User:Dorothy: Difference between revisions
No edit summary |
|||
| Line 19: | Line 19: | ||
<br />[[Dorothy: Room of Silence]] | <br />[[Dorothy: Room of Silence]] | ||
<br />[[Dorothy: Including Ourselves: The Role of Female Spectators in Agnès Varda's "Le Bonheur" and "L'Une chante, l'autre pas"]] | <br />[[Dorothy: Including Ourselves: The Role of Female Spectators in Agnès Varda's "Le Bonheur" and "L'Une chante, l'autre pas"]] | ||
<br />[[Dorothy: Comparsion between the essay Including Ourselves and From Feminine Masquerade to Flâneuse: Agnès Varda's Cléo in the City]] | |||
==Prototyping== | ==Prototyping== | ||
[[Research on Camera]] | [[Research on Camera]] | ||
<br />[[Glitching Glitching Glitching]] | <br />[[Glitching Glitching Glitching]] | ||
Revision as of 15:30, 21 March 2018
Me
Projects
Freedom Exercise #1
Eye Project: Letter to the Outsiders
Songs from Home
Thematic Workshops
Focal-Camera Workshop: Tilt-shift Camera
Photobook Workshop
Reading, Writing and Research Methodologies
Project description: What, How and Why
Exhibition - Tent & WDW
Utopia
Eye Pro Pitch
Dorothy: Room of Silence
Dorothy: Including Ourselves: The Role of Female Spectators in Agnès Varda's "Le Bonheur" and "L'Une chante, l'autre pas"
Dorothy: Comparsion between the essay Including Ourselves and From Feminine Masquerade to Flâneuse: Agnès Varda's Cléo in the City