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3.) It makes you question your own role in decision making process and be more aware of your role as creator, publisher and organiser. What do you make, why, for who, where and how is the work published? What is the stake?
3.) It makes you question your own role in decision making process and be more aware of your role as creator, publisher and organiser. What do you make, why, for who, where and how is the work published? What is the stake?
==MakeHuman (2018) - Femke Snelting and Jara Rocha ==


==All problem of notation will be sorted by the masses==
==All problem of notation will be sorted by the masses==

Revision as of 16:20, 14 November 2019

METHODS

Reading, Writing and Research Methodologies with Steve Rushton

Introduction

RW&M:

  • a] Discuss our collective practices of reading and writing
  • b] What kinds of writing have we done so far?
  • c] How do we read and write on a day to day basis

Mark: "Taking very small, essential notes. Feels resistence towards writing because the need to be comprehensive. Aims for brevity. Keeps list of short 'funny' conceptual sentences out of their context. Reads online articles, Japanese novelles... Finds it hard to implement reading and writing in his daily practice."

WHAT > HOW > WHY
Very helpful structure to write a (short) description of a project.

READ (SO FAR)

  • 1) What is the writer proposing?
  • 2) What do they conclude?
  • 3) How is this relevant to my research and work?

The Interface Effect (/ The Unworkable Interface) - Alexander R Galloway

Interface Critique: Drawing Connections - Why Interfaces Matter

Designing Calm Technology (1995) - Mark Weiser and John Seely Brown

The Third Meaning of Technical Mediation (small extract from Pandora's Hope 1999) - Bruno Latour

There is no Software (1995) - Friedrich Kittler

Reflections on Trusting Trust (1984) - Ken Thompson

Do artefacts have politics - Langdon Winner (MIT-Press,1980)

1.) The author claims that technical objects have political properties and can embody forms of authority and subordination. He suggests that we pay close attention to the properties of the technologies that surround us and the meaning of those properties. The writer provides examples of technical systems of various kind which at first sight may not explicitly express any form of political intent, but have in reality been designed to produce concrete social consequences. 

To give certain example: If you design a machine that makes human labour easier, it may cause job loss/ afffect certain social groups. Or it can change the qualitity or characteristics of things like the invention of the Tomato harvest machine. Because the machine functioned better with hard tomatoes, it changed the way the tomatoes were grown. Artifacts can also be designed as a political strategy. An example: Long Island Parkway Bridges were designed to exclude racial miniorities from the upper class suburban area. They were intentionally built so low that busses, often used by people from the lower social classes, could not drive underneath it. 

These examples show how some technologies have been deployed to discriminate, pose threats, and maintain a regime of power where skilled leaders are those making choices. Workers are often not given the right to participate in the decision-making process which rules how technology influences the way people connect with each other."

2.)The writes states that you can't be neutral when you are designing something. Artifacts do have politics.

3.) It makes you question your own role in decision making process and be more aware of your role as creator, publisher and organiser. What do you make, why, for who, where and how is the work published? What is the stake?

All problem of notation will be sorted by the masses

Psychosonics and the Modulationof Public Space (On Subversive Sonic Techniques) Mark Bain

https://www.onlineopen.org/psychosonics-and-the-modulationof-public-space

The Time of Roland Kayns Cybernetic Music - Thomas W Patteson

Press Pause: The history of Pause Tape Production - Gino Sorcinelli

A good pause button and a vivid imagination were all young hip-hop enthusiasts needed to create something out of their sense of wonder. Using a boombox or stereo with dual cassette decks, aspiring DJs and producers would play and record a sample from another tape or record, pausing the tape once the sample had finished its rotation. They would then rewind to the beginning of the sample and un-pause the tape, starting the process again and extending the sampled loop for several minutes.

To READ

  • Softwarestudies - edited by Matthew Fuller
  • Imagining the Seamless Cyborg: Computer System Sounds as Embodying
  • Technologies - Daniel Ploeger




notes

Interface: Writing (written language) as piece of software. Alphabet as a software that produces human language. "The act of writing emerged when people needed to capture memories."

Sample libraries

Great place to get texts

https://www.jstor.org


Pads

• session 2:

Session 2

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