should be an international movement focusing on amateur-avant-garde, not only in music, but also in other disciplines. To create a community aware of this notion I aim on producing multiple incarnations of the orchestra throughout the world. By doing so, every country should have at least one amateur avant-garde orchestra which can be the beacon of a striving community. I want to participate in projects across the border to establish these orchestras. Every city has its own population and society, meaning its own concept of obsoleteness and its own obsolete media objects and ideologies. As such, a short term residency would be the ideal way to look at the resources that a city provides and establishing a working orchestra and creative movement from that principle. This means I will take on the role of impresario and work on one project at the time.

Identify how texts you have already produced might be useful (descriptions of work, or annotations for instance)

My writing on reinstallation fits right in with what I wrote about in the above sentences. KIKVORS and its meaning also holds a function similar to this artistic community, but is less focused on a single project, but is more an intermediate in producing existing projects, while KikVORS builds them from the ground up.

Identify contextualizing texts (art work or literature)

Cage Goodman

Annotate contextualizing texts

That’s for another day.