Jujube/abstracts-text: Difference between revisions
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= | = Lecture(-performance): I Am He As You Are He As You Are Me and We Are All Together: Shuffled Subjectivities In and Out of the Frame by Yuki Okumura.= | ||
19.30, Apr 14, Nederlandse Filmacademie. 'Japanese artist Yuki Okumura will discuss how he has positioned himself in the process of his film making, and how he has staged lectures and interviews with simple yet particularly interventional instructions and employed them as materials for his projects tackling the notion of individuality that is defined by language and based on our physicality, where film’s very nature of framing time and space plays a key role.' | |||
In his works he uses the process of translation as a mechanism to visualize authorship, (auto)biography and subjectivity. In one video ('Jun Yang: A Short Lecture on Forgetting and Remembering, 2011'), he films a translator (who spoke on behalf of the artist, Jun Yang, giving a lecture). Without context, the interpreter in the video becomes the artist as she speaks with the subjective "I". [https://vimeo.com/200276863] In another project ('Hisachika Takahashi by Yuki Okumura, 2016 (curated by Reiko Setsuda)'), he creates an exhibition with the prints made by Hisachika Takahashi (which is reflected in the title of the exhibition). A related video features him being interviewed as Hisachika Takahashi (Okumura had memorized Takahashi's biography for this interview). | |||
See more his works at https://vimeo.com/yukiokumura and http://yukiokumura.com/works.html | See more his works at https://vimeo.com/yukiokumura and http://yukiokumura.com/works.html | ||
Revision as of 12:49, 29 April 2019
Lecture(-performance): I Am He As You Are He As You Are Me and We Are All Together: Shuffled Subjectivities In and Out of the Frame by Yuki Okumura.
19.30, Apr 14, Nederlandse Filmacademie. 'Japanese artist Yuki Okumura will discuss how he has positioned himself in the process of his film making, and how he has staged lectures and interviews with simple yet particularly interventional instructions and employed them as materials for his projects tackling the notion of individuality that is defined by language and based on our physicality, where film’s very nature of framing time and space plays a key role.'
In his works he uses the process of translation as a mechanism to visualize authorship, (auto)biography and subjectivity. In one video ('Jun Yang: A Short Lecture on Forgetting and Remembering, 2011'), he films a translator (who spoke on behalf of the artist, Jun Yang, giving a lecture). Without context, the interpreter in the video becomes the artist as she speaks with the subjective "I". [1] In another project ('Hisachika Takahashi by Yuki Okumura, 2016 (curated by Reiko Setsuda)'), he creates an exhibition with the prints made by Hisachika Takahashi (which is reflected in the title of the exhibition). A related video features him being interviewed as Hisachika Takahashi (Okumura had memorized Takahashi's biography for this interview).
See more his works at https://vimeo.com/yukiokumura and http://yukiokumura.com/works.html