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| The Aesthetics of Ethics
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| What is the role of photojournalism in the visual identity of ethics?
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| PHOTOGRAPHIC TYPOLOGIES AND IDENTITY
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| CHAPTER-01: the importance of typology for the establishment of a visual language (Foucault, Tagg, Phèline and others)
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| - The role of Photography in the definition of identity: institutions, archive
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| - Photographic Typologies: identity and categories, from individual to groups
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| - Realism and Photography: context and purpose of realistic approach to photography (FSA and Eugenics); the heritage of
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| documentary photography and its authority in the exercise of concerned citizenship
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| SOCIAL REPORTAGE AND THE REALISTIC APPROACH
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| CHAPTER-02: the social reportage and the gathered material; analysis of its similitude, formal character and potential meaning
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| - Dutch contemporary media: display of collection under analysis
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| - The Social Reportage, Storytelling genre: Magnum and the Documentary Photography
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| - Realism and its fictional potential
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| - Media from early immigration waves into the Netherlands: which kind of photos?
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| EMPATHY OR DETACHMENT AND THE LEGITIMACY OF EXPOSURE
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| CHAPTER-03: reflecting on the political effects of objective information
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| - The phenomena of detachment and empathy regarding messages of social concern:
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| - Rancière and the spectator paradox: the performance of interventionism
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| - Exposure of intimacy and break of cultural codes: any role in detachment?
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| - The realism and its fatality versus the sense of personal empowerment
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| - Between Information and Action: social awareness and citizenship
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| - Marketing and ethics, the strategy differences between models and anti-models.
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| Conclusion:
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| - Revision of photographic tactics regarding social concerns: an allegorical approach to ethics.
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