User:Camilo/Project Proposal: Difference between revisions

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Each state run in parallel different processes related to every component of the project. These are marked in the timetable with different symbols (○ glossary, ✴︎ system, ◈ experiment, ⧆ manifesto), and they are framed in a period of time during the semester.   
Each state run in parallel different processes related to every component of the project. These are marked in the timetable with different symbols (○ glossary, ✴︎ system, ◈ experiment, ⧆ manifesto), and they are framed in a period of time during the semester.   


////////////////////////////////////////// '''STATE 1''' ////////////////////////////////////////////
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'''October''' {
'''October''' {
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*[✓] ⧆. ◈. Creating the infrastructure to self-host the project (see ↺. ⧆ ~ ◈.)
*[✓] ⧆. ◈. Creating the infrastructure to self-host the project (see ↺. ⧆ ~ ◈.)
*[] ○.◈. Event: (29 Nov) Aquarium 2.0: A small ecosystem of living thoughts. Publish "A brief Glossary of Glossaries" digesting the results of the first Aquarium
*[] ○.◈. Event: (29 Nov) Aquarium 2.0: A small ecosystem of living thoughts. Publish "A brief Glossary of Glossaries" digesting the results of the first Aquarium
* [] ⧆. Choosing a limited amount of sources to harvest by  conversing with Maria
*[] ⧆. Choosing a limited amount of sources to harvest by  conversing with Maria
}
}
   
   
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* "A brief Glossary of Glossaries"
* "A brief Glossary of Glossaries"


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'''January''' {
'''January''' {

Revision as of 20:47, 21 November 2021

↺. Project Proposal

Working title: Glossary for a diffractive publishing practice

↺. what do I want to make, and why?

I'm currently starting a small-publishing project with my friend Maria Paris called attempt. Together, in colaboration with different artists we have released three publications in the realm of arts. One photo-book, one trio of speculative fiction tales, and an essay that reflects about translation and distance. The project I'm proposing to make would be the continuity of this collaboration with her and it would map and expand our practice by speculating possible paths for future publications.

This project is a hybrid bilingual publication that is simultaneously a glossary, a system, an experiment, and a manifesto.

↺ ○ glossary ○ ↺ ✴︎ system ✴︎ ↺ ◈ experiment ◈ ↺ ⧆ manifesto ⧆ ↺

{draw a diagram}

○ glossary ---> as the matter ---> It is composed of words and their annotations.

✴︎ system ---> as the form ---> It tends to organize itself as a complex system. A system fundamentally open, unpredictable, non-linear, adaptative, mutable...

◈ experiment ---> as the movement. It activates itself by trying out.

⧆ manifesto ---> as the intention ---> It reflects and declare possible statements.

Therefore, it is a publication that challenges the idea of a glossary as its own core by conceiving it as a system of never-ending defined words. It is an interconnected system of words activated by trying out and speculating on possible connections among each other. It is an experiment to manifest reflections on possible futures for small-publishing practices on arts.

The plan is to gather a system of words and their annotations to cross-references between different sources in English and Spanish. These vocabularies come from the already existing publishing books I've been reading(see book sources), publishing projects I'm interested in(see project sources), past publishing experiences I was part of(see experience sources), and other vocabularies inside other realms I find relevant to connect to the research(see expanded sources). This experiment aims to activate a conversation between sources in different languages and discourses by highlighting problematics, bringing up questions, and experimenting over processes, results, and infrastructure of the practice.

In the end, this project is an attempt to state paths inside my own publishing practice, because I believe it is necessary to state missions as contemporary actors inside the publishing realm by reflecting on it and taking responsibility for it. Although this path may be one and multiples at the same time, those have to come with the strong idea of "creating with" in a collective interconnected world.

↺. How do you plan to make it, and When?

Given the big scope of the project and being aware of its never-ending nature. I'm planning to organize it through different stages, and present them as states of the process.

Each state run in parallel different processes related to every component of the project. These are marked in the timetable with different symbols (○ glossary, ✴︎ system, ◈ experiment, ⧆ manifesto), and they are framed in a period of time during the semester.

///////////////////////////////////////////////// STATE 1 /////////////////////////////////////////////////

October {

  • [✓] ○. Individually gather and annotate words from the list of sources. Create a workflow (see ↺.✴︎.)
  • [✓] ○.◈. Event: (11 Oct) Aquarium 1.0: A small ecosystem of living thoughts. Workshop "Glossary of glossaries" (see ↺.○.◈.).

}

November {

  • [✓] ○. Individually gather and annotate words from the list of sources.
  • [✓] ◈. Prototyping layouts (see ↺.✴︎.)
  • [✓] ⧆. ◈. Creating the infrastructure to self-host the project (see ↺. ⧆ ~ ◈.)
  • [] ○.◈. Event: (29 Nov) Aquarium 2.0: A small ecosystem of living thoughts. Publish "A brief Glossary of Glossaries" digesting the results of the first Aquarium
  • [] ⧆. Choosing a limited amount of sources to harvest by conversing with Maria

}

December {

  • [] ○. Individually gather and annotate words from the list of sources.
  • [] △. ✴︎. Prototyping. Playing with the current state of the system.
  • [] ⧆. ◈. Debugging the infrastructure to self-host the project.
  • [] ⟡. Pausing the individual gathering and converse with Maria the current state of words to continue.

