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<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">FICTION</span> | <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">FICTION</span> | ||
*'''Martin MacInnes''' [https://www.3ammagazine.com/3am/anthology-one-boxes/ Anthology One Boxes] | *'''Martin MacInnes''' [https://www.3ammagazine.com/3am/anthology-one-boxes/ Anthology One Boxes] | ||
* Julian Gough - [https://en.wikisource.org/wiki/End_Poem End Poem] | |||
Revision as of 20:15, 22 June 2023
BOOKS
- Code and Clay, Data and Dirt - Shannon Mattern -- Text
- Ars Poetica - Horace -- Text
- Towards a Poetics of Artificial Superintelligence - Nora N. Khan -- Text
- Undercommons - Stefano Harney and Fred Moten -- Text
- Like a Woman - Quinn Latimer -- Text
Artists/Projects
- Anna Boghiguian
- Alice Bucknell -- Website
- Quote from New Mystics Find Here "When engaged with magic, technology can serve as a generative portal between world-as-is and worlds-yet-to-come; in Donna Haraway’s terms, it can foster a way of “becoming with” a world in which “natures, cultures, subjects and objects do not pre-exist their intertwined worldings.”. She says she uses "speculative fiction strategies" Find Here.
- asweleavethewindowopen -- Website
- A archive for experiments in text, performance and improvisation.
- Waste Paper Opera -- Website
- Camila Sposati -- Website
- Found her website/work after my rock drawings.
- Earth Anatomical Theatre -- Website
- Geocinema - Asia Bazdyrieva et al -- Website
- "‘Geocinema’ considers planetary-scale sensory networks —cell phones, surveillance cameras, satellites, geosensors— as a vastly distributed cinematic apparatus: a camera. Sensing fragments of the earth their operations generate terabytes of raw data, infrastructural architectures, obscured labour, dissonant weather, governmental policies, scientific management, environments and situations each participating in the changing of the earth’s fabric through their own sets of scales and temporalities. Here, the representation of earth is the sum of a decentralized editing process with its image anything but whole."
- Sasha Stiles
- American Artist -- Website
- Sandra Mujinga -- Website
- Juan Palacios -- Website]
- Maria Molina Pero -- Project
- Kachi Chan -- Project
- DISNOVATION -- Website
- Diana Dal-pra -- Website
- Mercedes Azpilicueta -- Website
- Cai Guo-Qiang -- Website
- Website I enjoy the text written about exhibition
FICTION
- Martin MacInnes Anthology One Boxes
- Julian Gough - End Poem
