Some Ideas for The New Museum of Society and Economy: Difference between revisions

From XPUB & Lens-Based wiki
No edit summary
No edit summary
Line 1: Line 1:
Otto Neurath's vision for the Museum of Society and Economy was the creation of a cultural center designed for the working classes that would educate them about production, emigration, mortality, interior furnishing, unemployment, and the mechanisms of industry, among others, ultimately as a means of stimulating the growth of a community. (55-57)
"According to Tonnies, Gesellschaft seeks to objectify and standardize human interactions, while Gemeinschaft spiritualizes and tries to make subjective everyday human affairs." (22)
"According to Tonnies, Gesellschaft seeks to objectify and standardize human interactions, while Gemeinschaft spiritualizes and tries to make subjective everyday human affairs." (22)
Having read the seminal work by the German sociologist Ferdinand Tonnies ''Gemeinschaft and Gesellschaft'', Otto Neurath's concepts of communal living and urbanisation were transformed. As with Karl Marx, whose ideas had already been published in the ''Communist Manifesto'' in 1848, Tonnies looked at the distribution of power across the various strata of society from a socio-historical perspective, observing that the State becomes increasingly dominant over time to the detriment of the working classes, and other power structures such as the Church. This conflict summarises the tension between Tonnies' concepts of Gemeinschaft and Gesellschaft - in which the former is the agrarian community constructed around the pillars of the Church and the Family,  and the latter being the construction of civil society, built around the state, the city, and industrial production.


Having read the seminal work by the German sociologist Ferdinand Tonnies ''Gemeinschaft and Gesellschaft'', Otto Neurath's concepts of communal living and urbanisation were transformed. As with Karl Marx, whose ideas had already been published in the ''Communist Manifesto'' in 1848, Tonnies looked at the distribution of power across the various strata of society from a socio-historical perspective, observing that the State becomes increasingly dominant over time to the detriment of the working classes, and other power structures such as the Church. This conflict summarises the tension between Tonnies' concepts of Gemeinschaft and Gesellschaft - in which the former is the agrarian community constructed around the pillars of the Church and the Family, and the latter being the construction of civil society, built around the state, the city, and industrial production.
Neurath's belief in the importance of natural economies was further developed while in Vienna after the first World War. The influx of gypsy refugees, coupled with a housing crisis and food shortages created a semi-anarchic social system, driven by basic human needs for shelter and sustenance. Barter and in-kind transactions emerged as a natural method for people to continue trading necessities, and during a period of great coal shortages in 1923, families resorted to cutting down trees around the city for firewood. Self-organisation on a mass scale interested Neurath greatly, although maintaining a balance in the disorder/order of the social system was a complex but crucial factor in its success. The coal shortage provides a succinct demonstration of this importance: the disorganised destruction of woodland areas around the city was unsustainable, and threatened longer-term effects on the supply of wood and provision of parkland areas. The social system, through a crisis of food, housing, and fuel, had become entropic. The laws that had maintained order in the system were no longer governed by a centralised authority, but completely decentralised and with little networked communication - decisions were made on an ad-hoc basis by individuals trying to satisfy their basic needs.


Neurath's belief in the importance of ''Gemeinschaft'' was further developed while in Vienna after the first World War. The influx of gypsy refugees, coupled with a housing crisis and food shortages created a semi-anarchic social system, driven by basic human needs for shelter and sustenance. During a period of coal shortages in 1923, families resorted to cutting down trees around the city for firewood. Self-organisation on a mass scale interested Neurath greatly, although maintaining a balance in the disorder/order of the social system was a complex but crucial factor in the system's success. The coal shortage provides a succinct demonstration of this importance: the disorganised destruction of woodland areas around the city was unsustainable, and threatened longer-term effects. The social system, through a crisis of food, housing, and fuel, had become entropic. The laws that had maintained order in the system were no longer governed by a centralised authority, but completely decentralised: decided ad-hoc by individuals in order to satisfy their basic needs, and those of their families.  
Neurath sought to create a system that would allow the formation of communities around a basis of self-help urbanism, but with a degree of decentralised management that would control the entropic state of the system. His method of ''"ordered disorder"'' was essentially the creation of a network within which the municipality of Vienna and the localised co-operative movements could communicate and make collective decisions. Neurath believed that social housing projects and allotment gardening initiatives could help create a communal economy - ''Gemeinwirtschaft'', providing the working class with a much greater degree of autonomy within the class system. He was a founder of various associations and publications dedicated to improving access to education about growing food in urban areas, and also pioneering new technologies that would allow for the rapid construction of temporary housing for the settlers in Vienna. While his attempts to create a natural economy with social-democratic ideals largely failed due to economic growth in the early 20s, Neurath's belief in settlement housing remained.


Neurath sought to create a system that would allow the formation of communities around a basis of self-help urbanism, but with a degree of decentralised management that would control the entropic state of the system. His method of ''"ordered disorder"'' was essentially the creation of a network within which the municipality and the localised co-operative movements could communicate. Neurath believed that social housing projects and allotment gardening initiatives could help create a communal economy - ''Gemeinwirtschaft'', providing the working class with a much greater degree of autonomy within the class system.
Neurath wanted to use the methods of ''gesellschaft'' to stimulate the aspects of ''gemeinschaft'' that would benefit the working classes. He believed that "the metropolis needed to be weaned off the money-market economy and be governed by a system that harnessed the power of barter collectives, trust-based relationships, self-help interest groups, agricultural cooperatives and other informational economic agents." (25) The emergence of the mass audience at the beginning of the 20th century created a new visual language for communicating social concepts. Stimulated by the technologies of gesellschaft - namely rapid production in the newspaper industry, centralisation of population, and the rise in popularity of the public cinema - Neurath went about creating a new museum that could communicate in the new visual language of the mass media and stimulate the growth of communities. He wanted to create a cultural space that could educate the working classes about production, emigration, mortality, interior furnishing, unemployment, and the mechanisms of industry.(55-57)


