User:Aitantv/Laura Rascaroli (2017) How the Essay Film Thinks
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Revision as of 18:20, 12 March 2023 by Aitantv (talk | contribs) (Created page with "Rascaroli, L (2017) How the Essay Film Thinks. Oxford University Press, Oxford * "The possibility of making a cinema less conditioned by mainstream forms of signification and industrial systems of financing and production has obvious political implications. To say “I” or “we” is, first, a gesture of responsibility and accountability, in filmmaking too. The moment of the essay film is, therefore, politically inflected. Precisely for this reason, we can venture, t...")
Rascaroli, L (2017) How the Essay Film Thinks. Oxford University Press, Oxford
- "The possibility of making a cinema less conditioned by mainstream forms of signification and industrial systems of financing and production has obvious political implications. To say “I” or “we” is, first, a gesture of responsibility and accountability, in filmmaking too. The moment of the essay film is, therefore, politically inflected. Precisely for this reason, we can venture, the essay film first boomed worldwide in the 1960s, a decade marked by a widespread desire for increased participation, democracy, and self- expression; and it also explains why previous embodiments tended to coincide with examples of dissident analysis of actualities." (Rascaroli 2017 p.5)
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