This is where I talk to myself and put my research.

15 Nov

Chrome extensions; search & replace. F.A.T 'Beiber Shaver' - blocks out all textual or visual mentions of justin beiber.

Practice making search & replace extensions. Maybe the OK buttons from the consent experiment?

14 Nov

Pirate bay servers and consent. Two distinct themes emerging. Free spaces: physical, digital, sexual.

Pirate Bay

Go to technical museum stockholm and see the first pirate bay server: http://www.tekniskamuseet.se/1/259_en.html

Bizarre that this server - a theoretical monument to the death of old fashioned modes of content distribution - has become a precious museum object. Will filesharers make pilgrimmages to see it when filesharing has been eliminated by draconian IP enforcement?

I like the idea of going there physically and making sketches from the original, like you do from famous paintings/old sculptures. Random bit of hardware elevated to the status of a relic.

Going back to those sea shanties. Possible use for that really sad one, the "Farewell Shanty" - I have some image of TPB setting sail to Sealand with their hoarde of servers... perhaps never to be seen again...

Consent

Yesterday I made a quick bunch of html pages that attempt to link discussions about "consent" in different contexts: http://ox4.org/~nor/consent1.html

The iconic status of the "I agree" button/tickbox when signing up for services. What does it really mean to consent to something? How can these "I agree" rituals be fucked around with visually, textually...?

Was kept awake half the night by a mosquito. Had the idea to make a site with these hidden TOS in which users "agree" by using the site to receive all manner of interesting (educational?) spam. Eg: a stereotypical straight porn site which requires you to provide an email address, which is then spammed with gay porn. Or essays on the theme of consent. Because you agreed to it when you signed up...

Could be an interesting Radical X project; with "mail artworks" submitted by interested participants.

9 Nov

Chatted to others about the page I made that lets you switch between the two ocean colours. They suggested I need to actually use the maps themselves; ground it more in the sources. Came up with the idea for a tool (Firefox plugin?) that changes the colour of the sea in Google maps to the colour from Open Sea Map:

Was talking to G on the weekend about feminist activism and the idea of consent as a springboard for all kinds of interesting activism. Not just sexuality but politics more generally, consent being bottom line. Thought of this yesterday when we were talking about terms of service - to what extent is the consent we give to them meaningful? And how can I link this kind of thing and Radical X type things to this course & internets?

Looking at free spaces perhaps, research atm is into this Situationist utopian notion of 'life' vs deathly society. But what rules & regs apply in utopia? Even pirate pay has TOS:

The responsibility lies upon the user to not spread malicious, false or illegal material using the tracker. We do not censor but we do block people that use our service wrongfully (i.e. commercial organisations that have not cleared the usage with us first). ...We also reserve the rights to publish any information regarding violations. Info hashes, IP addresses and all other information that is supplied to the tracker will be considered our right to publish.

This policy may change at any time, please check in before using the tracker.

Connecting to any of our trackers means that you accept this policy agreement.

7 Nov

Starting to work on this idea of ocean as free space vs colonised space. First, something visual. I'm fascinated by the metaphorical potential in the difference of colour between Google Maps and Ocean Sea Maps' seawater:

#a5bfdd

#b5d0d0

I made an html doc that lets you compare the two here. What about one where you can slide around between the two shades? Link to the discussions had at the Public Domains talks, about how PD is always "dirty" - no such thing as a pure utopia. Like the way seawater mixes with other water; currents...

I also love the abstract patterns made by the shipping routes:

Noticed that 'data havens' are linked to from the wikipedia article on Hakim Bey's pirate utopias: http://en.wikipedia.org/wiki/Data_haven.

See also 'cybernorms' blog about research at Uni of Lund into the gap between copyright law and online filesharing culture: http://cybernorms.net/2011/11/05/copyright-and-metaphors/

3 Nov

Yay, Charlie gave me this for my birthday! Feel like a 10 yr old, working thru insanely fun illustrated exercies. W00t!

2 Nov 2011

HAPPY BIRTHDAY ELEANORG!!!!!!!!!

