Jujube/thesis-references

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references from thesis proposal

Memoir

CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
CHEE, A. (2018) How to write an autobiographical novel : essays.
PROULX, A. (2012). Bird cloud. London, Fourth Estate.

Practice

AUFDERHEIDE, P. (2016). Documentary film: a very short introduction. Oxford, Oxford University Press.
MAMET, D. (1992) On directing film. New York: Penguin Books.
SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
SVENDSEN, L. F. H. (2017). A philosophy of loneliness.
WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.
Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).

Reflection

ASMA, S. T., & GABRIEL, R. (2019). United by Feelings. https://aeon.co/essays/human-culture-and-cognition-evolved-through-the-emotions
BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 1.
BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
BROWN, B. (2004). Things. Chicago, University Of Chicago Press.
CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
Chateau, D., & Moure, J. (2016). Screens.
Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador
Voìgt, Ellen Bryant. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.

Organization

CARSON, A., CURRIE, R., & CATULLUS, G. V. (2010). Nox. New York, New Directions.
Merewether, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
NELSON, M. (2016). The argonauts.
PATEL, S. (2014). Migritude. New York, Kaya Press.
RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.

references from project proposal (methods for general reserach on image-making)

Literature

The Cinematic, ed. David Campany
On Directing Film, David Mamet
Transcendental style in film: Ozu, Bresson, Dreyer, Paul Shrader
Understanding a Photograph, John Berger
Image, Voìgt, Ellen Bryant. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268

Films/Plays

The Mirror (1975), Andrej Tarkovski
Birds of Passage (2018), Cristina Gallego & Ciro Guerra
Minding the Gap (2018), Bing Liu
Gulyabani (2018), Gürcan Keltek
Light of my Life (2019), Casey Affleck
Vulnerable Histories (A Road Movie) (2019), Koki Tanaka
Salt (2018), play by Salina Thompson


Synopsis page

See Jujube/synopsis

feelings

memory

documentary

cinematic

transcendental style

John Berger (Appearances)

Abstract page

jujube/abstracts-text

Criticizing Photographs: An Introduction to Understanding Images

Loose articles on cinematic experience/cinematography

Films, exhibitions, plays

jujube/abstracts-non-text

Laura Mulvey, Autotheory, Organization of autobiographical and critical writing

Longitudinal reading of Laura Mulvey

https://pzwiki.wdka.nl/mediadesign/Jujube/methods-research-group#reading_Mulvey

Autotheory as Rebellion: On Research, Embodiment, and Imagination in Creative Nonfiction

https://sites.lsa.umich.edu/mqr/2019/07/autotheory-as-rebellion-on-research-embodiment-and-imagination-in-creative-nonfiction/

interesting: Edmund Morris, biographer of Ronald Reagan, became a fictional narrator in the biography.

https://www.nytimes.com/1999/10/02/books/critic-s-notebook-a-biographer-who-claims-a-license-to-blur-reality.html

The Autobiography of My Novel

Alexander Chee

comparative essay: https://pzwiki.wdka.nl/mediadesign/Jujube/methods-session-5#Reflecting_on_autobiography_in_my_own_work:_reading_Alexander_Chee.27s_The_Autobiography_of_My_Novel

The Argonaut

Maggie Nelson

To weave the text together, I have been paying close attention to the structure of paragraphs and noted strategies used by Nelson. I intend to implement similar ones, including: - direct transitions from personal memory to critical observation from one paragraph to another, manifesting a process in which memory provokes thought (p60, Butler) - leveling non-critical writing (own or from others) and theories (own or from others) in the same paragraph when the boundaries between feeling and thinking are porous (p55, Bellamy) - equalizing own critical thoughts and those from others in the same paragraphs, creating a nebula of significant observations regardless of discurve hierarchy (i.e. being a friend to a theorist, rather than a disciple) (p48, Carson)