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Revision as of 13:05, 8 June 2018
Improvisation
Performance
What is a performance and why. If I am trying to resist standardised practices, and formal hierarchies of music and performance how am I to do that in the context of a performance where I, the musician are set upon a stage for all to see and revere for a mastery of a practice.
Multitude of outputs and the dissolution of the sole agent or work.
A more direct breakdown of lines between performer and spectator (not in a gimmicky way?) and the disruption of designated performance time and object. How in a traditional context can you subvert the objectivity of the performer and the performance. How can you expand a performance area and/or tool into non conventional space.