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=====  =====
'''Useful links:'''<br>
[[A Guide to Essay Writing]]


[[Thesis Guidelines]]


===== Project proposal =====
Draft_ thesis skeleton:


[[User:User:Michaela/proposal/final | grad_proposal]]
=ABSTRACT=
<center>
The traces of digital information are exponential ...<br>
They contain various sources...<br>
They travel, scattered, being trade - transacted or serve as a found footage for an artistic
interventions...<br>
Traces of digital data are tangible. Events or evidences, which meant to be deleted from a system...<br>
they serve as a subject of recovery, revisit and exposure...''<br>
</center>


[[User:Michaela/Worklog | Notes on project proposal]]
==INTRO==


===== Useful texts/ annotations =====
temporary unavailable will be filled soon!


[[File:BEWARE OF THIS VIRUS…CONTACT US VOR VACCINATION.pdf|thumbnail|BEWARE OF THIS VIRUS…CONTACT US FOR VACCINATION]]


[[User:Michaela/Glitchy --- sorry can not link it!]]
==CHAPTERS ==


===== Influential texts =====
Grad_Skeleton:<br>
*Apsolutno and Revolver. The Absolute report. Springerin.
'''PART #1'''<br>
(time/ space/ code/memory)
              <'''ctrl + C / ctrl +V  chapter''' :.<br> 
*Steyerl, Hito. [http://www.e-flux.com/journal/in-defense-of-the-poor-image/ In defense of the poor Image e-flux]
              [[File:Esc key 2.jpg|frameless]]
*Luksch, Manu, Pate. Makul. "Faceless project" Voiceover
'''question:''' digital object and its properties what has change from analog to digital? <br>
*[http://kurenniemi.activearchives.org/logbook/?page_id=514 Activearchive_kurenniemi /Different orders coexist]
'''argument''': tangible and intangible properties of the digital object or the lost of the physicality makes it difficult to apply the same principles.<br>
use value and copy make hard to distinguish the copy from the original <br>
'''argument''':  digital object allows multiple copies of one single file, reproducing an accurate / exact copy of the original. Comparing with the analog object where every copy modifies the original.<br>
Moreover each copying of the copy introduce / induce noise to the copy and the original itself. The digital object inherited share and distribution value.  
<br>


=== draft ===
            <'''Del chapter''' :.<br>
expanded storage / the impossibility to delete the digital file / missing erase button  <br>
the extend of the storage / memory capacity to save, preserve and archive. <br>
Where the story of recovery of data from hard drives comes along ...<br>
analog with the anecdote about Ghana disclosure of data. <br>


name


title
------------------------------


abstract = 250 words


intro = 500 words
'''PART#2'''<br>


[existing material: proposal and essay on practice, notes from methods class - texts that relate to your work]


chapter 1
      <'''Shift chapter''':.
            [[File:Shift_key.jpg|frameless]]
'''question''': How the copyright low is used to constrain and mimic the properties of analog?
For example a digital file (pdf) is threaten the same way as a book.<br>
revisit the copyright law and break the myth of the ownership of digital file.<br>
'''argument''': Copyright enclosure is build on top of laws, applied to physical property. <br>
It can not be applied to the digital objects because of the nature of the digital and the listed properties.<br>
Please see --><br>
#REDIRECT [[User:Michaela/Understanding copyright/ copyleft /copyfarleft]]
<br>
'''Case_study:''' >[http://www.seditionart.com/ Sedition] – an online art platform for selling art where an edition of a hundred unique digital copies are offered for sell. <br>
"Limited edition of art for your digital life"<br>


Project description and aims = 250 words


[existing material: proposal and essay on practice]
              <'''Ctrl chapter''' :.
              [[File:Ctrl key.png|frameless]]


Past work and contextualisation = 1000 [existing material: 'what, how and why' texts; notes from methods class - texts that relate to your work.]
'''argument''': The digital / digitization made us believe that the knowledge can be free / share and  common for all.  <br>
This chapter will investigate “ cloud services” and fairness of access. Who is the actual owner of the content available online? Did it become a common property of all, pointed by Richard Barbrook or it is hold by other entity?<br>
What if there is a time-based service that provides the users to obtain certain control over or expiration time on their content or applying a delete key?<br>
'''Case_study''': [http://vanish.cs.washington.edu/ Vanish] is a research project and a software bundle, initiated by Roxana Geambasu, Amit Levy and Yoshi Kohno
which aims to help users to preserve some control, by ensuring that the electronic data, posted on the web such as emails, massages, photos, as well as text becomes permanently unavailable after a specified period of time.


chapter 2
Please see the annotation on Vanish project --><br>
#REDIRECT [[User: Michaela/Notes and annotations]]
==Bibliography (so far)==


Continuation of past work and contextualisation: 1000 [existing material: 'what, how and why' texts; notes from methods class - texts that relate to your work.]
Kleiner. Dmytri, ''The Telekommunist Manifesto''  


chapter 3:
Hyves. Lewis, ''Common as air''


genesis of current project = 1000 [existing material: proposal and essay on practice]
Banner. Stuart, ''American Property: A History of How, Why, and What We Own?''


chapter 4
Jefrey. Rosen, ''The end of forgetting''


current project and contextualisation = 2000 [existing material: proposal and notes for proposal]
Mayer-Schönberger. Viktor, ''Delete:The Virtue of Forgetting in the Digital Age''


chapter 5
Barbrook. Richard, <br>
[http://constantvzw.org/verlag/spip.php?page=article&id_article=20&mot_filtre=9&id_lang=0 The Regulation of Liberty: free speech, free trade and free gifts on the Net]
<br>
<br>
'''notes:'''<br>
Blackstone. William //<br>
Locke. John // Of property


exhibition = 1000 words


Conclusion = 500 words
=======================
possible entry_ art context&own practice???


