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I just finished my latest work "worldpeace" which marks a change in my working practice. I will point out the new strategies I used in relation to my previous working practice and I will take a look at how this shift can inform the development of my future work.
I just finished my latest work "worldpeace" which marks a change in my working practice. In this text I will point out the new strategies I used in relation to my previous working practice and I will take a look at how this shift can inform the development of my future work.


Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with ''real'' people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work ''Exceptional Encounters'' I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them turned into a performative act. I, the artist and image creator, served as projection screen  
Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with ''real'' people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work ''Exceptional Encounters'' I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them became a performative plot. I, the artist and image creator, served as projection screen for my models fantasy while they in return allowed me to take their image. The meetings were loaded with a sense of secrecy, fantasy and role play. The camera setting serves as an excuse to give in to a power play that involves no physical contact.
were embedded in a performative plot loaded with a sense of secrecy, fantasy and role play. The camera serves as a bond


The notion of the camera setting as a surrogate.
The notion of the camera setting as a surrogate.

Revision as of 20:52, 18 April 2017

Abstract: what is this document?; what do you want the reader to get from this text? (50 words) Introduction: Give outline of the text and make the points you want to get across clear. (200 words)

Current Practice (resource: here you can use the text made in the last session, interview...) What are you working on now?; (200) what do you want to work on? (200) Who can help you and how? (50)


I just finished my latest work "worldpeace" which marks a change in my working practice. In this text I will point out the new strategies I used in relation to my previous working practice and I will take a look at how this shift can inform the development of my future work.

Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with real people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work Exceptional Encounters I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them became a performative plot. I, the artist and image creator, served as projection screen for my models fantasy while they in return allowed me to take their image. The meetings were loaded with a sense of secrecy, fantasy and role play. The camera setting serves as an excuse to give in to a power play that involves no physical contact.

The notion of the camera setting as a surrogate.


How Queer Theory has informed my interest and practice Informed by Imagery of Western Art History Queering Art History Encounters - die Treffen in den Vordergrund stellen Machtspiel