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SESSION 5 | SESSION 5 | ||
After reviewing my draft text on my Self directed research, i started to create a summary, a structure on which to build upon. | After reviewing my draft text on my [[RESEARCH_01|Self directed research]], i started to create a summary, a structure on which to build upon. | ||
05.12.2018 | |||
INTRODUCTION | |||
1 THE PROJECT, THE RESEARCH | |||
1.1 Artistic Research (Identity, Fluidity, Fixity) | |||
1.2 Sociological / Psychoanalytical Concerns (Zygmunt BAUMAN + Paul VERHAEGHE (identity)) | |||
2 THE INSTRUMENT | |||
2.1 Building the tool / Instrument / Camera / Aims | |||
2.1 Minolta SRT01- 35 mm Experiments / Results / Evolution | |||
2.2 Focal Camera – Medium format | |||
3 THE PROCESS | |||
3.1 Description / Analog (why?) | |||
3.2 History: How does it relates and differ from Slit-Photography (Marteen VANVOLSEM) | |||
3.3 Time, Space, Movement (vs Fixity in mainstream photography) | |||
3.3 Particular Gesture: control, selective process, randomness, figuration, abstraction, colors. | |||
3.5 Limitations & Improvements | |||
4 THE IMAGES | |||
4.2 Building a specific vocabulary: group presentation, reception & interpretation | |||
4.3 Subjects and objects of the images | |||
5 THE BODY | |||
5.1 From Gesture to Techniques of the body (Marcel MAUSS) Corporeal language / Education / Control / Power | |||
5.2 The body in the photographic process: Giving body to the gaze (Daniel DESMEDT) PSY | |||
5.3 Toward auto-performative practice: Turning the camera toward the operator (Roland BARTHES) | |||
5.5 (Auto)Portrait, Face, Identity (Marion ZILLO) | |||
6 CONCEPTS | |||
6.1 Definitons & Relations: Fixity, Fluidity, Continuity, Permanence, Duration, Identity | |||
Latest revision as of 17:45, 5 December 2018
SESSION 5
After reviewing my draft text on my Self directed research, i started to create a summary, a structure on which to build upon.
05.12.2018
INTRODUCTION
1 THE PROJECT, THE RESEARCH
1.1 Artistic Research (Identity, Fluidity, Fixity)
1.2 Sociological / Psychoanalytical Concerns (Zygmunt BAUMAN + Paul VERHAEGHE (identity))
2 THE INSTRUMENT
2.1 Building the tool / Instrument / Camera / Aims
2.1 Minolta SRT01- 35 mm Experiments / Results / Evolution
2.2 Focal Camera – Medium format
3 THE PROCESS
3.1 Description / Analog (why?)
3.2 History: How does it relates and differ from Slit-Photography (Marteen VANVOLSEM)
3.3 Time, Space, Movement (vs Fixity in mainstream photography)
3.3 Particular Gesture: control, selective process, randomness, figuration, abstraction, colors.
3.5 Limitations & Improvements
4 THE IMAGES
4.2 Building a specific vocabulary: group presentation, reception & interpretation
4.3 Subjects and objects of the images
5 THE BODY
5.1 From Gesture to Techniques of the body (Marcel MAUSS) Corporeal language / Education / Control / Power
5.2 The body in the photographic process: Giving body to the gaze (Daniel DESMEDT) PSY
5.3 Toward auto-performative practice: Turning the camera toward the operator (Roland BARTHES)
5.5 (Auto)Portrait, Face, Identity (Marion ZILLO)
6 CONCEPTS
6.1 Definitons & Relations: Fixity, Fluidity, Continuity, Permanence, Duration, Identity