Talk:Thematic-Making It Public

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Revision as of 22:05, 27 September 2015 by Castrobot (talk | contribs)

Page dedicate to brianstorming, planing and preparation of the thematic

Note:

  • feel free to change any anything
  • if you want use to add a comment use ~~~~ will sign the comment. E.g. Castrobot (talk) 21:04, 27 September 2015 (CEST) is writing a comment here

Topics

Publishing (Distribution)

Day: Monday ; Guests:

  • Aymeric Mansoux (Monday) - Novel forms of distribution: cultural diffusion of proto free and free culture (undefined notions of access, freedom and public ).
  • Amy Wu (Monday) - Fazines and underground networks of publications' distribution.

Archive

Day: Tuesday; Guests:

  • Sandra Fauconnier
  • Michale Murtaugh - Active Archives; Erkki Kurenniemi: In 2048 - will be remote from MIT, will do it in afternoon

Digital & Hybrid Publishing

Day: Wednesday; Guests: Pia, Florian - Wednesday

  • Florian Cramer - Off-line digital reading
  • Pia Pool - digital publishing for publishers

Castrobot (talk) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered?


Structure

Each of the thematic's days could perhaps be organized, according to:

  • 10:00 - 11:00 Reading list presentation and discussion. Aiming to prepared the ground for the presentations that will follow. Participants present (organized in groups) 2 or 3 of the titles from the reading list.
  • 11:00 - 13:00 Guest presentations
  • 14:00 - 17:00 Workshop - how to create the publication? We need to walk together through the material, the aim of the publication, the different necessary tasks:
    • works: storing, describing classifying on the wiki
    • publishing pipeline: getting the content from wiki into a publishable form
    • front-end design: how the publishable output(s) will look like.
    • communication and distribution

Films

Reading list: key arguments

Hayles, Katherine. Writing Machines

Chapters: 1,2,3

  • the work being influenced by the materiality of its inscription technologies
  • artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors).

elaboration ideas:

  • how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record.
  • can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology?
  • links to other texts:
    • Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
    • Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects
    • Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments.