|
|
| Line 1: |
Line 1: |
| Book, artist's book and the arts and crafts movement
| |
| william morris
| |
| adolph loos. ornament and crime.
| |
| etching (who)
| |
|
| |
|
| reproduction. mechanization. still not into capitalism.
| |
|
| |
| books, print and ornament. bible (?) print two colors and ornament by hand (http://burton.bye.edu/Bible Site(Gutemberg.html)
| |
| (base of print, caligraphy)
| |
|
| |
| Francesco Colonna
| |
|
| |
| http://nl.wikipedia.org/wiki/Hypnerotomachia_Poliphili
| |
| http://en.wikipedia.org/wiki/File:Hypne2pg.jpg
| |
|
| |
| Umberto Eco. Essay?
| |
|
| |
| James Joyce. invented words. sound design
| |
| John Cage "roaratorio"
| |
|
| |
| (...)
| |
|
| |
| check the 'ship of fools'
| |
|
| |
| Klimt. Art Noveau. Art Deco. Related to late modernism.
| |
|
| |
| William Morris: social value, work for everyone or just for the few?
| |
| 'media' questions; pertinence of the theme
| |
|
| |
| (reading and comment)
| |
| machine as the only thing that craftmanship can rely on, the tool and not the end (which is often extra produced junk)
| |
| reward of work. pleasure or habit, in both cases good on its own.
| |
|
| |
| Charles Fourier. socialism, anarchism. 'L'avenir'
| |
|
| |
| what is the role of education, of formative process regarding the individual, in uthopian manifests?
| |
| check the communist manifest, Fourier, Morris, Ruskin
| |
|
| |
| (...)
| |
|
| |
| today's alternative models of living. community, grounded, (...)
| |
| why doesn't it work?
| |
|
| |
| work generates value and value has the inherent need of constant growth. how is the surplus worked out? within a socialist utopia, the surplus would be constantly re-divided, re-distributed. globalization, loss of overview. lack of education. lack of awareness. where do our machines come from?
| |
| core problem of basing growth and knowledge on a 'piling' up system. Considering the existence of default economy, people, technology.
| |
|
| |
| any utopia, ultimate nightmare
| |
|
| |
| default? matter, education, there is no default reality.
| |
| "a preset setting or value that will be used if no choice is done"
| |
|
| |
| http://en.wikipedia.org/wiki/The_Open_Society_and_Its_Enemies
| |
| KARL POPPER
| |
|
| |
| Open society and competition of ideas; notion of falsification; principle of open society
| |
|
| |
| eastern europe. GEORGE SOROS speculation, asian crisis 90's. OPEN SOCIETY FOUNDATION. www.georgesoros.com
| |
| independent art initiatives related with him,. global financial system broken; "my profits are a prove of that"
| |
|
| |
| open source, free source. paradox of common production, high craftmanship, pleasure, but also all the ideas of neoliberalism.
| |
| (open source is also to be found in the open society website)
| |
|
| |
| difference between liberalism and neo-liberalism? none? Historical context.
| |
|
| |
| Political economy:
| |
|
| |
| Political economy was the original term used for studying production and trade, and their relations with law, custom, and government, as well as with the distribution of national income and wealth. Political economy originated in moral philosophy. It was developed in the 18th century as the study of the economies of states, or polities, hence the term political economy.
| |
|
| |
| Macroeconomic: business administration.
| |
|
| |
| (...)
| |
|
| |
| Maslow's hierarchy of needs (?)
| |
|
| |
| Money is a "promise". banking resources. mostly not based on real assets. Maslow's repetition.
| |
| as long everyone believes in it is everything ok. money and belief in value.
| |
|
| |
| History of financial crisis: netherlands. first crisis of a financial system. 'tulip mania'
| |
|
| |
| Ruskin and Morris. theorist and practice.
| |
|
| |
| (...)
| |
|
| |
| revolutionary romanticism? gothic.
| |
|
| |
| EXAMPLES
| |
| channel. nice, soft music and the 'manufacture'. fantasy with a machine. already nostalgic.
| |
|
| |
| statue in abrantes (florentijn hofman): http://www.florentijnhofman.nl/dev/project.php?id=193
| |
|
| |
| manufacture actually as an early industry. fiction of a romanticized past.
| |
|
| |
|
| |
| analogue special effects? (wes andersom); retro. trend, or more than a trend?
| |
| "good old days of film making?" analogue.
| |
|
| |
| Dialectic of Enlightenment. Hollywood as producer of the fake.
| |
|
| |
| Miranda July - (...) www.noonbelongstheremorethanyou.com
| |
|
| |
| NOTES ON LECTURE - 14-04-2014 (?) jelena vecic
| |
| administration of aesthetics or on undercurrents of negotiation artistic jobs. love and money, money and love.
| |
|
| |
| communism, ideology
| |
|
| |
| 'hand craft' webdesigner. working for the love and not for the money.
| |
|
| |
| art, ideology. 1964. institutional consensus?
| |
|
| |
| Arthur C. Danto. what a fuck?
| |
| Warhol's brillo boxes
| |
|
| |
| authorship, uniqueness, originality. more?
| |
|
| |
| (...)
| |
|
| |
| LOOK UP
| |
|
| |
| XX century. avantgard movement. constructivism. nostalgia or no nostalgia.
| |
|
| |
| SEE WIKI, FLYNT, JORN, MACIUNAS
| |