}

↺. State 1 Outputs: * Self-host Infrastructure 1. Self-host public server (rpi) 2. Self-host etherpad instance * Workflow to gather and annotate the words * Selection of Sources * "A brief Glossary of Glossaries"

///////////////////////////////////////////////// STATE 2 /////////////////////////////////////////////////

January {

  • [] ○. ✴︎. ◈. sort them with a visual system of symbols to cross-references and start weaving (see ↺. ⧆ ~ ◈.).
  • [] ○. ✴︎. ◈. ⧆. Make the glossary public by asking people to contribute with annotations over the words using the pad. (see 'who can help me' section)
  • [] ○. ✴︎. ◈. Prototyping. Experiment with the current state of the system by testing the open-system possibilities.

}

February {

  • [] ○. ✴︎. Keep on collectively gathering annotations over the words to open the system.
  • [] ○. ✴︎. ◈. Prototyping. Experiment with the current state of the system by testing the open-system possibilities with the multiple annotations structure.

}

March {

  • [] ○. ◈. ⧆. Converse with Maria and activate the Glossary by thinking ways to make public the current state of the project. (see ↺.◈.⧆.)
  • [] ○. ◈. ✴︎. Prototyping. Web-to-print layout experimentation.

↺. State 2 Outputs: * Visual system of symbols * Collective annotation session over the words * Experiments on the Openness of the project. * Proposal of the first printed version of it (if it's the case).

////////////////////////////////////////// STATE 3 ////////////////////////////////////////////

April {

  • [] ○. ◈. ✴︎. ⧆. Prototyping/Press. Web-to-print layout experimentation. Space to debug and start revising and proof prints

}

May {

  • [] ○. ◈. ✴︎. ⧆. Prototyping/Press. Trying out the publication. Space to debug and print.

}

June {

  • [] ○. ◈. ✴︎. ⧆. Prototyping/Press. Trying out the publication. Space to debug and binding.
  • [] ○. 24th: Graduation Show

For that day I imagine presenting the project as an installation/constellation of the three state outcomes of the current process.

↺. State 3 Outputs: * a first printed version of a Glossary for a diffractive publishing practice }

↺.⟡. Challenging the glossary structure

To challenge the idea of the glossary itself, I plan to unpack its structure and recognize which aspects of it are useful and which ones would be interesting to experiment with. It is interesting to me to explore what is beyond the definition of a word regarding the ontological possibilities.

Some of the questions I'm planning to reflect on in this stage of the process are:

↺ What does it mean conceptually to write down a list of terms, words, and explanations?
↺ How a vertical and closed structure of terminology can be conceived as a horizontal and open one?
↺ What is the voice of these annotations on the words, who is speaking?
↺ When constructing knowledge, how to not prioritize written language?

↺.⟡.◈. Glossary of Glossaries

As a HackPack that explored the glossary structure, I proposed a collective workshop of making a 'glossary of glossaries' by collecting, reflecting, writing, and annotating on glossaries.

{diagram} {photos}

Out-puts to have in mind:

↺. The alphabetical hierarchy
↺. Explanation beyond written Language
↺. The location of it inside a publication
↺. The power of collective & multiple interpretations

↺.●. Gathering Nodes

The words of the glossary are gonna be gathered by reading, writing, surfing, drawing, conversing, and reflecting on my own practice as an artist and publisher, but also in close collaboration with my publishing partner, Maria Paris.

So far, I have the glossary just as a list of words, and some of them have already an annotation. The idea is to start annotating on them and then do an exercise of filtering. I still don't know how many are they going to be and how it's going to be the style of its annotations. I'm working on it.

PAD: https://hub.xpub.nl/soupboat/pad/p/camilo_glossary

For the technical side, the workflow for gathering the material is using markdown, etherpad, pandoc, html and css. Concretely, I'm writing down all the words on a etherpad using markdown language and converting them into html using a python script that calls the markdown file via API and process is it with the library pandoc. This creates a website that is styled using css.

One of the intentions of the project is to start creating the glossary in a way that lets me manipulate and transform easily into different materials and mediums. That is why I'm using the web-to-print flow to be able to experiment with the words in a hybrid way.

URL: https://hub.xpub.nl/sandbot/~camilo/Glossary/

↺.⧆◈. Weaving threads

As an exercise of making this project a tool for creation by experiment. I'm planning to 'thread'(make connections) some nodes of the system to suggest routes over it. That would give me the opportunity to experiment and give concrete outcomes out of it. Not to prove a sort of modularity, but to entangle the multiplicity of it, being able to ground it down by giving reasons, materials, and ideas for the actual publishing practice.

These threads are attempts to activate the glossary as a manifesto.

