User:Dave Young/rm/1-2/proposal/: Difference between revisions
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| Proposal worksheet
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| Working title for your project:
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| Potemkin Technologies: The Computer Aesthetic in Cold War Cinema
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| Triple Canopy project area (Research Work, Immaterial Literature, Internet as Material, Thinking Through Images, New Media Reporting, or New Programming): Thinking Through Images
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| ''1. Please summarize your project and describe how it fits into the project area you’ve designated (300 words max):''
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| <span style="color: #fff">The representation of computers as sinister machines in Cold War-era cinema is inextricably tied with the atmosphere of nuclear anxiety and techno-paranoia that existed in western culture in general. In 1950/60s western culture, the computer was seen not as a novel information processing tool as much as it was a calculator of missile trajectories. Through looking at a selection of films that feature computer technologies as a predominant visual motif, I aim to investigate the correlation between how the machines are represented as aesthetic objects with the political background contemporary to the film's production.</span>
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Latest revision as of 18:26, 1 April 2012
