User:Daan Bunnik/Daan Bunnik, De Huid Voelt, 2012: Difference between revisions

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  Name, Trimester (1, 2 or 3), Year.
   
  OR
Daan Bunnik, Graduation Project.
Zhang, Graduation Project, Trimester (4, 5 or 6), Year.
Piet Zwart Institute, Willem de Kooning Academy, 2012
 
= De Huid Voelt =
== Description ==
 
De Huid Voelt is a diptych on my view of my parents. With this observational video portrait I address the changing perceptions I have of my family. In the diptych the struggles of observing the aging bodies of my parents are depicted. The video about my father examines what it does to a child to see the aged, naked body of his parents, while the video about my mother addresses the pain of a child to see his mother struggling with her less valid body. In this project I express with an intimate and poetic voice the difficulties concerning letting go of and simultaneously holding on to the environment one grows up in.
 
== Media ==
 
 
'''Stills from my father's film
'''
[[File:Dark.png|400px|none]]
 
 
[[File:Hand.png|400px|none]]
 
 
[[File:Elleboog.png|400px|none]]
 
 
[[File:Dicht.png|400px|none]]
 
 
 
 
 
'''
'''Stills from my mother's film
'''''
 
[[File:Been.png|400px|none]]
 
 
[[File:Hoofd.png|400px|none]]


'''NOTE: All documentation material, PDF, photos, videos, etc, must be uploaded to the wiki. No embedding or third party hosts allowed, for obvious archiving issues ;)'''


'''NOTE: Please use "your name, the title of your project, the year" as page name.'''
[[File:Trap.png|400px|none]]


= Your Project Title =
== Description ==


350 words including aims of the theoretical and practical research as well as its outcome.
[[File:Ballon.png|400px|none]]


== Media ==
== Video ==
=== Photos ===


* '''At least 2, Max 5.'''
{{#widget: YouTube|id=BtfTeogPsWE}}
* '''native resolution only''' (that is the highest resolution you have for your photo and whatever resolution if you make screencaps)
* '''PNG''' format


=== Video ===
'''''optional'' unless the final outcome of the project, or one of its main components, is a video/film/animation.'''
* allowed containers/codecs combos:
** '''WebM''' '''(preferred)''':
*** '''Video codec:''' VP8 (3-5 Mbps data rate)
*** '''Audio codec:''' Vorbis (-q 6)
** '''Ogg:'''
*** '''Video codec:''' Theora (3-5 Mbps data rate)
*** '''Audio codec:''' Vorbis (-q 6)
** '''MP4:'''
*** '''Video Codec:''' H.264 (3-5 Mbps data rate)
*** '''Audio Codec:''' AAC (160kbps or 384kbps if 5.1) or MP3 (-V0 or -b 320)
* '''resolution:''' 720p if source >= 720p, native resolution otherwise, '''progressive'''.
* '''FPS:''' 24, 25, 30.
* '''Sample rate:'''
** 44.1kHz if source is 44.1kHz or 88.2kHz
** 48 kHz if source is 48kHz or 96kHz
** 44.1 kHz for everything else.


=== Audio ===
{{#widget: YouTube|id=h9Vb9ltqh68}}
'''''optional'' unless the final outcome of the project, or one of its main components, is a sound piece/track.'''
* allowed containers/codecs combos:
** '''Ogg:''' Vorbis (-q 6) '''preferred'''
** '''MPEG:''' MP3 (-V0 or -b 320)
** '''FLAC''' (-8)
* '''Sample rate:'''
** 44.1kHz if source is 44.1kHz or 88.2kHz
** 48 kHz if source is 48kHz or 96kHz
** 44.1 kHz for everything else.
*''' Do not transcode!''' For instance, if the sound generated is directly an MP3, do not re-encode it with the settings above or with a different codec. Only encode original uncompressed or lossless compressed sources.


== Essay ==
== Essay ==


Abstract and bibs/ref + link to PDF (PDF must be uploaded to wiki). <br />
Abstract:
Use Steve's recommendations for abstract length and bibliographic style.
 
== Additional Information ==


'''''non optional'''''
This thesis analyses the development I went through to graduate with three observational films. It examines how previously disparate elements, observational writing and spatial and emotional evocative cinematography, became congruent in my piece ‘De Huid Voelt’ (Skin Feels) that lead to a triptych observational video portrait. In this portrait I address the changed perception I have of my family and the changed relationship I have with them. These short films depict my struggles with observing the aging bodies of my parents, the fear of entering my old neighbourhood park at night and the altered relation between my oldest brother and me. In this project I want to express the difficulties concerning letting go of and simultaneously holding on to the environment one grows up in.
* One page itemised budget estimate


'''''optional'''''


* Project URL (if lives on an external site)
Thesis: The Congruence of Observational Writing and Distinct Cinematography
* extra wiki links (in case you have relevant notes/journals/documentation in your User: page, ''this is useful particularly if you have been asked to articulate further or refine your project during your assessment'')
* Animated GIFs


[[Media:Thesis 22-06-12 Daan Bunnik.pdf|Thesis]]


[[Category: Trimester Projects]]
[[Category: Graduation Projects]]
[[Category: Graduation Projects]]
[[Category: 2011/2012]]

Latest revision as of 15:28, 24 September 2012

Daan Bunnik, Graduation Project. Piet Zwart Institute, Willem de Kooning Academy, 2012

De Huid Voelt

Description

De Huid Voelt is a diptych on my view of my parents. With this observational video portrait I address the changing perceptions I have of my family. In the diptych the struggles of observing the aging bodies of my parents are depicted. The video about my father examines what it does to a child to see the aged, naked body of his parents, while the video about my mother addresses the pain of a child to see his mother struggling with her less valid body. In this project I express with an intimate and poetic voice the difficulties concerning letting go of and simultaneously holding on to the environment one grows up in.

Media

Stills from my father's film

Dark.png


Hand.png


Elleboog.png


Dicht.png



Stills from my mother's film


Been.png


Hoofd.png


Trap.png


Ballon.png

Video


Essay

Abstract:

This thesis analyses the development I went through to graduate with three observational films. It examines how previously disparate elements, observational writing and spatial and emotional evocative cinematography, became congruent in my piece ‘De Huid Voelt’ (Skin Feels) that lead to a triptych observational video portrait. In this portrait I address the changed perception I have of my family and the changed relationship I have with them. These short films depict my struggles with observing the aging bodies of my parents, the fear of entering my old neighbourhood park at night and the altered relation between my oldest brother and me. In this project I want to express the difficulties concerning letting go of and simultaneously holding on to the environment one grows up in.


Thesis: The Congruence of Observational Writing and Distinct Cinematography

Thesis

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