I will map a research from art practices as appropriation, DADA, ready-made and SI applied to my own practice or the current grad project - retrieving hard drives and using the information out of them for an artistic purposes.<br><br>


Word count 7500 words
=======================
 
'''links ( to be moved from this dir ) :<br>'''
 
[http://www.pbs.org/frontlineworld/stories/ghana804/video/video_index.html Ghana digital dumping ground article]
 
[http://boingboing.net/2009/06/25/illegal-e-waste-dump.html  Illegal e-waste dumped in Ghana includes unencrypted hard drives full of US security secrets]
 
Legend of multiple passes of overwriting:<br>
 
http://grot.com/wordpress/?p=154
 
http://www.pcworld.com/article/209418/how_do_i_permanently_delete_files_from_my_hard_disk.html
 
https://ssd.eff.org/tech/deletion
 
http://security.stackexchange.com/questions/10464/why-is-writing-zeros-or-random-data-over-a-hard-drive-multiple-times-better-th
 
[http://www.theguardian.com/world/video/2014/jan/31/snowden-files-computer-destroyed-guardian-gchq-basement-video
theguardian_snowden-files-computer-destroyed]<br>

Latest revision as of 10:42, 12 March 2014

Useful links:
A Guide to Essay Writing

Thesis Guidelines

Draft_ thesis skeleton:

ABSTRACT

The traces of digital information are exponential ...
They contain various sources...
They travel, scattered, being trade - transacted or serve as a found footage for an artistic interventions...
Traces of digital data are tangible. Events or evidences, which meant to be deleted from a system...
they serve as a subject of recovery, revisit and exposure...

INTRO

temporary unavailable will be filled soon!


CHAPTERS

Grad_Skeleton:
PART #1

             <ctrl + C / ctrl +V  chapter :.
Esc key 2.jpg

question: digital object and its properties what has change from analog to digital?
argument: tangible and intangible properties of the digital object or the lost of the physicality makes it difficult to apply the same principles.
use value and copy make hard to distinguish the copy from the original
argument: digital object allows multiple copies of one single file, reproducing an accurate / exact copy of the original. Comparing with the analog object where every copy modifies the original.
Moreover each copying of the copy introduce / induce noise to the copy and the original itself. The digital object inherited share and distribution value.

            <Del chapter :.

expanded storage / the impossibility to delete the digital file / missing erase button
the extend of the storage / memory capacity to save, preserve and archive.
Where the story of recovery of data from hard drives comes along ...
analog with the anecdote about Ghana disclosure of data.




PART#2


<Shift chapter:.

            Shift key.jpg

question: How the copyright low is used to constrain and mimic the properties of analog? For example a digital file (pdf) is threaten the same way as a book.
revisit the copyright law and break the myth of the ownership of digital file.
argument: Copyright enclosure is build on top of laws, applied to physical property.
It can not be applied to the digital objects because of the nature of the digital and the listed properties.
Please see -->

  1. REDIRECT User:Michaela/Understanding copyright/ copyleft /copyfarleft


Case_study: >Sedition – an online art platform for selling art where an edition of a hundred unique digital copies are offered for sell.
"Limited edition of art for your digital life"


              <Ctrl chapter :.
              Ctrl key.png

argument: The digital / digitization made us believe that the knowledge can be free / share and common for all.
This chapter will investigate “ cloud services” and fairness of access. Who is the actual owner of the content available online? Did it become a common property of all, pointed by Richard Barbrook or it is hold by other entity?
What if there is a time-based service that provides the users to obtain certain control over or expiration time on their content or applying a delete key?
Case_study: Vanish is a research project and a software bundle, initiated by Roxana Geambasu, Amit Levy and Yoshi Kohno which aims to help users to preserve some control, by ensuring that the electronic data, posted on the web such as emails, massages, photos, as well as text becomes permanently unavailable after a specified period of time.

Please see the annotation on Vanish project -->

  1. REDIRECT User: Michaela/Notes and annotations

Bibliography (so far)

Kleiner. Dmytri, The Telekommunist Manifesto

Hyves. Lewis, Common as air

Banner. Stuart, American Property: A History of How, Why, and What We Own?

Jefrey. Rosen, The end of forgetting

Mayer-Schönberger. Viktor, Delete:The Virtue of Forgetting in the Digital Age

Barbrook. Richard,
The Regulation of Liberty: free speech, free trade and free gifts on the Net

notes:
Blackstone. William //
Locke. John // Of property


===========

possible entry_ art context&own practice???

I will map a research from art practices as appropriation, DADA, ready-made and SI applied to my own practice or the current grad project - retrieving hard drives and using the information out of them for an artistic purposes.

===========

links ( to be moved from this dir ) :

Ghana digital dumping ground article

Illegal e-waste dumped in Ghana includes unencrypted hard drives full of US security secrets

Legend of multiple passes of overwriting:

http://grot.com/wordpress/?p=154

http://www.pcworld.com/article/209418/how_do_i_permanently_delete_files_from_my_hard_disk.html

https://ssd.eff.org/tech/deletion

http://security.stackexchange.com/questions/10464/why-is-writing-zeros-or-random-data-over-a-hard-drive-multiple-times-better-th

[http://www.theguardian.com/world/video/2014/jan/31/snowden-files-computer-destroyed-guardian-gchq-basement-video theguardian_snowden-files-computer-destroyed]