User:Eleanorg/Works I've Enjoyed: Difference between revisions

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This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc.
This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc.
==Nov 2012==
* Amazon Noir, Ubermorgen, Ludovico & Paulo Cirio
::Copying books from Amazon, one Look Inside search result at a time.
* Assembling Press (1970-1982), Richard Kostelanetz http://www.richardkostelanetz.com/inventories/assembling.html
:: Public invited to send in 1,000 copies of anything they wanted included. Burden of production shifted onto authors; distribution of resources determines who gets published - rather than more elaborate democratic means. (Post Digital Print p.45)
* Amsterdam Weekly (2008 fundraising campaign) http://www.guerrilla-innovation.com/archives/2008/04/000647.php
:: Magazine divided into blocks, only blocks sold (5EU each) get printed. 'Vote with your wallet' publishing.
* Newsmap (2004), Marcus Weskamp http://marumushi.com/projects/newsmap
:: Visualizes live news stories; the more coverage, the more screen space. Neatly demonstrates self-fulfilling emergence of news hierarchy; especially nice visual effect at corners of the screen as unpopular stories literally 'squeezed out'.
==Sept 2012==
==Sept 2012==
* Google Ghosts (2012) by Paulo Cirio http://streetghosts.net/
* Google Ghosts (2012) by Paulo Cirio http://streetghosts.net/

Revision as of 19:31, 8 December 2012

This is a record of works I've enjoyed in each month - not ones that have been newly made, but that I have encountered or re-encountered, and struck a chord at this particular time. It's an attempt to overcome my terrible memory for names; a crib sheet for tutorials, etc.

Nov 2012

  • Amazon Noir, Ubermorgen, Ludovico & Paulo Cirio
Copying books from Amazon, one Look Inside search result at a time.
Public invited to send in 1,000 copies of anything they wanted included. Burden of production shifted onto authors; distribution of resources determines who gets published - rather than more elaborate democratic means. (Post Digital Print p.45)
Magazine divided into blocks, only blocks sold (5EU each) get printed. 'Vote with your wallet' publishing.
Visualizes live news stories; the more coverage, the more screen space. Neatly demonstrates self-fulfilling emergence of news hierarchy; especially nice visual effect at corners of the screen as unpopular stories literally 'squeezed out'.

Sept 2012

Bartholl-style re-introduction of digital images back into real space
Artist experiments with surrendering control to the Other; becomes 'programmable' << opens up links between computers (commands) and social power/instruction
  • 'The Piracy Project' by AND Publishing
Making digital issues physical. Non-overly hierarchical way of bringing together a collection of autonomous works.
Like Sophie Calle's photos of ppl using cash machines - photos taken every five minutes by the artists' webcams. Beautiful documentation of digital labour.
Visualising ideas about distribution/democracy by applying business rules to drawing. What other sets of rules/ideology could be applied to physical making?

May 2012

April 2012

i love how such a minimalist comparison of forms provokes thought about representations of time and the unnoticed expectations/rhythms built into everyday use of the internet.

March 2012

Movement sensors(?) allow you to play in the mud and alter projections onto the mud as you do. Wired would love it. Silly + fun.
System to help you make 3d data visualisations with string and projector
Non-tech use of hi-tech looking installation; projections on rubber bands
like dead drops, but using transport networks to send data across the city
  • Celluloid Remix - competition (2012) organised by EYE Film Instituut Nederland & Beelden voor de Toekomst
interesting example of institutions doing 'remix' culture. Prizes for the 'best' remixes. Weird.

Feb 2012

Another offline network, taking 'digital' into physical space & inviting strangers to take risks together
The aesthetic of a distributed network, taken offline & entirely relying on the living body.Frustrating lack of documentation of the original work; this video is a remix.
creative use of cutting up a text & deconstructing it in a rule-based way
re-performs collaborative editing. A nice treatment to make sense of the history of collaborative texts

Jan 2012

'grows' plants on desktop screen saver; inverts speed fetish of computing; striking superimposition of earthy time on computer time
search by similarity: deconstruction of images vs words; word becomes an image, which then becomes a 'word' (as it signifies, in order to gather 'relevant' results)
Another nice example of the many vs the individual; nice how individuals work in isolation & are then combined into a whole
Deceptively simple format; bases a critique of copyright in age of 'information overload' on human perceptive capability
Beautiful use of volunteers in ritual-like format; demands long-term commitment; participants are 'witnesses not spectators' a la Etchells
Very clean & sophisticated implementation of a simple idea intercepting wifi hotspots. Golden Nica award, Ars Elec. 2011
  • The Sheep Market (), Aaron Koblin
Similar aesthetic to InBFlat. Nice how it uses the system itself in an unorthodox way, to critique it

Dec 2011

beautiful juxtaposition of the everyday/isolated and the sublime/communal, as isolated voice uploads become a full choir. Shame about over-literal, tacky visual presentation
Meditation on collective mind; integration of pre-designed elements with live data; creation of physical space from virtual material
Strong conceptual linking of hardware/body to 'virtuality'; not just conceptual but visually engaging
Beautiful abstract, minimalist exploration of the physical medium of 'the internet' and its glitches
  • With You (various performances)
Thoughtful integration of performance into social media; 'fake'/hijacked identity; nice solution to documentation in USB format
links physical geography to virtual travel; re-imagining geography in networked world