Reading, Writing & Research Methodologies 2011/2012: Difference between revisions
| Line 24: | Line 24: | ||
* [[User:Janis KlimanovsJ | Janis Klimanovs, "Objectivity" L. Datson & P. Galison]] | * [[User:Janis KlimanovsJ | Janis Klimanovs, "Objectivity" L. Datson & P. Galison]] | ||
* [[Javi - "Some notes on Art as Film as Art" by Pavel Büchler ] | Javier Lloret - Annotation: Some notes on Art as Film as Art]] | * [[Javi - "Some notes on Art as Film as Art" by Pavel Büchler ] | Javier Lloret - Annotation: Some notes on Art as Film as Art]] | ||
Revision as of 10:36, 25 January 2012
This is a shared page for the R,W & R module.
Trimester 2
Black Boxing and Interfacing
Tutorials
Assignments
For 25 Jan 2012
- Andre - The pervasive interface, Eva Nieuwdorp
- Silvio - "The Pervasive Interface: Tracing the Magic Circle", by Eva Nieuwdorp
- Bart - "The Pervasive Interface", by Eva Nieuwdorp
- Lucian Wester - Annotation Bechers' text by Sarah James
- Jasper - "Grasping the Screen", Nanna Verhoeff
- Jasper - "The Pervasive Interface", Nieuwdorp
- Dave - R. Barbrook: 'Human Machines' and 'Cold War Computing' from the book 'Imaginary Futures'
- Marie - "Interfacing by material metaphors", by Marianne van den Boomen
- Dennis - 1. Celluloid Closet Annotation 2. Male Fantasies Annotation (Preface) 3. Freedom Writers Notes 4. Reflection (relevance to the notion of interface)
- Jussi, What you get is what you see, Kessler
- Petra - "Artists' working spaces, tools, and materials in the digital domain" by Ann-Sophie Lehmann
- Janis Klimanovs, "Objectivity" L. Datson & P. Galison
- [[Javi - "Some notes on Art as Film as Art" by Pavel Büchler ] | Javier Lloret - Annotation: Some notes on Art as Film as Art]]