Latest revision as of 14:43, 12 October 2022

It is just a toy .. phew

Scattered thoughts, desires and gestures that need to be united (a bit)
Parallel experiments, that occupy my soul 🎃

Reading and annotating Situated knowledges by Donna Harraway

pad
https://pad.xpub.nl/p/situated_knowledges

Gathering my annotations

Who has a body?
We don't want to represent the world. We don't want one body
Universality is reductionism
Prosthesis and not objectivity
All vision has an embodied nature
The body is an agent not a resource
How to see from below?
Vision requires instruments of vision
Who can and who cannot?
How to see?
Where to see from?
What limits to vision?
What to see for?
What other sensory powers do we wish to cultivate besides vision?
Location is about vulnerability
Situated knowledges are about communities and not about individuals
Sex as an object of biological knowledge
Homogenising all the world's body into resource 👎🏼
Nature is only the raw material of culture 👎🏼
Situated knowledges require that the object of knowledge is an actor or agent
Conversation vs discovery
Bodies as objects of knowledge are material-semiotic, generative nodes

keywords:
subjugated knowledges
location
embodiment
partial perspective
politics of vision
fantastic imaginings
local knowledges

Freesound Library and research with keywords

Editing sound

The different steps for sound editing
1. Define the archive of sound

 a. Import recorded sounds I have made the past months, to create an archive. Try to categorise them with different 
 logics
 b. Try to edit already existing archive of sounds . example freseound.org library

2. Editing methodologies
tab

Approaching the diffractive instrument

1. I started making this pad on the special issue 18, trying to approach how to make an instrument that edits sounds diffractively ( i am stil in search of what this could mean)
pad
2. Diffractive djing

Meeting points with al nik

a. pad of references https://pad.xpub.nl/p/al_mits_references
b. diagramm of keypoints (photo)

c. pure data tutorial

@@ Line 1: / Line 1: @@
-==It is just a toy .. phew ==
+=It is just a toy .. phew =
 Scattered thoughts, desires and gestures that need to be united (a bit)
@@ Line 5: / Line 5: @@
 Parallel experiments, that occupy my soul 🎃
-===1. Reading and annotating Situated knowledges by Donna Harraway===
+== Reading and annotating Situated knowledges by Donna Harraway==
 pad <br>
 https://pad.xpub.nl/p/situated_knowledges <br>
@@ Line 12: / Line 12: @@
 Gathering my annotations
 <br>
-statements:
-<br>
+''Who has a body?''
-'''Who has a body?'''
 <br>
 '''We don't want to represent the world.'''
@@ Line 27: / Line 26: @@
 '''The body is an agent not a resource'''
 <br>
-'''How to see from below?'''
+''How to see from below?''
 <br>
 '''Vision requires instruments of vision'''
@@ Line 77: / Line 76: @@
 <br>
-===2. Python script: Re-using the prototype that joseph and manetta made for getting sounds from the freesound.org library. Obtaining all the sounds with the entry point "body" ---> https://freesound.org/search/?q=body&page=8#sound===
+==Freesound Library and research with keywords==
+body
+https://freesound.org/search/?q=body&page=8#sound
+<br>
+machine https://freesound.org/search/?g=1&f=&q=machine&s=Automatic+by+relevance&w=&advanced=0&page=1#sound
+<br>
+prosthesis
+https://freesound.org/search/?q=prosthesis
+<br>
+cyber https://freesound.org/search/?q=cyber
+<br>
+cyborg https://freesound.org/search/?q=cyborg&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+robot https://freesound.org/search/?q=robot&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+organ https://freesound.org/search/?q=organ&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+gender https://freesound.org/search/?q=gender&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+sex https://freesound.org/search/?q=sex&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+natural https://freesound.org/search/?q=natural&page=1#sound
+<br>
+artificial https://freesound.org/search/?q=artificial&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+animal https://freesound.org/search/?q=animal&page=1#sound
+<br>
+human https://freesound.org/search/?q=human&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+non-human https://freesound.org/search/?q=non-human&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+woman https://freesound.org/search/?q=woman&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+indigenous https://freesound.org/search/?g=1&f=&q=indigenous&s=Automatic+by+relevance&w=&advanced=0&page=1#sound
+<br>
+non-binary https://freesound.org/search/?q=non-binary&f=&w=&s=Automatic+by+relevance&advanced=0&g=1
+<br>
+trans https://freesound.org/search/?g=1&f=&q=trans&s=Automatic+by+relevance&w=&advanced=0&page=1#sound
 <br>
-=== 3. Editing sound ===
+== Editing sound ==
 The different steps for sound editing <br>
 '''1. Define the archive of sound'''
@@ Line 93: / Line 129: @@
 <br>
-===4. Approaching the diffractive instrument===
+== Approaching the diffractive instrument==
 . I started making this pad on the special issue 18, trying to approach how to make an instrument that edits sounds diffractively ( i am stil in search of what this could mean)
 <br>
@@ Line 100: / Line 136: @@
 . Diffractive djing
-===4. Meeting points with al nik===
+=== Meeting points with al nik===
 a. pad of references
 https://pad.xpub.nl/p/al_mits_references

Mits'👾's Hackpact: Difference between revisions