The Redundant History, The Pacing Haunter

From XPUB & Lens-Based wiki
Revision as of 01:47, 11 February 2021 by Dachen (talk | contribs) (Created page with "--- How to look at history,or how to penetrating reality through the mirror of history? This is a narrative about two characters , the first being the 20th century Dutch d...")
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

--- How to look at history,or how to penetrating reality through the mirror of history?


This is a narrative about two characters , the first being the 20th century Dutch director Joris Ivens, who was born into a family business dealing with advanced optical instruments, and who early on became passionate about visual observation and optical experimentation. After a period of technically oriented visual tradition early in his career, he gradually became more of an advocate of rooting visual experience in the material body, that is, in the direct involvement of human physical movement in the reality in front of the camera. This stance of formal language led to more direct political involvement in the real world, such as his involvement in workers’ movements and agrarian movements in several countries, his support for the Indonesian independence movement, and his becoming a committed communist. He has edited newsreels for the Dutch Communist Party to convey the revolutionary message, and has also made propaganda films for the Soviet Union and Chinese communist societies, especially in 1976, when he made a series of films about Mao's "Cultural Revolution" How Yukong Moved the Mountains, throughout which he tried to remain faithful to his own subjective feelings, making every effort to keep the shots independence. In his later years, however, Ivens realized that he did not fully understand the complexity of the events he was documenting, and had even inadvertently played a complicit role in the historical tragedy, and that some of his films seemed to betray his original intention of using the camera to present the truth.

The second figure is a political spy, Pieter Boevé, alias Chris Petersen, who originated from a historical political event that came to light in the memoirs of a former Dutch intelligence chief. In 1968 the Dutch Secret Service, in cooperation with the US CIA, developed an operation codenamed "Red Herring”. They set up a fake "Marxist-Leninist Party" in the Netherlands and chose a mathematics teacher who had been to China to play the role of the head of the party in order to spy on high-level Chinese intelligence. The organisation had only a dozen or so actors, and they easily fooled the Chinese Embassy in the Netherlands by relying on a fictitious membership list and publications, becoming "old friends of the Chinese people", and peter, as a representative of the Communist movement in developed capitalist countries, established contacts with the Soviet Union, Albania and the Chinese government, and as a result was received by leaders of communist countries such as Mao Zedong and Khrushchev. He visited China a total of 25 times during his career as a spy, each time bringing back revolutionary funds granted by the Chinese, totalling more than a million pounds, until the late 1980s, after the dramatic changes in Eastern Europe. During each of these visits, he used a small portion of the revolutionary funds to travel around different cities and places in China, and enjoying taking photographs and keeping a diary to record his foreign experiences.