Testing the documentation page: Difference between revisions

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''':http://antonas.files.wordpress.com/2010/10/atopic-interiors.pdf
''':http://antonas.files.wordpress.com/2010/10/atopic-interiors.pdf
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'''Richard Cox.Personal Archives and a New Archival Calling: Readings, Reflections and Ruminations''':
'''Series on Archives, Archivists and Society BY Litwin Books''':
http://litwinbooks.com/personalarchives.php
http://litwinbooks.com/series-archives.php
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'''Pirate cinema''':
'''Pirate cinema''':

Revision as of 23:30, 19 October 2013

lets get this started! http://hipstermerkel.tumblr.com/


Archiving The New.:http://gsaarchivesandcollections.wordpress.com/2013/06/11/artists-using-archives-bruce-mclean-is-not-an-archivist/


open call=>> In My Computer :http://www.linkartcenter.eu/archives/2604


The Artist as Archivist in the Internet Age:http://319scholes.org/exhibition/collect-the-wwworld-the-artist-as-archivist-in-the-internet-age/


The wayback machine:http://archive.org/web/web.php


Daniel Rourke. The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age :http://www.furtherfield.org/features/impulse-geocities-archive-one-terabyte-kilobyte-age


Allesandro Ludovico. Post-Digital Print: The Mutation of Publishing Since 1894 [chapter 5!] :http://monoskop.org/images/a/a6/Ludovico,_Alessandro_-_Post-Digital_Print._The_Mutation_of_Publishing_Since_1894.pdf


Boris Groys.Art Workers: Between Utopia and the Archive :http://www.e-flux.com/journal/art-workers-between-utopia-and-the-archive/


Aristidis Antonas. Archive functions:http://www.kaput.gr/en/04/archive-functions/


Aristidis Antonas. The interior of the archive :http://antonas.files.wordpress.com/2010/10/atopic-interiors.pdf


Series on Archives, Archivists and Society BY Litwin Books: http://litwinbooks.com/series-archives.php


Pirate cinema: http://thepiratecinema.com/


The Amen Break: http://www.youtube.com/watch?v=5SaFTm2bcac

A short history of a single drum beat published in 1969, which was eventually appropriated through sampling, spread far and wide through music movements over the ensuing decades, and effectively entering the public domain by accident.


Good Copy Bad Copy

http://www.goodcopybadcopy.net/

A 2007 documentary on the state of copyright laws and how they affect remix culture, sample-based music, and so on. Includes interviews with artists like Girl Talk and Danger Mouse, as well as members of the MPAA, the Swedish Pirate Party, Lawrence Lessig, and Nigerian film makers.