DINO PARTY TONIGHT

Arg. Getting behind due to computer death + lack of programming skills. I have entrusted my box to Brad's computer service station and sitting on the Mac learning Python online. It's good.

Starting to get an idea of where research strands come together.

Writing stuff for Steve on the intersections of anarchism, post-structuralism, Situationism. The common theme of what free space or 'reality' might mean - what does it mean to construct free spaces? Hakim Bey said:

"The question of land refuses to go away. How can we separate the concept of space from the mechanisms of control? The territorial gangsters, the Nation/States, have hogged the entire map. Who can invent for us a cartography of autonomy, who can draw a map that includes our desires?" (in Post Anarchism Anarchy) http://theanarchistlibrary.org/HTML/Hakim_Bey__Post-Anarchism_Anarchy.html

Thinking about how the net is often (or maybe used to be) seen as a possible solution to this question: a 'free territory'.

Declaration of the Independence of Cyberspace, 1996

"Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather. ...Cyberspace does not lie within your borders." https://projects.eff.org/~barlow/Declaration-Final.html

This is such a beautiful quote. But where does cyberspace live? On servers? Which very much /do/ lie within governmental borders. Link between ocean as free space where ideas are remixed, to cyberspace - the new ocean? the new 'new world'? In the process of being colonised? Server bank as liminal space between meat and meta, need to look after the 'body' of the machine to preserve its immaterial consciousness. Pirate islands, cyber bunkers. No idea what work I will make out of this, but it's fascinating.

Cyber bunker. Looks like a set piece from a Steig Larsson!

Look at:

Seizure of Pirate Bay servers & where they are now stored
ditto Indymedia
Bey on Pirate Utopias

interesting that there is this recurrant linking of the sea/pirates with digital freedom. Found this other manifesto from the same year, based on one used by the 'Citizens of the Sea' and modified to 'netizens of cyberspace': http://web.archive.org/web/19970102014217/http://www.inter-nexus.com/nexusweb/declare1.html Then of course there's the notion of piracy, and Pirate Bay etc reclaiming word as a mark of liberatory politics. As if we need some poetic geographica utopia, even if it doesn't really exist, from which to draw metaphors suporting our own struggles. Like Derek Jensen with the idea of wilderness; a sustaining refuge and inspiration. Maybe oceans are the European equivalent.

principality+of+sealand.jpg "

19 Oct 2011 pt2

Thanks to Jonas for pointing me to http://gli.tc/h/ Event in Amsterdam 11 Nov? Noise lives!

19 Oct 2011

Great writing session today, watched 'A Communications Primer' from 1950s. ( http://www.archive.org/details/communications_primer ) Fascintating, seeing such an early example of the whole of society being recast in the language of connections, feedback etc. (Notes here) Detailed discussion of 'noise' - interesting in context of skype pictures I was looking at yesterday. Noise as anything which interrupts or distorts a signal on its way to the reciever. Examples given in the film included quality of light, even mental distractions or prejudices. Would distance count? Nowadays, signal quality is good and noise isn't 'heard' or experienced as often. That's why the skype pixellation is fascinating - one of the few, heavily censored, hints that the person you're talking to is actually a long way away. Some kind of yearning for that physical trace of distance, now that the illusion of seamless contact is close to a reality. The way analogue systems become cool again as soon as they become obsolete.

Makes me think of Michael's session the other day and our discussion about how to translate analogue items/acts into digital metaphors. Sometimes you can't, or when you try, the metaphor is ridiculous (like those early 'computer desktop' visualisations). Sometimes in order to 'accurately' translate you need to choose different words, with technically different meanings. Link to translation between languages. There must be some productive parrallel between the distance between countries, and the 'distance' between their langauges, the space that translators cross.

<idea> Translated songs? Trying to link physical distance with langauge difference with digital difference?

Gonna go down to the Maritime Museum to try and get more concrete ideas on where to situate these ideas. Specific people, places, rituals or objects that I could 'hang' these ideas on? Concrete, personal, or historical.

