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'''<big>A WAY TO MAKE MY WORK EXIST OUTSIDE OF MY LAPTOP/STUDIO/HEAD</big>'''  
'''<big>A WAY TO MAKE MY WORK EXIST OUTSIDE OF MY LAPTOP/STUDIO/HEAD</big>'''  


 
----Remake Douglas Gordon's 24 Hours Psycho (1993) using Gus van Sant's remake (1998) of Alfred Hitchcock's original Psycho (1960).
 
----SCHERM LCD
----American Film Production Companies, 0-9, A-Z
----


[[User:123cld]]
[[User:123cld]]

Revision as of 16:01, 2 March 2023

Plansplansplans.jpg

notes for/on future video projects

(write them down for now - when I actually start working on one of them, I will make a specific page)

Dubai Dispositif (re-edit)



Pure theory

https://en.wikipedia.org/wiki/VTOL

https://shop.cmgraficasrl.it/prodotto/libro-test/

https://hal.science/hal-01192627/

pure theory / mere nature-practice

mere theory / pure pratice-nature


LOST LOST LOST LOST / LOST LOTS LTOS LSOT


wholegrain

(Paul Sharits’ Axiomatic Granularity )


Layouts series

draw basic structure/layouts/interface of webpages - grey simplified shapes (just variations of rectangles?) on white background - photoshop? or maybe with tracing paper on screen


24x1x24

select 24 random, unrelated images (with the same look-vibe-quality - probably some sort of amateur digital photographs) - or a 1 (or 24 second) 24 fps found video

-

i want them to be images as images, nothing more than that

-

play around with the basic structure of moving images / cinema - 1 unit of time (1 second) is the sum of 24 unrelated images projected on a white/black screen - 24 seconds of video is 24 frames x 1 second x 24 seconds

elements:

24 images

black screen

white screen

1 second

frame counter

timecode - timer

counter delle immagini - ogni clip ha il suo numero 1-24

e.g.

24 images in 1 second - every possible order of these 24 images

24 images, every image for 1 second

1 image for 1/24s every 24 seconds

...

play with these structure/elements, make it evident / if I use 24 second video it might become a super long piece. might be interesting though.


(might result a bit too close to structuralist filmmaking - but worth a try)

https://www.youtube.com/watch?v=NjM_tqrGxzI

https://commons.wikimedia.org/wiki/Template:Potd/2022-12

https://www.youtube.com/watch?v=4vnFcwp5pgw&list=WL&index=1


lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on

lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on -

reference to that precise breakthrough - literally - moment of cinema filtered through digital culture, home video, internet sharing, dissemination of images


make a loose reference

24 different train footage, 1 frame from each, to make a 1 second 24fps sequence


play with perception of time - space - fictional time and space - with the structure of moving image - 24 unrelated images per seconds, similar but different in time and space


"beatmatch" train spotters footage with lumiere's film

1 sec when the train hits the left side of the frame


e come se tuttas la gente sulla banchina dei lumiere avesse preso in mano una camera e si fosse messa ognuna a filmare l'arrivo del proprio treno nella propria città

https://mubi.com/it/films/train-again. (altra reference?)


https://www.li-ma.nl/lima/catalogue/art/michiel-van-bakel/equestrian-monitorversie/7585



Video is a ve---ry practical material



In case of necessity please break


Series/Compilation of of short loops made of pixelated screen banding of low resolution versions of early avantgarde films (richter, ruttman ...) - possible workflow: film them playing on a LED screen, make the loops in davinci, print them back on 16mm film, project them as 16mm loops



(Nick Briz similarly manipulated the codecs of various online upload-video hosting sites to create Black Compressed (2009), four minutes and thirty three seconds of solid black video, compressed to moving Richteresque rectangles, a derivation of John Cage’s seminal 4’33’’ from 1952.)



DEADPIXELS (VERY MOVING SHAKY FOOTAGE, THE ONLY STABLE-STATIONARY-FIXED-STILL ELEMENTS ARE DEADPIXELS ON SENSORS - THEY ARE THE PROTAGONISTS - FAILURES OF THE DIGITAL IMAGE STRUCTURE REVEAL THE DIGITAL IMAGE IN ITSLEF - PIXED POINTS-PUNTI FERMI - PUNTO FERMO - HANDHELD CAMERA MOVING AROUND VERY FAST


deadpixels fix videos on yt - abstract flickering animations



Pierrot le fou party scene - loop rmx



rudigler vogler 3 screaming scenes

in

The wrong move

Alice in the cities

Kings of the road (?)



LECTURE - PERFORMANCES?

STAGING IMAGES AND TEXTS OF A RESEARCH IN PROGRESS - GIVE THEM A TEMPORARY FORM/SHAPE - TRANSPOSE THE EDITING PROCESS IN A LIVE SETTING

A WAY TO MAKE MY WORK EXIST OUTSIDE OF MY LAPTOP/STUDIO/HEAD


Remake Douglas Gordon's 24 Hours Psycho (1993) using Gus van Sant's remake (1998) of Alfred Hitchcock's original Psycho (1960).


SCHERM LCD


American Film Production Companies, 0-9, A-Z


User:123cld