Essay

comparison between • Database as Symbolic Form • New Narratives

The Narrative in the New Media

References:

Database as a Symbolic Form - Manovich. (1999). Retrieved 8 February 2018, from http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html
Page, R., & Thomas, B. (Eds.). (2011). New Narratives: Stories and Storytelling in the Digital Age. Lincoln: University of Nebraska Press.

The Narrative in the New Media

Main question? What is narrative in the new media?

This essay investigates on the question how new media changed the narrative. Therefore I'm going to compare the two texts »Database as Symbolic Form« by Lev Manovich and »New Narratives« by Ruth Page and Bronwen Thomas. The comparison is especially interesting as Manovich is looking at the topic from a media-critique point of view while Page and Thomas are approaching it as writers and storyteller.

From the book to new media The digital brings new ways to structure this world to the foreground. While a book is read in a linear manner, with the computer comes the hyperlink and the possibility to tell stories differently. For Manovich this is based on databases, for Ruth Page and Bronwen Thomas this is another way to construct and perceive narratives. Though both of them agree that the perception of text is different through new media. It changed how text and images are perceived and created.

The database? Lev Manovich calls the predominant form of new media the database. He sees this as a clear break from the linear narrative for example from the book or the cinema. The classical narrative can't be simply translated into the digital. Because the medium is different – it is so different, that Manovich calls the both of them enemies. The database »represents the world as a list of items«, while the narrative »creates a cause-and-effect trajectory of seemingly unordered items«. He sees the database as the enemy of the narrative, as they both claim the exclusive way of explaining the world, they are not able to co-exist. In contrast to that in »New Narratives« the background of the text is not really considered. They still talk about the narrative as it was before, just with very new possibilities. They see the narrative more in a way of development, that adjusted to the digital medium. They say that the new media helped to shape and proof the existing concepts of narrative. An essential point Manovich criticises about that: He thinks the use of narrative in the digital environment is wrong. As he states »we have not yet developed a language to describe these strange new objects.« Instead Manovich mentions the database and the algorithms as the primary way to understand this issues. Lev Manovich offers an essential definition for databases and narratives in his text that help for the understanding of the topic.

The interactive narrative When hyperlinks came up narrative could be constructed in an interactive way. Everyone can now construct their own story. The two texts agree that there arose a new genre of the narrative: the interactive narrative. Although Manovich is very radical with his database idea, he still admits that there exist hybrid forms of narrative. He is talking about narratives that are for instance created trough computer games. Thats similar to what Page and Thomas say when they talk about hyperlinked stories. And there is no binary how a narrative looks like. The New Narratives book describes as an example that one could also read a book interactively by looking up the end of a story before reading the whole thing. A narrative also is never stable or fixed in the digital sphere – so say both of texts – that the content can always be edited and adjusted and the result is never finished.

The cinema Both of the texts bring up comparison to the cinema when talking about narratives. Page and Thomas find cinematic qualities in text, when talking about how movable images can become part of a text and the other way around. Manovich also takes the example of the cinema to compare forms of narratives. He describes the example of the editor of a movie, that constructs, just like a interactive narrative would propose, a narrative out of a set of given data.

Conclusion Manovich is approaching the topic from another perspective than Page and Thomas. He is way more radical in his idea about the underlying structures that build a narrative. I think he is right when he is talking about database and that its form is totally different from those of a narrative. Page and Thomas don't consider the media-theory aspect at all. They just take the form of the digital as granted – what is somehow careless when dealing with text. But even though I think their approach towards the transformation of narrative in more hybrid forms is totally right. I think they are right when saying the narrative can have several new forms in the new media but does not really compete with the database – it can still exit simultaneously

Version1 – Corrections: Steve

Comments by Steve:

To Do: 
* spellcheck
* clear Abstract + Introduction
* Harvard citation
* clear conclusion

* say it direct: no comment like is interesting
* Explain the differences in more detail
** Manovich: Digital break
** Page & Thomas: Continuity
* make clear in the first paragraph what is at stake
* In »New Narratives« (what is this?) -> explain…
* Paragraph with reader
* Bibliography

The Narrative in the New Media

Main question? What is narrative in the new media?

This essay investigates on the question how new media changed the narrative. Therefore I'm going to compare the two texts »Database as Symbolic Form« by Lev Manovich and »New Narratives« by Ruth Page and Bronwen Thomas. The comparison is especially interesting as Manovich is looking at the topic from a media-critique point of view while Page and Thomas are approaching it as writers and storyteller.

From the book to new media The digital brings new ways to structure this world to the foreground. While a book is read in a linear manner, with the computer comes the hyperlink and the possibility to tell stories differently. For Manovich this is based on databases, for Ruth Page and Bronwen Thomas this is another way to construct and perceive narratives. Though both of them agree that the perception of text is different through new media. It changed how text and images are perceived and created.

The database? Lev Manovich calls the predominant form of new media the database. He sees this as a clear break from the linear narrative for example from the book or the cinema. The classical narrative can't be simply translated into the digital. Because the medium is different – it is so different, that Manovich calls the both of them enemies. The database »represents the world as a list of items«, while the narrative »creates a cause-and-effect trajectory of seemingly unordered items«. He sees the database as the enemy of the narrative, as they both claim the exclusive way of explaining the world, they are not able to co-exist. In contrast to that in »New Narratives« the background of the text is not really considered. They still talk about the narrative as it was before, just with very new possibilities. They see the narrative more in a way of development, that adjusted to the digital medium. They say that the new media helped to shape and proof the existing concepts of narrative. An essential point Manovich criticises about that: He thinks the use of narrative in the digital environment is wrong. As he states »we have not yet developed a language to describe these strange new objects.« Instead Manovich mentions the database and the algorithms as the primary way to understand this issues. Lev Manovich offers an essential definition for databases and narratives in his text that help for the understanding of the topic.

The interactive narrative When hyperlinks came up narrative could be constructed in an interactive way. Everyone can now construct their own story. The two texts agree that there arose a new genre of the narrative: the interactive narrative. Although Manovich is very radical with his database idea, he still admits that there exist hybrid forms of narrative. He is talking about narratives that are for instance created trough computer games. Thats similar to what Page and Thomas say when they talk about hyperlinked stories. And there is no binary how a narrative looks like. The New Narratives book describes as an example that one could also read a book interactively by looking up the end of a story before reading the whole thing. A narrative also is never stable or fixed in the digital sphere – so say both of texts – that the content can always be edited and adjusted and the result is never finished.

The cinema Both of the texts bring up comparison to the cinema when talking about narratives. Page and Thomas find cinematic qualities in text, when talking about how movable images can become part of a text and the other way around. Manovich also takes the example of the cinema to compare forms of narratives. He describes the example of the editor of a movie, that constructs, just like a interactive narrative would propose, a narrative out of a set of given data.

Conclusion Manovich is approaching the topic from another perspective than Page and Thomas. He is way more radical in his idea about the underlying structures that build a narrative. I think he is right when he is talking about database and that its form is totally different from those of a narrative. Page and Thomas don't consider the media-theory aspect at all. They just take the form of the digital as granted – what is somehow careless when dealing with text. But even though I think their approach towards the transformation of narrative in more hybrid forms is totally right. I think they are right when saying the narrative can have several new forms in the new media but does not really compete with the database – it can still exit simultaneously