User:Emily/Self-Evaluation trimester II: Difference between revisions
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<!-- Index of my self-evaluation--> | <!-- Index of my self-evaluation--> | ||
Index: | |||
The Life and Opinions of the Tomcat Murr(1819-1821) by E.T.A. Hoffmann | |||
Cut-up poem by Dadaist poet Tristan Tzara | |||
the game of Exquisite Corpse developed by Surrealists writers (André Breton) | |||
experimental literature group Oulipo (Hundred Thousand Billion Poems by Raymond Queneau) | |||
William S. Burroughs and Brion Gysin | |||
Sol Lewitt, conceptual art (There is no purpose that art work for, otherwise, "it wakens its function as art". The same situation in choosing materials, he thinks if conceptual artists take the materials so important that it will replace the idea of the work.) | |||
My question: | |||
:How database-watching can be affective (Should I magnify subjectivity while sorting/using the database) | |||
:How to present my way of seeing (are we in dialogue with machine, or with the "editor" behind it) | |||
Revision as of 10:10, 27 March 2015
Index:
The Life and Opinions of the Tomcat Murr(1819-1821) by E.T.A. Hoffmann
Cut-up poem by Dadaist poet Tristan Tzara
the game of Exquisite Corpse developed by Surrealists writers (André Breton)
experimental literature group Oulipo (Hundred Thousand Billion Poems by Raymond Queneau)
William S. Burroughs and Brion Gysin
Sol Lewitt, conceptual art (There is no purpose that art work for, otherwise, "it wakens its function as art". The same situation in choosing materials, he thinks if conceptual artists take the materials so important that it will replace the idea of the work.)
My question:
- How database-watching can be affective (Should I magnify subjectivity while sorting/using the database)
- How to present my way of seeing (are we in dialogue with machine, or with the "editor" behind it)