RESEARCH 01: Difference between revisions
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1 I started with analog photography. I am taking photographs using the whole surface of the film. To use the whole film as one photograph i am rewinding the film in front of the lens with the shutter open. In my first trials i used and old minolta srt101 because it allows you to control the rewinding and the shutter manually. As expected there is a lot of blur. More precisely motion blur, because in a way, with the rewinding gesture i transform my still photography camera into a moving-image camera. I am therefore taking photographs with a moving image camera. Doing so i have the feeling that both space and time | 1 I started with analog photography. I am taking photographs using the whole surface of the film. To use the whole film as one photograph i am rewinding the film in front of the lens with the shutter open. In my first trials i used and old minolta srt101 because it allows you to control the rewinding and the shutter manually. As expected there is a lot of blur. More precisely motion blur, because in a way, with the rewinding gesture i transform my still photography camera into a moving-image camera. I am therefore taking photographs with a moving image camera. Doing so i have the feeling that both space and time..... | ||
2 The medium format experiments: not being afraid of breaking and mistreating the clean and technical imagery. I built a medium format camera that doesn't have a shutter. On previous experiment i remarked that the shutter played an important role in the selective process of the subject. I am interested in this | 2 The medium format experiments: not being afraid of breaking and mistreating the clean and technical imagery. I built a medium format camera that doesn't have a shutter. On previous experiment i remarked that the shutter played an important role in the selective process of the subject. I am interested in this flower therefore i frame and press the shutter to capture the image. But what is happening when the camera doesn't have a shutter? The process of selection is transferred to another technical gesture, I'm my case rewinding. | ||
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4 | 4 Body Techniques and gesture: Rewinding | ||
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My axes of research are now: | My axes of research are now: | ||
How do we experience time in photography? How do we explore the transformation from fixity to movement? The precise instant when still image become motion-picture? (Marker, C. (1962). La Jetée) How do we represent, interpret or record the fluid character of time and space? | How do we experience time in photography? | ||
How do we explore the transformation from fixity to movement? | |||
The precise instant when still image become motion-picture? (Marker, C. (1962). La Jetée) How do we represent, interpret or record the fluid character of time and space? | |||
Revision as of 18:39, 17 November 2018
RESEARCH 01
1 I started with analog photography. I am taking photographs using the whole surface of the film. To use the whole film as one photograph i am rewinding the film in front of the lens with the shutter open. In my first trials i used and old minolta srt101 because it allows you to control the rewinding and the shutter manually. As expected there is a lot of blur. More precisely motion blur, because in a way, with the rewinding gesture i transform my still photography camera into a moving-image camera. I am therefore taking photographs with a moving image camera. Doing so i have the feeling that both space and time.....
2 The medium format experiments: not being afraid of breaking and mistreating the clean and technical imagery. I built a medium format camera that doesn't have a shutter. On previous experiment i remarked that the shutter played an important role in the selective process of the subject. I am interested in this flower therefore i frame and press the shutter to capture the image. But what is happening when the camera doesn't have a shutter? The process of selection is transferred to another technical gesture, I'm my case rewinding.
3 Fixity in photography and the impact on defining reality, identity as a fix and certain concept. Breaking the idea of a static use of photography and reality.
4 Body Techniques and gesture: Rewinding
My axes of research are now:
How do we experience time in photography?
How do we explore the transformation from fixity to movement?
The precise instant when still image become motion-picture? (Marker, C. (1962). La Jetée) How do we represent, interpret or record the fluid character of time and space?
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