User:Chen Junyu/Graduation Project Seminar/ project proposal/outline: Difference between revisions
Chen Junyu (talk | contribs) (Created page with "<big>'''Thesis Outline'''</big> ==Intro== My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the mov...") |
Chen Junyu (talk | contribs) No edit summary |
||
| Line 2: | Line 2: | ||
==Intro== | ==Intro== | ||
My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.) | My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.) | ||
==Reading List== | |||
Philip Rawson, ''Drawing'' | |||
Fritz van Briessen， ''The Way of the Brush: Painting Techniques of China and Japan | |||
'' | |||
James Elkins, ''Chinese Landscape Painting as Western Art History'' | |||
Revision as of 20:23, 3 February 2015
Thesis Outline
Intro
My thesis will base on the process of making the graduation project, discuss How to most effectively present ( and preserve) the movement or gesture that is the basis of drawing or chinese ink painting, (here movement can be related to Hsieh Ho's first principle of Chinese painting: the resonance of vitality.)
Reading List
Philip Rawson, Drawing
Fritz van Briessen， The Way of the Brush: Painting Techniques of China and Japan
James Elkins, Chinese Landscape Painting as Western Art History