Marieke / Thesis: Difference between revisions

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'''Chapter 1. Leaning in or covering up'''
'''Chapter 1. The burden of looking'''


In my opinion there are 2 types of viewers when it comes to violent cinema. Those who cover their eyes or those who lean in so they can see it just a bit better.
In my opinion there are 2 types of viewers when it comes to violent cinema. Those who cover their eyes or those who lean in so they can see it just a bit better.
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Mr. Blonde dancing/dialogue, Reservoir Dogs - Joker dancing, Joker
Mr. Blonde dancing/dialogue, Reservoir Dogs - Joker dancing, Joker


'''Chapter 2. Film make-up / Game make-up'''
'''Chapter 2. Wakey wakey'''
 
In this section I will analyse films, games and video art that leave no room for a passive experience in their own ways.


Introduction Film & Game relation
Introduction Film & Game relation

Revision as of 15:15, 6 November 2019

Potential title: Worst Case Scenario


Introduction

  • The high five story could be referenced

There are those stories that are so sickening that they feel like a punch in the gut.

In the best case the story is fictional, in the worst case the story is real.

I had my own gut punch moment when I read a story about a woman under influence who was raped by two students. After the assault they left the woman in the toilet, who was so severely wounded she needed surgery.

There were also 2 recordings.

One recording was of the rape. Both men admitted watching their attack back on a mobile phone while making lewd-gestures and re-enacting what they had done to the woman.

The other recording came from a surveillance camera. Where the men can be seen hugging, high-fiving each other and.. laughing. Seemingly as it was an experience that bonded their brotherhood.

Sexual violence is already horrifying as it is, when this violence is also recorded it adds another layer to this invasion. I imagined how I would feel if I went through such an experience and I would be aware that the perpetrators would look back at my pain because it would arouse them. Besides that, in the above case the woman was unconscious so she has no recollection of the assault herself, but the men do. Robbing the woman of any closure or healing she would have hoped to find after this terrifying experience.

The "high five" recording was shared on several news websites.


Chapter 1. The burden of looking

In my opinion there are 2 types of viewers when it comes to violent cinema. Those who cover their eyes or those who lean in so they can see it just a bit better.

Responses to violence:

  • As a viewer
  • As a filmmaker

How does that relate to me?

Improv

Examples:

Mr. Blonde dancing/dialogue, Reservoir Dogs - Joker dancing, Joker

Chapter 2. Wakey wakey

In this section I will analyse films, games and video art that leave no room for a passive experience in their own ways.

Introduction Film & Game relation

  • What I've drawn from this
  • Case studies + Looking at techniques from both

Films to analyse:

Sex, Lies and Videotapes, Steven Soderbergh - American Beauty, Sam Mendes - Irréversible, Gaspar Noé - Funny Games, Michael Haneke - A Girl Walks Home Alone at Night, Ana Lily Amirpour - It Follows, David Robert Mitchell

Games to analyse:

Silent Hill 2, Konami - The Path, Tale of Tales - Life is Strange 2, Dontnod Entertainment

Video Art to analyse:

Der Mirror, Keren Cytter - Time Passes, Ane Hjort Guttu

Chapter 3. Report on Project

Conclusion

Preparing longer project and how this research will inform next stage.



Comments / Thesis questions:

  • Abjection - How does this relate to the self in terms of response to violation?
  • How does the self-reflexivity of your approach (and film mimic you are connecting to for this project) relate to abjection + the self?


Important:

  • More texts on abjection (Look at abject theory)
  • More & more violence being filmed in real life (This could be referenced)
  • Themes of repression


Film recommendations Natasha:

  • Sex, lies and videotapes - Steven Soderbergh
  • Time Passes - Ane Hjort Guttu
  • Naked - Mike Leigh