Found the lyrics to the 'Goodbye my Lover' song, sung by the Rotterdam Shantykoor: (from http://www.shantyhome.demon.nl/shanty/repertoire/goodbye-lover.htm )

Goodbye my lover goodbye Shanty-man: Jaap van Duijvenbode
The ships goes sailing down the bay. Goodbye my lover goodbye. We may not meet for many a day. Goodbye my lover goodbye. My heart will ever more be true. Goodbye my lover goodbye. Though (dow) now we sadly say adieu. Goodbye my lover goodbye.

Refrein:

Bilo my baby, bilo my baby, Bilo my baby, goodbye my lover, goodbye.

I’ll miss you on the stormy deep. Goodbye my lover goodbye. What can I do but ever weep. Goodbye my lover goodbye. My heart is broken with regret. Goodbye my lover goodbye. But never dream that I’ll forget. Goodbye my lover goodbye.

Refrein:……… Then cheer up till we meet again. Goodbye my lover goodbye. I’ll try to bear my weary pain. Goodbye my lover goodbye. Thought far I roam across the sea. Goodbye my lover goodbye. My ever thought of you shall be. Goodbye my lover goodbye.

Refrein:………

Maritime Museum trip

So I went down to the Maritime Museum. Some interesting potential leads, though not much detail available in the exhibits themselves. Potential leads discovered in the museum:

Port of Rotterdam (port authority) - live shipping maps?
Archive footage of R'dam dockers
Harwich/Hoek van Holland sea link
Roman goddess Nehalennia - protects seamen
Mare Liberum - http://en.wikipedia.org/wiki/Mare_Liberum

Leave it at that for now, and focus on doing some practical experiments linked to skills learnt in class. When I come back to this research, though, these are the next topics: <r> Historical and current shipping link between Harwich and Hoek van Holland <r> Lives of sailors - find some examples or a book?

Interested in Nehalennia - do we need such a goddess now for digital connections? Are they risk-free? What would be the equivalent? Many people still talk to/ shake their computers in superstitious desparation. And of course there's the language barrier, frustrating things. But maybe that's ok. Again, Harraway and her criticism of a world where everything must interface perfectly. Glitches.

Maybe focus on this theme in my practical experiements? What gets lost in translation; errors, etc. Liked that work by the second years where you 'wear down' google translate until it reveals how much it is filtering/skewing your meaning. What was that project where they exchanged currency over and over until nothing was left?

<r> currency conversion project

18 Oct 2011

Have started organising my research a bit on the wiki. So many different strands. Maybe solidify them a bit, pursue each one a little and do some mock-ups or something, then leave them for future use and chose one to run with this semester. Key themes/interests:

Distance & Imagination

Imaginary/automated friends Physical distance in a digitally connected world

Copies & Originals

Fragility of data, bitrot Copyleft, compromised texts

Gender & sexuality online

Porn, censorship Intimacy?

Looking at these three key interets, they're not so unrelated as I thought. Linked them in my dissertation. Maybe just keep poking out my tentacles, following my instincts. Research seems a bit too random at this stage, worried that it's spread out too much. But maybe not. Just feeling my way into this new world of computery things, following my nose.

FAKES & HACKING Spammers imitate real pages - my twitter account got hacked by a scam that imitates the real twitter to get login details. Funny how we think that the internet obliterates the notion of an 'original' - but authentication has become an important part of working online. Verifying login details, signing emails. What was that article about how trust used to be the default; now trust has to be earnt (status on forums etc)?

Paper originals have been replaced by URLs.

The experience of having your account hacked is interesting. Think it's the first time this has happened to me. You could see it as a kind of (involuntary) surrender of the ego.

<idea> Some kind of tool which allows you to surrender control of your online identity for a given period <r> the art project that took over ppl's online life for them. other projects playing with surrendering identity online.

