Research-group-sjm
Research group SJM
Keywords: AFFECT, GAZE, GENDER
Members: Susanna, Jue, Marieke
core text
Laura Mulvey
- Essay: Visual Pleasure and Narrative Cinema’ (1975, p177 The Narrative Reader)
- Essay: Afterthoughts on “Visual Pleasure and Narrative Cinema” Inspired by Duel in the Sun (1989, p182, The Narrative Reader)
- Book: Death 24x Times per second (2005). pdf [1]
Find the two essays in this book --> File:The Narrative Reader - Martin McQuillan.pdf
branching text
- The new brutality film: race and affect in contemporary Hollywood cinema - Paul Gormley
- Feeling, Emotions, Affect - Eric Shouse [2]
- Why be nonbinary - Robin Dembroff [3]
- Why I am not a feminist - Jessa Crispin
- Mind the Screen (selected chapters) [4]
- File:The Narrative Reader - Martin McQuillan.pdf
- On the origin of Stories - Brian Boyd
- Stories [5]
- The Emergence of Cinematic Time - Mary Ann Doane
- Fire and Ice - Peter Wollen (1984)
- Stillness in the Moving Image: Visualizing Time and Its Passing - Laura Mulvey (2003)
- Invention of Hysteria - Georges Didi-Huberman
- Photography and Fetish - Christian Metz (1985)
for potential movie night!
- Afternoon Delight - by Jill Soloway
- The Florida Project
- Capernaüm
- Guusje America - Video Home System
- White Noise - Antoine d'Agata
next meetings
Sunday 17.03 @ 18.30
Meet to discuss key text (at least the two essays) plus any other readings done till then.
notes
day of forming research group 06.03.2019
Questions from our practice
- How has the spectator/observer/viewer/audience changed over time?
- How do we feel/relate to people when we present an idea/image as a certain gaze (doesn't have to be defined according to gender)?
- What is gaze?
- Should I/we, as female artists be aware of our gaze and our gender when creating culture?
The male gaze is slowly becoming an outdated term.
Let's define gaze intuitively: We look at something for some time, we are intrigued, and we try to understand from our own (cultural) framework of reference.
- Why do filmmakers want to show work? What is inside the filmmaker?
- What's in our work?
Marieke:::subvert norms: make a statement to make the audience (for the lack of the word) aware - how do people relate?
Jue:::meditation: affect - how are people moved in cinema?