User:C.Y.QING-methods: Difference between revisions

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The inspiration came from a photo box of my grandfather. After his death, I found this box with all his photos from his childhood to his 70s. After seeing all the photos, I realised that I only experienced a very short time with him, and those photos of him as a young man were uncertain and unreal for me. So I started to think “how to define the authenticity  of a photo”. So I started this project. I try to participate a event with my close friends and recorded their real living state. Those photos are real and vivid for me, but they’re just like movie stills for the audience.
The inspiration came from a photo box of my grandfather. After his death, I found this box with all his photos from his childhood to his 70s. After seeing all the photos, I realised that I only experienced a very short time with him, and those photos of him as a young man were uncertain and unreal for me. So I started to think “how to define the authenticity  of a photo”. So I started this project. I try to participate a event with my close friends and recorded their real living state. Those photos are real and vivid for me, but they’re just like movie stills for the audience.


<big>Edit Version</big>
<big>Edit Version</big>
''Project 1''
This description is about a photo <small>(This is a colour digital photo)</small>''Italic text'' of a series called The Remaining , I took this photo in my friend’s house. The photograph shows a friend of mine who has just gone through a divorce and her daughter sitting beside the dinning table. That was the day when her husband visited the little girl, so you can see there’s a little bit anxious on the mother’s face, while the girl was waiting with her, and the little girl’s eyes a little at a loss. If you can see clearly, the fruits on the table is actually fake plastic models and the dinning table was placed close the corner  which only leave a space for 2 people to eat.
Before I took this photo, I choose to live with my friend for a short period, so that they can gradually get used to the existence of my camera. When I take this photo, I didn’t try to look for a perfect composition, I put the camera on my tripod and turned off the shutter and focus sound. I pressed the shutter when I feel extremely upset with the long silence of that moment , and turned off the camera immediately .
The inspiration came from a photo box of my grandfather. After his death, I found this box with all his photos from his childhood to his 70s. After seeing all the photos, I realised that I only experienced a very short time with him, and those photos of him as a young man were uncertain and unreal for me. '''''So I think the authenticity of photography depends to some extent on the sense of participation of the photographer or as other characters.''''' I try to participate a event with my close friends and recorded their real living state. Those photos are real and vivid for me, but they’re just like movie stills for the audience.
<big>Original Version</big>
''Project 2''

Revision as of 11:17, 30 September 2021

What/How/Why Exercise

Original Version

Project 1

This description is about one photo of a series called Remaining , I took this photo in my friend’s house. The photograph shows a friend of mine who has just gone through a divorce and her daughter sitting beside the dinning table. That was the day when her husband visited the little girl, so you can see there’s a little bit anxious on the mother’s face, while the girl was waiting with her, and the little girl’s eyes a little at a loss. If you can see clearly, the fruits on the table is actually fake plastic models and the dinning table was placed close the corner which only leave a space for 2 people to eat.

Before I took this photo, I choose to live with my friend for a short period, so that they can gradually get used to the existence of my camera. When I take this photo, I didn’t try to look for a perfect composition, I put the camera on my tripod and turned off the shutter and focus sound. I pressed the shutter when I feel extremely upset with the long silence of that moment , and turned off the camera immediately .

The inspiration came from a photo box of my grandfather. After his death, I found this box with all his photos from his childhood to his 70s. After seeing all the photos, I realised that I only experienced a very short time with him, and those photos of him as a young man were uncertain and unreal for me. So I started to think “how to define the authenticity of a photo”. So I started this project. I try to participate a event with my close friends and recorded their real living state. Those photos are real and vivid for me, but they’re just like movie stills for the audience.


Edit Version

Project 1

This description is about a photo (This is a colour digital photo)Italic text of a series called The Remaining , I took this photo in my friend’s house. The photograph shows a friend of mine who has just gone through a divorce and her daughter sitting beside the dinning table. That was the day when her husband visited the little girl, so you can see there’s a little bit anxious on the mother’s face, while the girl was waiting with her, and the little girl’s eyes a little at a loss. If you can see clearly, the fruits on the table is actually fake plastic models and the dinning table was placed close the corner which only leave a space for 2 people to eat.

Before I took this photo, I choose to live with my friend for a short period, so that they can gradually get used to the existence of my camera. When I take this photo, I didn’t try to look for a perfect composition, I put the camera on my tripod and turned off the shutter and focus sound. I pressed the shutter when I feel extremely upset with the long silence of that moment , and turned off the camera immediately .

The inspiration came from a photo box of my grandfather. After his death, I found this box with all his photos from his childhood to his 70s. After seeing all the photos, I realised that I only experienced a very short time with him, and those photos of him as a young man were uncertain and unreal for me. So I think the authenticity of photography depends to some extent on the sense of participation of the photographer or as other characters. I try to participate a event with my close friends and recorded their real living state. Those photos are real and vivid for me, but they’re just like movie stills for the audience.


Original Version

Project 2