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| = References = | | = References = |
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| Memoir
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| :CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
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| :CHEE, A. (2018) How to write an autobiographical novel : essays.
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| :PROULX, A. (2012). Bird cloud. London, Fourth Estate.
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| Practice
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| :AUFDERHEIDE, P. (2016). Documentary film: a very short introduction. Oxford, Oxford University Press.
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| :MAMET, D. (1992) On directing film. New York: Penguin Books.
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| :SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
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| :SVENDSEN, L. F. H. (2017). A philosophy of loneliness.
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| :WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
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| :Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.
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| :Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
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| Reflection
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| :ASMA, S. T., & GABRIEL, R. (2019). United by Feelings. https://aeon.co/essays/human-culture-and-cognition-evolved-through-the-emotions
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| :BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 1.
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| :BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
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| :BROWN, B. (2004). Things. Chicago, University Of Chicago Press.
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| :CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
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| :Chateau, D., & Moure, J. (2016). Screens.
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| :Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
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| :Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
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| :Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
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| :Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
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| :Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
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| :Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
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| :Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador
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| :Voìgt, Ellen Bryant. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.
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| Organization
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| :CARSON, A., CURRIE, R., & CATULLUS, G. V. (2010). Nox. New York, New Directions.
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| :Merewether, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
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| :NELSON, M. (2016). The argonauts.
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| :PATEL, S. (2014). Migritude. New York, Kaya Press.
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| :RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.
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