User:Danny van der Kleij/Thesis outline: Difference between revisions

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Thesis Outline:
Thesis Outline:


Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future.
Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future. From the idea of utopia as a moment rather then a place emerges the idea of a radio broadcast as an utopian space. Seeing radio transmission as unhearable and untouchable , distant and fleeting yet inescapable broadcast.


Radio as a Utopian space, Pirate Radio, Radio as a no-space.Distant and fleeting yet inescapable broadcast.
Radio as a no-place
 
In this light we can see pirate radio stations as a more prolonged and profound utopia, especially the ones that operate in a relative state of seclusion.(ie Radio Veronica broadcasted from a boat, Radio Luxembourg broadcasted from a principality)
 
The idea of seclusion and autonomy


Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future.
Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future.


Radio in the information age. Death of pirate radio in a physical space. Internet radio.
how does the vocoder and radio utopia relate?
Internet supplies music on demand, less need to revolt against broadcasting monopolies.
* Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies.
 
* Radio as a secure network. Sigsaly, conet project, London Pirate Radio. (part internet, part piracy)
 
* Cryptography within music. Musiscians as cryptoanalists. History of the vocoder, the machine speaks. Music as symbolism.
 
* Possibly I would like to add: Present radio ,internet radio versus on demand music platforms (soma.fm versus spotify)
 
 
[[User:Danny van der Kleij/Annotations | Annotations(incomplete) ]]


Radio as a secure network. Sigsaly, conet project, London Pirate Radio. (part internet, part piracy)
[[User:Danny van der Kleij/Proposal_excerpts | excerpts from my proposal ]]


Cryptography within music. Musiscians as cryptoanalists. History of the vocoder, the machine speaks. Music as symbolism.
PLANNING


Possibly I would like to add: Present radio ,internet radio versus on demand music platforms (soma.fm versus spotify)
March 21 -> 15:00-18:00 finish writing synopsis. (crucial is the relation between Radio Utopia and the usage of the Vocoder)


annotations
March 21-25 -> write on feelings of utopia within a moment of (recorded) music 1000w

Latest revision as of 15:57, 21 March 2012

Thesis Outline:

Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future. From the idea of utopia as a moment rather then a place emerges the idea of a radio broadcast as an utopian space. Seeing radio transmission as unhearable and untouchable , distant and fleeting yet inescapable broadcast.

Radio as a no-place

In this light we can see pirate radio stations as a more prolonged and profound utopia, especially the ones that operate in a relative state of seclusion.(ie Radio Veronica broadcasted from a boat, Radio Luxembourg broadcasted from a principality)

The idea of seclusion and autonomy

Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future.

how does the vocoder and radio utopia relate?

  • Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies.
  • Radio as a secure network. Sigsaly, conet project, London Pirate Radio. (part internet, part piracy)
  • Cryptography within music. Musiscians as cryptoanalists. History of the vocoder, the machine speaks. Music as symbolism.
  • Possibly I would like to add: Present radio ,internet radio versus on demand music platforms (soma.fm versus spotify)


Annotations(incomplete)

excerpts from my proposal

PLANNING

March 21 -> 15:00-18:00 finish writing synopsis. (crucial is the relation between Radio Utopia and the usage of the Vocoder)

March 21-25 -> write on feelings of utopia within a moment of (recorded) music 1000w