Links into concerns from my BA - merging with ppl, eroticism of net's ability to erase boundaries. Blur identities into one another. Bot as a parasite, leeching off of me. I could still login to my twitter account while the bot had access; we could 'share' my identity. How to make this into a project without the sharer degenerating into piss taking? <r> 'Fraping'

Freaky that you can have your online identity 'managed' - but I guess it's just the modern face of PR. Sickening euphemisms about removing 'inaccurate' content about you. I got one of them to scan for my online reputation; it muse use a list of negative keywords which are then highlighted when they come up. Interestingly, the site I did for Oxford Rape Crisis came up as a negative result as it contained the word 'abuse':

Thinking of long-distance love affairs - linked to all this online identity stuff because when someone is distant, textual traces of them are substituted for their actual presence. (Whatever 'actual presence' means.) Still the most interesting theme for me; what does distance mean nowadays? Link sea shanties to skype.

<r> Parting folk songs; Uk / Dutch examples?

{{#ev:youtube|exjJjDN8d8U}}}}
Here's the same Farewell Shanty, sung by a bloke from Oxford! {{#ev:youtube|n9W6rXvp7g0}}}}

11 Oct 2011

First command-line session today. What I learnt:

How to write, correctly store and make executable a shell script
Some basic sh syntax
Use of variables in shell scripts, including $1, $2 etc for variables drawn from arguments
How to execute a script you've written and give it arguments
Refresher on while loops, for loops and if statements
Very brief chronology of computer interfaces, incl. what the 'terminal' originally was
The difference between a terminal emulator (the visual interface) and a shell (the text syntax used in the terminal)

Had a couple of ideas during the day for possible projects:

- Why are free software websites all so hideously ugly / stereotypically 'male' looking? Joke project (firefox plugin?) to change the CSS of these websites to make them more 'feminine' looking

<r> Bitrot - Aymeric mentioned that, ironically, cardboard punch cards are more durable than software and easier to archive. Intact punch cards exist from 50 years ago, but hard to run software from even 20 yrs ago. What are the technical reasons for this? Would love to interview Grandma K about punch-cards she used during the war. Could make some kind of homage to her with the modern equivalent...? (Also brings in gender element, women in warfare etc...)

6 Oct 2011

Reading Neal Stephenson, "In the Beginning was the Command Line". Interesting note on language as a good system for breaking down into bits. I chose text instead of images for this reason in "Open Sauce" - you can go down to the level of pixels, but it's harder to scan for them, break them apart & rearrange them. Computers and written text seem to have evolved together, so work well when combined. Rearranging. I like this. Rearranging and the limits on rearranging - the issue I was looking at in Open Sauce. Continue down this line, the huge clash between the ease of reproduction/manipulation of data and the regulatory impuluse to limit this flexibility - legally or physically (DRM etc). Linking to the way subjects are similarly controlled (border police, etc. Several tech projects addressing this actually - Hack The Border etc). Limitlessness and limits. Clash of cultures/ideologies. "We come from the Internet...."

Reminded of Fako's talk about the limits of software - is it right to think of computers as enabling a limitless reconfiguring? It comes back to the question of hardware - with enough computer power (read: money; read: political power) you can erase limits. Or appear to. (Brute force attacks)

Brute Force is a resonant phrase. Over and over. Don't ask, don't get. <idea> Some kind of program that runs through chat-up lines....

<r> Brute force attacks

Interesting quotes from Neal Stephenson essay: "Nothing is more disagreeable to the hacker than duplication of effort." "(the richer tourists at Disney World wear t-shirts printed with the names of famous designers, because designs themselves can be bootlegged easily and with impunity. The only way to make clothing that cannot be legally bootlegged is to print copyrighted and trademarked words on it; once you have taken that step, the clothing itself doesn't really matter, and so a t-shirt is as good as anything else. T-shirts with expensive words on them are now the insignia of the upper class. T-shirts with cheap words, or no words at all, are for the commoners)"

3 Oct 2011

The fragility of data. Libraries, archives - vulnerable to fire. Or servers dying. Linked to the physicality of hardware. Back-ups.

<r> Those guys who destroy tech (music) equipment and have it record the sound of its own destruction. Who else does similar work?