↺. How to not make this project a 'ready to use' modular structure?

↺.◈. Translating

Lately, I've been thinking about the possibilities to construct this glossary in different languages, more concretely English and Spanish. But, due to the limitation of time, maybe this can be something to solve at the end of the process if it's possible. Or is it something that can happen organically and simultaneously?

↺. Why am I doing this?

I'm currently starting a publishing project with Maria called attempt, and we would like to state ourselves paths and resources to focus on. This project would be the continuity of an ongoing practice that I've been developing as an artist and publisher, but most of all would be the way to digest, ruminate and **circulate** the experiences, tools, and projects I was part of the last year of the course.

Therefore, this project is an attempt to state a path inside my own publishing practice, because I believe it is necessary to state our mission as contemporary actors inside the publishing realm. Although this path may be one and multiples at the same time, those have to come with the strong idea of "creating with" in a collective interconnected world.

↺. TIME TABLE

  • October:
---> gathering words with its "annotation"
---> 11 Oct: Aquarium 1.0: A small ecosystem of living thoughts. Workshop "Glossary of glossaries"
  • November:
---> 29 Nov: Aquarium 2.0: A small ecosystem of living thoughts.
---> gathering words with its "annotation"
---> Prototyping / playing with them
---> creating the infrastructure to self-host it (temporary garden)
  • December:
---> gathering words with its "annotation"
---> Prototyping / playing with them
  • January:
---> sorting them out with a system (symbols, visuals, cross-references)
---> gathering words with its "annotation"
---> Prototyping / playing with them
  • February:
---> gathering words with its "annotation"
---> filter the ones are gonna be part by showing and conversing with others
---> Prototyping
  • March:
---> figure out ways to make it public making explicit the glossary itself. How to circulate it?
---> Try to print the project, or think about its physicality
---> Prototyping
  • April:
---> Prototyping
  • May:
---> Prototyping
  • June:
---> 24th: Graduation Show

↺. Who can help me and how?

Manetta and Michael can help me with the project on the technical side, but also be able to connect conceptually those technical decisions. Maria Paris, my publishing partner, is gonna be part of the process, but most of all with conceptual and editorial design. Also, I would like to talk with Femke Snelting, Florian Cramer, Pia Pol, Miriam Rasch, Paul Solellis, Silvio Larusso and Aymeric which I think can give me feedback during the process, because all of them have been part of the critical thought regarding publishing practices.

↺.What is the Relation with my previous practice?

Since the beginning of my career, I have been involved with printed matter by being part of different scenarios of publishing such as workshops, courses, art-book fairs, fanzine festivals, and exhibitions. I have had the possibility to exhibit, co-produce and collaborate with different agents into the realm by making and exploring the possibilities of publishing on arts.

My time coursing experimental publishing has brought me new tools and ideas that expand the publishing realm and its possibilities. Based on the very basic mean of publishing, I would like to share and circulate them using this project. Rather than come up with new and unique ideas, I would like to relate my previous practice by connecting past questions with present and future ones.

↺. What is the Relation to a larger context?

Inside the publishing practices, it is common to state your mission or intention using the form of a manifesto. The book Publishing manifestos, edited in 2018 by Miss Read in Berlin, is an example of it. I believe those are not sterile documents. I think those, by reflecting on the practice and doubting about its own existence, have the power to imagine the impact of art publishing over the world.

To have the possibility to reflect, experiment, and share possible paths of the practice, it is for me an opportunity to contribute in large to the thought around it. Maybe not with the intention of giving solutions, but by speculating on possible ways to re-imagine it.

↺. References and Bibliography

References:

Publishing Manifestos - Miss read Berlin 2018
Glossary of Undisciplinated Design - Spector Books
Glossary of cognitive activism (for a not distant future) - Warren Neidich
https://25.manifestos.de/ from https://manifestos.de/ - Andrea Sick
a Book to the future: a manifesto for book liberation
The Geo financial Lexicon - Ed. Jack Clarke & Sami Hammana
Urgent Craft - Paul Soulellis
World Map - Lucia Dossin
Publicación Independiente como plataforma de Urgencia - Tijuana y par(en)tesis

Selected Bibliography:

here and now? Explorations in urgent publishing - Insitute of Network Cultures
Publishing Manifestos - Miss read Berlin 2018
From print to Ebooks a Hybrid Publishing Toolkit for the Arts - Institute of Network Cultures
Soap - Fabio Morais
Post-Digital print: The mutation of publishing since 1894 - Alessandro Ludovico
Diffracting Diffraction: Cutting Together-Apart - Karen Barad

Further Bibliography:

Offline Matters: The less-Digital Guide to Creative Work - Jess Henderson
The book - Stephane Mallarme
Pensar sistémico: una introducción al pensamiento sistémico - Jose Antonio Garciandía
Cybernetics of the Poor - Diedrich Diederichsen & Oier Etxeberria
Poetics of Relations - Eduard Glissant
Meeting the universe halfway - Karen Barad