User:Eleanorg/2.1/Artworks: Difference between revisions

Revision as of 18:22, 8 December 2012

Influences for graduation project. See also Works I've Enjoyed.

Democratic curation/publishing

'The Piracy Project' by AND Publishing

Making digital issues physical. Non-overly hierarchical way of bringing together a collection of autonomous works.

Dead Drops (2011-), Aram Bartholl, http://deaddrops.com/

Another offline network, taking 'digital' into physical space & inviting strangers to take risks together

Assembling (1970-1982), Richard Kostelanetz http://www.richardkostelanetz.com/inventories/assembling.html

Public invited to send in 1,000 copies of anything they wanted included. Burden of production shifted onto authors; distribution of resources determines who gets published - rather than more elaborate democratic means.

Collaborative authoring

EpicPedia (2008), Annemieke van der Hoek, http://www.epicpedia.org/

re-performs collaborative editing. A nice treatment to make sense of the history of collaborative texts

Web to Print

The BlogPaper (Beta) http://www.theblogpaper.co.uk

Fascinating appropriation of "citizen journalism" web-to-print. Like a for-profit Indymedia (writers give articles for free, upload them to the BlogPaper site) where most popular/discussed items get printed and handed out in London.

Amplifying the Other

Vitruvian Paint Machine (2009) by Conditional Design http://conditionaldesign.org/workshops/vitruvian-paint-machine/

Artist experiments with surrendering control to the Other; becomes 'programmable' << opens up links between computers (commands) and social power/instruction

Skin (2003), Shelley Jackson, http://ineradicablestain.com/skin-video.html

The aesthetic of a distributed network, taken offline & entirely relying on the living body.Frustrating lack of documentation of the original work; this video is a remix.

ExtInked, UHC Collective http://www.uhc.org.uk/portfolio.php?tag=13&project=54

Beautiful use of volunteers in ritual-like format; demands long-term commitment; participants are 'witnesses not spectators' a la Etchells

@@ Line 1: / Line 1: @@
 Influences for graduation project. See also [[User:Eleanorg/Works_I%27ve_Enjoyed | Works I've Enjoyed]].
-===Democratic curation===
+===Democratic curation/publishing===
 * 'The Piracy Project' by AND Publishing
 :: Making digital issues physical. Non-overly hierarchical way of bringing together a collection of autonomous works.
 * Dead Drops (2011-), Aram Bartholl, http://deaddrops.com/
 :: Another offline network, taking 'digital' into physical space & inviting strangers to take risks together
+* Assembling (1970-1982), Richard Kostelanetz http://www.richardkostelanetz.com/inventories/assembling.html
+:: Public invited to send in 1,000 copies of anything they wanted included. Burden of production shifted onto authors; distribution of resources determines who gets published - rather than more elaborate democratic means.
 ===Collaborative authoring===
 * EpicPedia (2008), Annemieke van der Hoek, http://www.epicpedia.org/
@@ Line 12: / Line 13: @@
 ===Web to Print===
+* The BlogPaper (Beta) http://www.theblogpaper.co.uk
+:: Fascinating appropriation of "citizen journalism" web-to-print. Like a for-profit Indymedia (writers give articles for free, upload them to the BlogPaper site) where most popular/discussed items get printed and handed out in London.
 ===Amplifying the Other===