Implicancies Resources 15: Difference between revisions
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* Katherine Mckittrick (2021), [Dear Science] (in: Dear Science and Other Stories) | * Katherine Mckittrick (2021), [Dear Science] (in: Dear Science and Other Stories) | ||
* Zach Blas & Micha Carde (2015), [Imaginary computational systems: queer technologies and transreal aesthetics] | * Zach Blas & Micha Carde (2015), [Imaginary computational systems: queer technologies and transreal aesthetics] | ||
* Noah Tsika (2016), [ | * Noah Tsika (2016), [CompuQueer: Protocological Constraints, Algorithmic Streamlining, and the Search for Queer Methods Online] | ||
* Wendy Hui Kyong Chun (2009), [https://watermark.silverchair.com/CO70_02_Chun.pdf Race and/as Technology; or, How to Do Things to Race] (introduction) | * Wendy Hui Kyong Chun (2009), [https://watermark.silverchair.com/CO70_02_Chun.pdf Race and/as Technology; or, How to Do Things to Race] (introduction) | ||
* Syed Mustafa Ali (2016), [https://oro.open.ac.uk/46718/1/__userdata_documents8_sma78_Desktop_A_Brief_Introduction_to_Decolonial_Compu.pdf A brief introduction to decolonial computing] | * Syed Mustafa Ali (2016), [https://oro.open.ac.uk/46718/1/__userdata_documents8_sma78_Desktop_A_Brief_Introduction_to_Decolonial_Compu.pdf A brief introduction to decolonial computing] | ||
Revision as of 09:24, 22 April 2021
Resources
Watching / listening
- Wendy Chun (2017), Crisis + Habit = Update
- Syed Mustafa Ali (2018), [ https://youtu.be/QeKlpr_08_4 ‘White Crisis’ and/as ‘Existential Risk']
- Melanie Feinberg (2014), A Story Without End: Writing the Residual into Information Infrastructure
- Ron Morrison (2018), Decoding space: Liquid infrastructures
- Ron Morrisson (2019), [Speaking Nearby: the forgotten past of computational thought]
- Aimee Bahng (2017), Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-Queer Commons
- Martine Syms (2013), The Mundane Afrofuturist Manifesto
- Ursula Leguin (1985), She Unnames Them
- Edouard Glissant (Manthia Diawara, 2010), One World in Relation
- Denise Fereira Da Silva, Arjuna Neuman (2019), [Four waters: deep implicancy]
- Four Rooms – Denise Ferreira Da Silva (2020), on the Logics of Exclusion and Obliteration
Reading
- Manthia Diawara, Edouard Glissant (2009), Edouard Glissant in Conversation with Manthia Diawara
- Wendy Hui Kyong Chun (2018), Queerying Homophily
- Orit Halperin (2014), [Beautiful Data, A History of Vision and Reason since 1945]
- Hope A. Olson (1998), Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains
- Dahlia S. Cambers, Mary Coffey, Måns Wrange / OMBUD (2014), The Law of Averages 1, 2 + 3
- Romi Ron Morrison (2019), Gaps between the digits. On the fleshy unknowns of the HUMAN
- Oulimata Gueye (2019), No Congo, no technologies
- Martine Syms (2013), The Mundane Afrofuturist Manifesto
- Ramon Amaro (2019), Artificial intelligence: Warped, colorful forms and their unclear geometries
- Donna Haraway (2019), A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction
- Denise Fereira Da Silva (2016), [On difference without separability]
- Katherine Mckittrick, [Mathematics Black Life]
- Donna Harraway (1988), Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective https://philpapers.org/archive/HARSKT.pdf
- Karen Barad, Adam Kleinmann (2012), Intra-actions
- Karen Barad (2016), [Diffracting diffraction] + [Diffraction vs Reflection] (in: Meeting the Universe Halfway)
- Katherine Mckittrick (2021), [Dear Science] (in: Dear Science and Other Stories)
- Zach Blas & Micha Carde (2015), [Imaginary computational systems: queer technologies and transreal aesthetics]
- Noah Tsika (2016), [CompuQueer: Protocological Constraints, Algorithmic Streamlining, and the Search for Queer Methods Online]
- Wendy Hui Kyong Chun (2009), Race and/as Technology; or, How to Do Things to Race (introduction)
- Syed Mustafa Ali (2016), A brief introduction to decolonial computing
- Michael Murtaugh (2020), Eventual consistency
- Saidiya Hartman (2020), The Plot of Her Undoing