Neurath wanted to use the methods of ''gesellschaft'' to stimulate the aspects of ''gemeinschaft'' that would benefit the working classes. "The metropolis needed to be weaned off the money-market economy and be governed by a system that harnessed the power of barter collectives, trust-based relationships, self-help interest groups, agricultural cooperatives and other informational economic agents. (25)
The Museum of Society and Economy (''Gesellschafts- und Wirtschaftsmuseum in Wien'') was officially founded in 1925. The museum was an ''active'' space for educating the people of Vienna, rather than an institute that housed a collection of historical artefacts. It was here that Neurath began the development of ISOTYPE - a graphic system of communicating statistics so that they could be readily understood by a non-specialist audience. His ambition was to democratise knowledge through the creation of a pictorial language that had an instantly recognisable and standardised internal logic. "They encouraged people to think of themselves and the world around them in terms of patterns, relationship and systems of organisation." (65)  


The emergence of the mass audience at the beginning of the 20th century created a new visual language for communicating social concepts. Stimulated by the mechanics of gesellschaft - namely rapid production in the newspaper industry, centralisation of population, and the rise in popularity of the public cinema -
Exhibitions were designed with modularity and reproducibility in mind, so that the exhibition could travel with ease and reach the widest possible audience. Neurath's development of ISOTYPE also fit in to this belief: Neurath "wanted to radicalise

Revision as of 15:43, 21 October 2012

"According to Tonnies, Gesellschaft seeks to objectify and standardize human interactions, while Gemeinschaft spiritualizes and tries to make subjective everyday human affairs." (22) Having read the seminal work by the German sociologist Ferdinand Tonnies Gemeinschaft and Gesellschaft, Otto Neurath's concepts of communal living and urbanisation were transformed. As with Karl Marx, whose ideas had already been published in the Communist Manifesto in 1848, Tonnies looked at the distribution of power across the various strata of society from a socio-historical perspective, observing that the State becomes increasingly dominant over time to the detriment of the working classes, and other power structures such as the Church. This conflict summarises the tension between Tonnies' concepts of Gemeinschaft and Gesellschaft - in which the former is the agrarian community constructed around the pillars of the Church and the Family, and the latter being the construction of civil society, built around the state, the city, and industrial production.

Neurath's belief in the importance of natural economies was further developed while in Vienna after the first World War. The influx of gypsy refugees, coupled with a housing crisis and food shortages created a semi-anarchic social system, driven by basic human needs for shelter and sustenance. Barter and in-kind transactions emerged as a natural method for people to continue trading necessities, and during a period of great coal shortages in 1923, families resorted to cutting down trees around the city for firewood. Self-organisation on a mass scale interested Neurath greatly, although maintaining a balance in the disorder/order of the social system was a complex but crucial factor in its success. The coal shortage provides a succinct demonstration of this importance: the disorganised destruction of woodland areas around the city was unsustainable, and threatened longer-term effects on the supply of wood and provision of parkland areas. The social system, through a crisis of food, housing, and fuel, had become entropic. The laws that had maintained order in the system were no longer governed by a centralised authority, but completely decentralised and with little networked communication - decisions were made on an ad-hoc basis by individuals trying to satisfy their basic needs.

Neurath sought to create a system that would allow the formation of communities around a basis of self-help urbanism, but with a degree of decentralised management that would control the entropic state of the system. His method of "ordered disorder" was essentially the creation of a network within which the municipality of Vienna and the localised co-operative movements could communicate and make collective decisions. Neurath believed that social housing projects and allotment gardening initiatives could help create a communal economy - Gemeinwirtschaft, providing the working class with a much greater degree of autonomy within the class system. He was a founder of various associations and publications dedicated to improving access to education about growing food in urban areas, and also pioneering new technologies that would allow for the rapid construction of temporary housing for the settlers in Vienna. While his attempts to create a natural economy with social-democratic ideals largely failed due to economic growth in the early 20s, Neurath's belief in settlement housing remained.

Neurath wanted to use the methods of gesellschaft to stimulate the aspects of gemeinschaft that would benefit the working classes. He believed that "the metropolis needed to be weaned off the money-market economy and be governed by a system that harnessed the power of barter collectives, trust-based relationships, self-help interest groups, agricultural cooperatives and other informational economic agents." (25) The emergence of the mass audience at the beginning of the 20th century created a new visual language for communicating social concepts. Stimulated by the technologies of gesellschaft - namely rapid production in the newspaper industry, centralisation of population, and the rise in popularity of the public cinema - Neurath went about creating a new museum that could communicate in the new visual language of the mass media and stimulate the growth of communities. He wanted to create a cultural space that could educate the working classes about production, emigration, mortality, interior furnishing, unemployment, and the mechanisms of industry.(55-57)

The Museum of Society and Economy (Gesellschafts- und Wirtschaftsmuseum in Wien) was officially founded in 1925. The museum was an active space for educating the people of Vienna, rather than an institute that housed a collection of historical artefacts. It was here that Neurath began the development of ISOTYPE - a graphic system of communicating statistics so that they could be readily understood by a non-specialist audience. His ambition was to democratise knowledge through the creation of a pictorial language that had an instantly recognisable and standardised internal logic. "They encouraged people to think of themselves and the world around them in terms of patterns, relationship and systems of organisation." (65)

Exhibitions were designed with modularity and reproducibility in mind, so that the exhibition could travel with ease and reach the widest possible audience. Neurath's development of ISOTYPE also fit in to this belief: Neurath "wanted to radicalise