1 Oct 2011

Went to 'MediaMarkt' today. Terrifying 3-floor tech supermarket. Shiny gadget porn as far as the eye can see. Makes you realize how brutally 'material' all this so-called virtual stuff is. Not good. Relationship between physical hardware and software, between body and mind... how does 'stuff' become conscious? or able to store abstact data? The physicality of technology.

29 Sept 2011

An idea for a project playing with distance & imagination - continuation of Autogamous. A Twitter thing (or email) that automatically sends you personalised messages. You sign up for it and it grabs semi-random (?) messages (eg tweets) and writes, "hey /name/, saw this and thought you might like it". Like a virtual blow-up doll. Maybe. <R> Projects using Twitter

28 Sept 2011

Feeling a bit overwhelmed with presence of so many experienced knowledgable ppl. Lots of ideas going round in my head, want to sink my teeth into networked culture theory, history, find out about all the artworks out there. But this is in itself an interesting symptom of the anxiety provoked by networks. Desire to know everything - constant 'feed' - could I do something with this?

Ideas/themes...

Archiving

Net is so transitory, what do we have to show for our work? So much good work happening, but it seems inaccessible - who sees it? Where is it stored? Desire to know everthing, consume all data - basis of a project? Information overload National Library - incredible project of making archives available to the public Napster/ Pirate Bay as world's biggest library - Cory Doctorow (created by desire/pragmatism, not a formal archiving effort) Consciousness of life passing, desire to somehow fix, record it - childhood places disappear, like old websites disappear - link disappearance of MimiSiku fansites to other childhood 'sites' (grandma's house, etc?)

Physicality

Physical servers so important to supposedly 'cyber' world; TPB etc needing safe havens; mirroring. Data centres. Denied, somewhat embarrassing physicality. (Links to notion of originals in the archive, precious objects)

Writing

Inspired by Steve's projects with text - performance of texts. Also Leivan's 'reenactment' of Hemmingway story using printers as 'actors' Marie & Leivan's re-organisation of texts, assembling & disassembling - physical approach to very digital obsession/aesthetic Possibilities of software to manipulate/scan texts - maybe use Open Sauce as source material for experimental scripts? (Wanted to take visualisation further - eg see what remained from original version at the end)

Mutability / translatability vs precious objects

Demand for everything to be digitized, computer-readable, manipulable - thinking of Cyborg Manifesto, everything must interface with everything else Things cease to exist in their own right as discrete objects Link to feminism, sexuality? 'Modular' queer identities - but is their a violence in refusing the discrete, 'closed' object? Where is privacy in 'open data'? To be 'closed' and inaccessible is ultimate faux pas - could I play with this? What comes after the open data obsession with 'openness'? Het Visboek - the original in the library looked fake. What is the place of irreplacable originals in digital culture?

Programming

What does it mean to be 'initiated' into world of programming? - As a woman? As semi-digital native? What do I want to do with it? With life? Tools for activists?

Art

Artists angst over collaborative practice, how to involve the audience - hackers never had this problem, everyone contributes, everyone is the audience. Providing tools, just as artists have come round to making 'tools' for interaction/shared authorship. Attracted to hacker culture, lack of angst over notions of audience, authorship, how to address the other, what viewer's role is. Elegant and unforced solutions to the problems in collaborative art. Want to switch cultures.

Distance

Being away from home country as a subject in artwork Contact with lover via internet - pixellated phone calls etc - aesthetic of difference (compare to historical marks of distance? Exchange of rings, letters?) The ocean, shipping, Dutch history - trade links with England? Sea shanties to leaving lovers behind. Distance of language barrier, being in foreign country We think we can 'be anywhere' with internet, but physical distance is still there - re-introducing historical rituals of parting? Relationship becomes kind of 'imaginary' when you're apart - fantasy based. Time-delayed communication - is it actually real? Email signing, encryption. Desire for tokens of contact - emails, messages etc. Could fake ones be generated from your lover's various pages? (personalised twitter messages etc)