User:Elleke Hageman/Trimester1/SDR: Difference between revisions

Latest revision as of 15:06, 25 November 2013

Reading:

"montage and architecture" Eisenstein "Film Form" Eisenstein "A philosophy on photography" Vilem Flusser "Between stillness and Motion, film photography algorithms" Eivind Rossaak "Listening to the films of Haneke" Lisa Coulthard Ways of editing: Analitical and constrictive editing. http://www.davidbordwell.net (cinemascope/constructive editing) the Movement image. Montage “Cinema II the movement image” Gilles Deleuze The meaning of color in film. A short history and theories on color. Joshua Yumibe “Observations on film art” RD Zahia “Perception: a way of seeing” H Eagle “Eisenstein at 100: a reconsideration” Semiotics in film. “Het verschijnsel film en de semiotiek van CS Pierce” Hans van Driel. Definitions of photography. “Critisizing Photograps” Terry Barret Philosophy in photography. “Towards a philosophy of photography” V.M. Flusser

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-/Users/ellekehageman/Documents/Piet Zwart/Self directive research/eisenstein_montage-and-architecture.pdf | Eisenstein "montage and architecture"
+Reading:
-/Users/ellekehageman/Documents/Piet Zwart/Self directive research/Film_Form_eisenstein.pdf | "Film Form" Eisenstein
-/Users/ellekehageman/Documents/Piet Zwart/Self directive research/Flusser_Vilem_Towards_a_Philosophy_of_Photography.pdf/Users/ellekehageman/Documents/Piet Zwart/Self directive research/semiotiel in film.pdf | A philosophy on photography
+"montage and architecture" Eisenstein
-/Users/ellekehageman/Documents/Piet Zwart/Self directive research/tractatus.pdf/Users/ellekehageman/Documents/Werk/Artikelen, boeken e.d./Between stillness and motion.pdf
+"Film Form" Eisenstein
-/Users/ellekehageman/Documents/Werk/Artikelen, boeken e.d./Listening to the films of micheal haneke.pdf
+"A philosophy on photography" Vilem Flusser
+"Between stillness and Motion, film photography algorithms" Eivind Rossaak
+"Listening to the films of Haneke" Lisa Coulthard
+Ways of editing: Analitical and constrictive editing.
+	http://www.davidbordwell.net (cinemascope/constructive editing)
+the Movement image.
+Montage
+	“Cinema II the movement image” Gilles Deleuze
+The meaning of color in film. A short history and theories on color.
+	Joshua Yumibe “Observations on film art”
+	RD Zahia “Perception: a way of seeing”
+	H Eagle “Eisenstein at 100: a reconsideration”
+Semiotics in film.
+	“Het verschijnsel film en de semiotiek van CS Pierce” Hans van Driel.
+Definitions of photography.
+	“Critisizing Photograps” Terry Barret
+Philosophy in photography.
+	“Towards a philosophy of photography” V.M. Flusser